{#npm16: parasite}

One of the reasons I write mopey poetry is that it doesn’t usually come out unless something is bugging me — that’s why I’m trying, this month, to be more deliberate. Well, I was.

If you didn’t have time to listen to the whole nine and a half minutes of Act One of This American Life, the gist of the report is that there’s a new tradition borne of … well, basically, bullying and intimidation in the city of Philadelphia, that city of Brotherly Love. It’s …honestly, kind of crazy. From the transcript:

Upperclassman conspire to target freshman parties, freshman like Ben. And at these parties, the parents are home. The older kids, though, they are not deterred by parents. Parents can be yelling at them to get off their lawn, and the kids will pretend to go, but really they are sneaking in around back. And once they get in, they tell the younger kids, “this is our party now.”

This is so common in my town that parents are calling it “parasiting.” They try to deal with it themselves. They try not to call the cops. They don’t want their kids to be humiliated, but it can get overwhelming.

One mom I talked to got a call from a friend while this was going on at her house. The friend warned her, “they’ll find a way around you. You can’t stop them.”

Ben: It’s like a military raid. It’s like D-Day. It’s like any sort of multifaceted attack where the base is just completely up for grabs and anything goes. And all morals are just thrown out the window completely.

What bugged me tremendously about this story is that this meek thirteen year old freshman, inviting classmates to a birthday party, remembers blind panic and terror as the quiet gathering for ten or so kids was blown up to 70 strangers, and more vying for entry through windows, and crawling through the hedges. He remembers actual fear. His parents in the front yard, screaming, threatening, trying to get some control, on their own property.

And then, as an upperclassmen at sixteen, Ben began crashing parties. His excuses? Because, if he doesn’t go, it won’t change anything. And it changes nothing even if he does. If you can’t beat ’em, apparently, in Ben’s world, you join ’em. He says he has the “right” to go into strangers houses and ruin freshman kids’ parties. After all, if happened to him, right? He says it’s thrilling to do the kind of “black ops” thing and figure out ways to get into a house when people are trying desperately to keep you out. It’s so fun. It’s all part of the game.

This just does not compute.

I can’t imagine non-white kids getting away with this without being tasered, arrested, or brought home to Mom and Dad in body bags. I can’t imagine white parents not burning up the phone lines calling the police, the sheriff, the National Guard if brown kids were crawling under hedges and trying to get into their houses. I cannot imagine there being no use of lethal force, that parents would merely stand on the lawn and scold. Additionally, if we’re going to create a just and civil society, we must all understand its boundaries, and what they’re there for. We have, under the Constitution, the right to life, liberty, the pursuit of happiness. We never have the right to take away from anyone else – not their peace, not their happiness, not their feelings of safety in their homes. Parents telling each other that “you can’t stop them” is just, to me, unacceptable. Part of me looks very my metaphoric shoulder and rolls her eyes, “Oh, you’re overreacting, it’s a teen party,” but part of me knows that I am not. It would take just one incident of accidental injury – or God forbid, death – one act of misunderstanding or aggression across cultures or between genders or races, and someone’s life could be irrevocably changed. Maybe a teen. Or, maybe an adult would be liable… someone made a part of the game who hadn’t agreed to play.

The worst part of the story for me, and what has continued to trouble me, weeks later, was my instinctively violent reaction. Kid or no, I’d want to throw trespassers bodily from my home, my castle. How dare they! My hands practically twitched as I listened — No hand-wringing, no pleading for them to go away; I would take action. A healthy body fights off parasites, does it not? I would THROW THEM out. And not solely in rage. In terror. Wasn’t adulthood supposed to be about no longer being out of control? No longer being bullied? How is this… hang wringing passivity…adult? How did we get here?

…So for all of my high moral fiber and nonviolent ways, I have discovered that I am a lousy pacifist. Which is disheartening. Beliefs are supposed to be beliefs, even when you’re pushed.

Pounding Out Peace

Putting the “fist” back in “pacifist,” while
Abstaining from actual…peace, I’m
Confident conflict will war without end,
Ignominously fueling caprice…
Forgive me my flaws. Fully human
Impaired, my compassionate side;
Semantically, I’m on the side of the doves
Though I fear I’m…unqualified.

{#npm16: elegy, ii}

elegy, twenty years on

box steps, they hedged us in four/four
she led, I stumbled ‘cross the floor
more awkward dancers since unseen
one tall, one short and plump, one lean.

The ballad – Beatles – sung in French
Was only Muzak. Now a wrench
Goes through me at that tenor croon.
Ma belle, she danced us to the tune

Of innocence, of girlish ploys,
Of drama, gossip, clothes, and boys
And with her loss, my childhood ends.
She suffered. I cannot pretend.

There is a truth that nothing mends:
My government has killed my friend –
Though years have passed the thought refrains,
– and I will not trust them again.


An elegy, the poets say
Is meant, in words, to show the way
A person grieves, the stages met —

It seems I’m not quite finished yet.

T.S. Davis, ©2013

Obviously not an acrostic, but something I wrote a few years ago about a dear childhood friend who was killed in Waco, Texas. Some places in life are places where you simply… stop. Here’s where the story ends…

Sacrilege, this claim – the pain’s
Ubiquitous as common dirt!
Ridiculous the bleeding, so
Vainglorious! We’ve all been hurt…
Inchoate knowledge
Verifies scant evidence thru all these years
Iconoclasts eke “truth” from lies
Nuisance the “facts” they volunteer….
“Gone” is a song we recognize, loss preys on us throughout our lives.

{#npm16: shaped acrostic}

These are trickier to lay out on a blog than they should be, but they’re lots of fun regardless. Shaped acrostics aren’t something I can foresee attempting anytime soon, but I am intrigued by this one, though the shape doesn’t specifically say anything to me about the poem. Still, it works for me…

Uplifting
Robert Yehling (1959- )

          Upon a glade of sun-sculpted
               Pine forest, rooted in stone,
                    Layers of my bark peel away,
                         Inviting a softer surface to emerge. I climb
                              Far into the sky, following an eagle’s current
                    To the sun–
               I melt into my sculptor…
          Nestled by Her vision, I hear a new call:
     “Go back to seed, and I will bring you Home.”

{#npm16: edward estlin again}

This isn’t a “real” acrostic either, because, well – e.e. What else can we say? Is he actually going to follow a form, all the way through, properly? Not if he can help it, the rule-breaker.

M in a vicious world-to love virtue
A in a craven world-to have courage
R in a treacherous world-to prove loyal
I in a wavering world-to stand firm

A in a cruel world-to show mercy
N in a biased world-to act justly
N in a shameless world-to live nobly
E in a hateful world-to forgive

M in a venal world-to be honest
O in a heartless world-to be human
O in a killing world-to create
R in a sick world-to be whole

E in an epoch of UNself-to be ONEself
— “Marianne Moore”

And now, you ask, who was Marianne Moore to our Edward? She was a contemporary and a colleague; a poet of some renown and his acrostic was in response to a photograph of her. How lovely.

{#npm16: in praise}

“won’t you celebrate with me”

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
Lucille Clifton

Clifton’s “won’t you celebrate with me” is probably one of the best poems in the world. Any trauma from which you escape, intact, is reason enough.

what if, instead of moaning, we

Caught up as we get
Embracing our “busy”
Life tends to be blurred…
Entirely dizzy we spin on our axis;
Bewailing each turn
Regretting our choices –
A foolish return on time better invested
Tenaciously climbing the hill not yet crested
Egregious complaints of “still not enough time”
Dissolve in the face of this changed paradigm.

{#npm16: in her prime}

primeofmissjeanbrodie

Oh, dear. I have discovered a great evil. Many of Dame Maggie Smith’s movies are, in their entirety, on Youtube.

OH THE TIME WHICH WILL BE WASTED. This is TERRIBLE, because it’s been ages since I watched The Prime of Miss Jean Brodie. And I’d NEVER seen her in “Memento Mori” which is another of my favorite novels by Muriel Sparks, and my, are we overdue.

It is the face of a youthful Maggie Smith I always imagine when I think of Miss Jean in Spark’s novel. By turns haughty and harrowed, alienating and …alone, she is a complex character of questionable moral judgment, leading little girls to love her, loathe her, and eventually shake off her influence like a dog shakes water from its back. (Ah, Rose. Famous for sex, was she? ONLY WITH HER HUSBAND, despite your machinations, madam.) I dearly wish I’d gotten to see a Scottish version of this play; I would have LOVED to hear a lilting Edinburgh accent (our Maggie tried her best, but…) and seen the hints of dark humor the setting implied. I loved this book in college — though I can’t say I understood all of it then. All I knew was that she was the wrong kind of teacher to emulate, and taught accordingly.

Growing up to move past being one of her protégés must have been a wrench.

Brodie’s Set

Thrilled that we could know her, we paid
Homage to her
Every phrase. A

Paragon among us, we revered her –
Rightly – sought her praise.
Imperative you understand: we
Mostly thought ourselves immune;
Embodying her eminence,

Official singers of her tune. But as we grew – matured a bit – we
Found her influence malign. The

Machinations to achieve
In all things what she called “her prime”
Slipped into some of us desire \outside her
Shadow, long, to climb. So…

Jeopardizing secrets we were taking to the grave, we
Exercised our options, found new ways we could behave.
Accomplices no more to feed an aging drama queen
Naiveté gave way to wisdom none could contravene.

{#npm16: and now for a little magic}

Skyway Drive 356

l’arts

Pastoral printer, poised to trace
A motif marked in ragged lace,
Transfix the tints of natural hue
That turned – in acid bath – to blue.
Eclectic craft is my campaign;
Relish the art in the mundane.
Nourish thy soul with “common” sense –
Save “someday” dreams for present-tense.

Skyway Drive 363Skyway Drive 367

Are you one of those people who always thought you’d have art in your house when you grew up, as in a “capital A” Art situation, as in a “someday” scenario? It’s the weirdest thing how we put this time-delay on our lives, when we probably have what we need… now. Made some salad, bam, made some art. And it was fun.

I like that red cabbage dries in various shades of blue, depending on if you boil it in vinegar – acid – or baking powder – base. *NB, people: Red cabbage dye is not colorfast in any way; shifts tint/shade in the presence of another pH – as in, if you dye a shirt and perspire, the color will be…? and it fades like a Tiger Beat crush – so, while it’s fun, it is not forever. Works great on eggshells and as a stamp on paper, though. (The rest are dyed with yellow onion skins and loose-leaf jasmine tea, of all the random things I thought to try.)

{#npm16: d.e.a.r., party like it’s 1916}

Picture1


Growing Up With the Quimbys

Tedious math problems were put on
Hiatus as we settled down
As our teachers bade us — We,
Nascent adventurers, listening deep, for all of the news from
Klickitat Street.

Yearning to live in Portland’s
Oasis — that sweet little street held childhood in stasis,
Until school tugged us onward, however unjust,
Beguiled, we moved forward, into new worlds thrust.

Essentially, all kids grow at their own pace; we’re
Valiant some days and others
Erase every sign of maturing,
Resist every nudge. Embrace what we hated, and
Loathe what we loved…

Yet, somehow, we did it. We failed and we tried, and
Candid – and callow – took life in our stride. Became
Long-legged teens, with all that implied!

Elusive, those child-spaces bright with sunshine
And limited, privileged childhoods defined, but
Rambunctious Ramona — and her kith and kin — a
Youth filled with innocence gives us again.

I’m not the only one who wanted to live with the Quimbys, I’m sure, but I was probably one of the most quietly rabid. I hid my Uncle Sly’s smokes in the sandbox when I was little; I would have been all over helping Ramona’s dad quit. Sure, Beezus was a pain, but she was the mild version of an older sister; I had two and I can tell you that her little piques and pains were nothing to what I put up with. I loved Henry; I wanted a paper route, an ice-cream eating dog, a mouse called Ralph, motorcycle, and a cat named Socks (and lobbied hard to rename our cat that, but no, my boring family called her TC. Yes. The poor thing’s name was “That Cat.” *throws up hands*). Additionally, I wanted to take ballet, be a bridesmaid and turn fifteen and wear a crinoline. In short, my confused self wanted to live in 1950-something with the Cleary characters, not realizing until I was much older how heinous that would have been for me. Still, there’s a universality and timelessness in Mrs. Cleary’s work which, though almost entirely (? correct me if I’m wrong, here) about privileged white kids, their lives, and the lives of their pets, nonetheless spoke to what diversity she saw and understood at that time. I loved hearing my teacher read these books aloud in grade school, and will keep the work and worlds of Beverly Cleary as a bright spot of childhood memories.


{#npm16: back to blake}

I was excited to find another proponent of the acrostic in my poetry meanderings, this one from the 18th century. This one is dark, dark, dark. In Songs of Innocence and of Experience (1794), William Blake’s “London” appears on the “Experience” side, and it isn’t much later that scholars begin to debate what the embedded word “hear” means in the text. Some have posited a religious meaning, while others, a meaning more political. Roy Neil Graves professor at the University of Tennessee at Martin shines a bit of light on things.

London

William Blake, 1757 – 1827

I wander thro’ each charter’d street,
Near where the charter’d Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every man,
In every Infant’s cry of fear,
In every voice, in every ban,
The mind-forg’d manacles I hear.

How the Chimney-sweeper’s cry
Every blackning Church appalls;
And the hapless Soldier’s sigh
Runs in blood down Palace walls.

But most thro’ midnight streets I hear
How the youthful Harlot’s curse
Blasts the new-born Infant’s tear,
And blights with plagues the Marriage hearse.

“London” is by consensus one of his strongest poems, a dark social comment that sketches city life in late 18th-century England. The “I” persona reports in present tense on the general misery of the people he encounters on a nighttime sweep through the city’s “charter’d streets.” His trip seems at once real and emblematic. The Londoners he sees, hears (yes, hears), and records are infants, young women, and men—chimney-sweepers, harlots, and soldiers. “Marriage” seems tainted by disease and death, and Church and Crown are the twin, faceless antagonists of a citizenry that includes newborns.

If you have time and enjoyed exploring Blake in college, this professor’s entire work is worth a read, as he includes Blake’s own hand-lettered poem and the artwork which goes with it – which, in true Blake-fashion, is a little chaotic. Even if you’re not a huge Blake fan, how exciting is it that we found more acrostics, even earlier than Victorian days! They were SUCH a Thing! Doubled, or singular or just with one word only appearing sometimes. Many are the ways they could be written…