{p7 takes on the ekphrastic}

Happy August!

Today’s Frost quote reminded me of the poem “Mending Wall,” and the repeated thought, “Something there is that does not love a wall, and wants it down.” Just now I’m working on the season ticket brochure for the chorus in which Himself and I sing, and our first concert next season focuses on Central and South America – and the hope of creating a bridge beyond our experiences rather than celebrating a wall between us and what is unfamiliar and new, thus intimidating. Something there is that does not love a wall…

This month, we’ve Sara Lewis Holmes’ gorgeous photographic eye to thank for the image accompanying today’s poem. Sara took pictures of her trip to Israel and selected three from which we were to create a poem in any form. Look for Sara’s gorgeous open-hearted paean here. Here Laura turns a bowl skyward, while Liz explores our common humanity. Tricia surprises us – and herself, while Kelly crows a bit. Andi adds airy caverns here, and we may find Rebecca later.


The location in this picture is the wall surrounding what is known as the Temple Mount, where the old, old, old temple was destroyed by the Roman Empire in something like 700 C.E. The remaining wall, where traditionally Jewish people came to pray after a pilgrimage to the temple, is commonly known as The Western Wall.

This is a wall that is disputed territory, as are so many things which are divided by lifeless barricades and blocks of stone. Something there is that does not love a wall, and wants it down. A holy place for the Muslim faith as well, Islamic peoples call it the Buraq Wall, and for many years kept it for themselves. Jewish people know the wall as Kotel ha-Ma’aravi, and while some believe it is a place of prayer for all faiths, some in the ultra-orthodox community believe women shouldn’t be praying there at all. Despite all the controversy, united in fervency and purpose are the pray-ers, those individuals who write out an anonymous request and shove it between the cracks in the stone for safekeeping, taking their hearts in hand and mutely appealling to the power of miracles.

Jews, Gentiles, Israelis, Americans – people from all over, and of all faiths come to pray, wish, and hope in a place of perceived holiness. In a world of walls and conflict and confusion, may they find what they’re looking for.


Poetry Friday is hosted by Heidi Mordhorst at Heidi’s Juicy Little Universe.

{poetry friday}

SMALL KINDNESSES
~ by Danusha Laméris

I’ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say “bless you”
when someone sneezes, a leftover
from the Bubonic plague. “Don’t die,” we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, “Here,
have my seat,” “Go ahead—you first,” “I like your hat.”

I think there’s nothing like being in need of help to underscore the small kindnesses which make up the fabric of any existence – even the smile of the barista or check-out person, the nurse who ties closed your hospital gown when they get you up on your feet after surgery, the person you meet walking their dog. We are all weavers of this kindness if we let ourselves be.

{basta. finito. el fin. the end}

It’s so nice to have settled the last word and sent off my manuscript! It’s been a long haul, has 2019 so far, but we’re making it through a day at a time, so yay for that!

Late in the day, but I ran across this poem earlier this week and saved it aside for Poetry Friday. It goes along with Nikki Giovanni’s other poem on spiders “Allowables from which I so frequently quote:

Mercy

She asked me to kill the spider
Instead, I got the most
peaceful weapons I can find

I take a cup and a napkin.
I catch the spider, put it outside
and allow it to walk away

If I am ever caught in the wrong place
at the wrong place, just being alive
and not bothering anyone,

I hope I am greeted
with the same kind
of mercy.

Blessed are the merciful, indeed. Should any of us be caught in the wrong, or being the wrong color, gender, preference, and in the wrong place, let’s hope we all obtain mercy – from cops at routine traffic stops, from judicial benches, from educational systems and from each other. We are none of us free until we are all free. Pax.

Sonoma County 236

{pf with p7: what’s the skinny?}

June, and the chaos has been unleashed. I won’t bore you with all of it, but our friends’ baby came – two and a half weeks early, so none of the handmade gifts we’d started were finished in time (like the baby cares), my deadline is this month, and I didn’t realize a week ago, the Monday of Memorial Day, that I’d be moving house. I am! Next Monday, in fact. So, yeah, it’s barely June, yet a lot has happened.

Fortunately, somehow poetry happened, too.

This month’s challenge is Skinnys. The Skinny, invented in 2005 by poet Truth Thomas, is a short form with eleven lines, the first and eleventh of which can be any length. The eleventh and last line use the same words, in the same order or rearranged. The second, sixth, and tenth lines are identical. (Skinnys have a linked form, which would be amazing to play with too.) And all other lines but the first and last are a single word – thus the name of “skinny,” as they appear rather narrow. Unless you’re me, and cannot stop yourself from using really long words.

Le sigh. Yes. Once again, I struggled with this form. Things that restrict my word count/usage are hard – but things without restrictions? Very hard. Poetry: challenging, every single time. Ah, well. Thematically, Skinnys are often on serious topics – but with so few brief words, they can easily slide into moroseness. I tried to balance my depressive tendencies with short verbs and punchier topics. It helped to just keep writing, and keep experimenting – I got to where I was literally waking up to write Skinnys after dreaming them. The neat thing about this form is that you can write a great many poems in a short amount of time. Today I’ll share just a couple.

Hypnagogic

on the edge of sleep, a dream of falling
sudden
start
abrupt
spasm
sudden
heartbeat
acceleration
another
sudden
falling of dream, of a sleep on the edge

Malignant

metastasis, a silent sword, speeding
spreading
poison
spiteful
blight
spreading
baneful
toxic
fright
spreading
silence. Metastasis, speeding a sword.

This last woke me to remind me of Miss Phine, an infant who gifted me with new wonder for my species.

Homo Familial

sometimes I love them so much
occasionally
humanity
inherently
baffling
occasionally
incredible
relatable
invaluable
occasionally
instinctively
Love times Them. Sum: so much I.

This June chaos has unleashed itself all over, so a few of the Sisters will be poetrying along into next week. You’ll find serious and silly from Laura, a last minute but determined Tricia’s best, here; a very sweet return to the ring from Kelly, and the one who challenged us, Andi’s poem here. Sara, Liz, and Rebecca will check in later in the month.

Poetry Friday flourishes under the love and care of Cousin Mary Lee; if you haven’t signed up for a week to host, and you’re feeling brave, join the party! Poetry Friday this week is hosted at the blog of illustrator Michelle Kogan (do check out her work) who gathers us this week to celebrate poet laureate Tracy K. Smith.

Meanwhile, June rolls on. May you ride out the chaos into the middle of a summer calm. Just remember:

{pf: the p7 get dizzied by dizains}

The new month has burst upon us like …well, a lot like a sudden shower of rain. Because we keep having those. And I am not even mad about it. We’ve also got early strawberries at the Farmer’s Market, so… you win some… and then you win some more, if you have a hat in the car.

May is National Mental Health month, and this is my annual – weekly? – reminder to you all to be excellent one to another, because truly — “A single act of kindness throws out roots in all directions, and the roots spring up and make new trees.” – Amelia Earhart. After all, it’s SPRING! Time to make things grow, good people.


Poetry Princess Sara challenged us to dizains this month, which turned out to be… oddly mechanical. We were discussing how sometimes poetry seems to require us to …look things up and make specific connections with definitions and distinctions in order for mere words to turn into wordplay. The French poetic form dizain (not to be confused with dizaine which either means a decade or “about ten” in French) is regimented – ten lines, ten syllables per line, and a strict rhyme scheme – ababbccdcd. I found myself looking up things which were square, or ten, because it felt awkward, at first! I found that the form kind of builds on itself, and halfway through, the rhyme pattern begins to echo the pattern from the beginning, building a kind of square. Sara decided we could have a bonus point if we used the word “square” in our poems (from the Imaginary Point-Giving Poetry Body), so off we went.

My first poem was kind of a joke – my siblings and I play cards at my parents’ house once a month, in order to see them and each other more regularly, and we were making a disorderly mess last weekend, and my father was patiently …doing dishes. While we played. This is not the pattern of my childhood AT ALL, so that was… spectacularly weird, to be honest. But it got me thinking how much we girls (and my poor lone brother) disrupted my father’s #goals for order and peace. And, since my Dad was a bricklayer just out of high school, and that uses square…

Netherlands 2018 690

All the bricks you could want.

Daughters, Or Things That Messed Up Dad’s Life

Brick by brick, the Mason’s art constructed
Scaffolding, hod, cement in balance tied
Calculus, a symphony conducted
With “joints” and “beds,” and squarely dignified
As sums meet stone, and stone is satisfied.
Bull-nosed – both brick and man – he made life’s call
For “soldiers” in a row, chaos forestall.
No fickle furbelow accommodate
Geometry the goal, once and for all.
But Life provides girl-chaos to frustrate…

(I was reminded that CHILDREN, not just daughters, are the point of chaos, and so I concede. However, a good soldier makes do, and my father has.) That was a good entry poem for me, because I got to use a lot of technical terms (soldiers is a way to lay bricks – in a specific line. Who knew! [Well, Dad, probably]) and got to grips with the weird rhyme scheme. I decided to look further at squares… with dance.

Having attended religious schools my whole life, I never experienced the “fun” so many of my friends and relatives complained about (middle school + dancing for PE = tales of woe). I can’t square dance – or dance at all – but was delighted to discover that for an allegedly simple country dance, square dance has tons of serious adherents and technical terms. A ‘promenade’ is itself a whole dance subgenre! So, I was off again:

Treasure Island 35

Around the Quad

The Promenade brings sweethearts, two by two
With mincing steps, into a perfect square.
Striding in step along the avenue
Forward-and-back, the dancers walk on air
A ‘side-by-side’ that’s truly debonair.
Seeing – and being seen – the highest goal
As gents and ladies proudly take a stroll.
Walk where the lights are bright – all eyes on you
And never mind the critics on patrol —
Just do-si-do on to your rendezvous.


But, wait, there’s more! Sara’s poem uses more technical builder‘s terms, Liz is all science. Rebecca is, of course, quantum science, while Tricia found myriad other disciplines. Poetry Princesses Kelly, Andi, and Laura are off creating their own experiments elsewhere this month.

Need a bit more poetry? Poetry Friday today is hosted by the fabulous Jama-j, at Jama’s Alphabet Soup.

Glasgow Botanic Gardens T 15

One last Mental Health Month reminder: “Kindness in words creates confidence. Kindness in thinking creates profoundness. Kindness in giving creates love.” – Lao Tzu

{pf: p7 does anagrams}

Ah, it is April, the month, that, according to Ms. St. Vincent Millay, “Comes like an idiot, babbling and strewing flowers.” (Am I the poetry nerd who exchanged that poem with a college friend the first of April every year? Yes, yes I am. Do we still yearly exchange that poem, in full or in part? Yes. Because we’re STILL those nerds.)

In this month of rain, rain, more rain, weeds, floods and renewal, my Poetry Sisters nerds and I have set before ourselves a fairly robust challenge…anagrams. Anagram poems are varied – they can be the title of an existing poem, using the words created from the title to describe it. They can have no particular rhyme or rhythm, but each of the end words is an anagram variant. They can be a series of variations on a word or phrase, in its anagram variations. We had inspiration, word lists, and anagram creators, and a lot of blank paper. Not giving ourselves too many limitations was meant to make this challenge easier… but, anagrams, people. NOT EASY. And, I freely admit that all of these are bad – so very, very bad – but fun.

I mean, just ask Laura. Or Sara. Or Andi, or Liz, or maybe Tricia and Rebekah. Don’t ask Kelly, though, she’s just watching the carnage with genteel horror.

Glencoe 30

Because… ME, I started out with a theme. (My gosh, I needed some kind of guard rails and training wheels on this thing.) Being as last month was National Women’s History Month, I did several ‘Herstory’ poems, and managed to amuse myself. I tried ‘Spring’ as a thematic element, anagramming ‘pastel,’ then anagrammed some Rumi quotations – because he sounds both profound and wildly unfettered in his words. I anagrammed my name, which was weird (Savants Aid It? Really???), then a few random phrases. It took a long, long time to find my feet with this, which means I need to try it again and again until it becomes not such an oddly-shaped form in my brain. I’d say it was fun, but it was …more addictive? An inescapable challenge? Something. Once I got started, I couldn’t stop. So – here are a few of the myriad ways my brain jumped, vis-a-vis anagrams.


HERSTORY I.

Whilst sprawling in the spa
The Queen declared, “You’re saps.
You could jump in to save your skin
But you’re clueless. Buy a map!”
Mark Antony’s faux pas
Left Cleo in the wrong:
Held to the Romans’ iron law
Queen Cleo exited – stage asp.


BLUSH

Caspar 04 HDR

A springtide staple
Adorning both pleats
And sweet picnic plates,
pink breathes palest
in the perfumed pastel
of cherry blossom petals


SPRING’S MADNESS

This anagram, “spring’s madness” is a phrase that I worked hard to make sensible. I wasn’t entirely successful, but it was an amusing, realistically inarticulate look at how “In the Spring a young man’s fancy lightly turns to thoughts of love.” As they say, “life comes at you fast…”

I. In the mall
Mr. spending. Sass!
Spasm sends grin
Miss Rang spends.

Madness springs —
Man sends sprigs…
Grand mess spins!
(And sperms sings)

II. Disillusion
Nags Ends Prisms
Snags pends rims
Dangers spin, Ms!
Designs – Mr snaps!
Pangs rends Miss
Sadness pings Mr

Grasp mends sins
Spars mend. Sings!
Sass. Mend, Spring!

III. Cue HEA
A Sign: Mr Spends.
Sass pending… Mrs?

Mass pends: Rings!!!
Drams. Pens. Signs.
…Mass ends. SPRING!
Snaps. Signed. MRS!

Prams send signs…


WHAT IS APRIL POETRY?

Perhaps A Pier, Portly, into which our words might come.
Perhaps it’s a Reality Prop – IRL’s totes humdrum.
Possibly it adds a sparkle, like Literary Pops?
Or an Ear Pilot: Pry-ing out all the stops?

Start your own Riot! Reapply those skills,
Add a Parley Tip, Or keep writing “until”
The show goes on, times 3, like Opera — Triply
And as you Repair To Ply may your words be set free.


Poetry Friday is brought to you by the letter a, and the number 7, and is hosted this week by the über-creative Karen Edmisten @ The Blog With the Shockingly Clever Title. May you have a delightful weekend, full of wild words and soft winds.

{pf: p7 marches in with masks}

On the four weeks and five days before the Equinox, my plum tree gave to me… a surprising number of blooms, which I tried vainly to tell it to hang onto until temps got above the thirties at night and the wind slowed from 30 mph gusts.

It did not listen.

This honestly should be no surprise; the starlings did not listen when I explained to them last year that a nest over the front door was not really the most advantageous spot, the little cat from the house behind us does not listen when I beg him or her not to sleep on top of the plant in the walkway — the ladybug horde that has moved in does not listen when I gently try to entice them with the advantages of the great outdoors. I don’t know why I expected anything different from my tree. Spring comes whether it is pouring or dry, whether I think it is way early or no, whether it is convenient to the sinuses or not (it is NOT. Ever). And so, it is coming, a dive-bombing bird of prey, screaming across the sky, with talons extended, and with no brakes. Um, welcome Spring.

For reasons made clear in the previous paragraph (just call me Dolly Dramatica), this month’s poetry challenge was a good match for my particular brain. Mask poems are poems in which the reader slips into the soul of an inanimate object or an animal, and looks out through its eyes, answering questions of what it sees, what it thinks, or how it reacts to what’s going on around it – or with the poet. What does a snowflake want to say about itself, before it’s gone? A pair of gloves, a cell phone, a turtle? The poet takes the opportunity to embody another – an excellent excuse to pretend – and to consider a question in a voice that isn’t quite one’s own.

Because Laura initiated our challenge this month, I set myself the additional challenge of writing a poem that might suit a child. Laura is very good at consistently using our challenges to write poems for children and teachers, who are her readers, so however successfully/unsuccessfully, I’ve tried to take an animal-and-upbeat page from her book today. I’d say it was unsuccessfully, but hey – I was mindful not to be depressive, at least! I call that PROGRESS.

You might wonder if you’ve ever met a black phoebe. They’re a variant of flycatcher, and they’re they hardest darned things to photograph, ever. They’re tiny, smaller than a sparrow – more finch-sized, really, and ALWAYS moving, flicking their tail, abruptly leaping up or diving, and zipping all over, deeply unconcerned with what you’d like them to do – much like all of my other backyard neighbors.

Peachtree 244

a plum tree sings of phoebe

Black phoebe sits and sings near me
Concerned with only my gnat pests
He could care less that I’m a tree
With Damson blossom buds as guests.
Just bugs for him. His whistled call
Says mostly that it’s “time to eat!”
My branches reach for Sunlight’s fall.
(My leaves are waiting ’til there’s heat.)

My human comes to fuss at me
And gently touch a blossom guest.
She worries there’s no guarantee
That frost won’t make my branches stressed.
But phoebe flits, and doesn’t know
If flies tomorrow he will find –
“But look,” he tweets, “the lily grows!”
(Birds worry less than people-kind.)

Black phoebe, dining on the fly
Nabs lacewing here, a moth elsewhere –
Aerial antics amplify
The birdkind version of a prayer
To Spring. To flight, to frigid wind
As blossoms shimmy in the breeze –
Sing, even if the world should end
Use beauty’s balm your mind to ease.


There are more masks hiding and revealing all sorts of things amongst the poetry sibs this month. Laura’s enlightening us, while Sara’s sharing treasures. Liz is in the kitchen, while Rebecca is using windows as eyes. Tricia was gluing the last bits of her mask together as she also leapt a tall building in a single bound, while Kelly and Andi have hung up their masks for today, so we’ll see them next time.

Poetry Friday is graciously hosted today @TeacherDance. Thank you, Linda B!

Ah, friends, I’ve heard it in the chillest land (which is where it feels like most of us live just now) -/ And on the strangest Sea (also what we live in now on the West Coast, despite this bright blue picture on a briefly dry afternoon)-/ Yet – never – in Extremity,/ It asked a crumb – of me.

Miss Emily reminds us that no matter where we are, we must listen for it… Singing, I mean. Get out and listen to things with feathers this weekend. And if you can’t hear the hope, sing it aloud for someone else. Tough times for many of us just now, but holding each other up, we’re going to make it. Keep singing.

Peachtree 243

{pf: on her gifts}

Cheers again for Mary Oliver, whose memory will always bless, and whose life was something to celebrate, and whose death is encouraging a whole bunch of new people in my Twitter timeline to read less frequently quoted examples of her poetry.


Something profoundly lovely is the intimate and personal connection that poet Mary Oliver made with the world. I was talking to a friend, who met the poet in person, and mentioned the respectful and gentle manner in which she listened as my friend related how a poem of Mary Oliver’s reminded her of a loved one who had died. Mary Oliver probably heard that sort of thing a great many times, but her active listening, which is reflected in her work, somehow helped to both share and diffuse the sting of grief.

Her poetry helps me listen – to myself, and to the world. Next to my journal and my Bible, beside The Chair Of Comfy Awesomeness is a thick collection of Oliver poems. And, on those frequent days when the heart is bowed or silent, and the exigencies of rigorous – or any – religious thought escape me, I read a handful of poems, and walk through wilds where the Divine is less inexplicable, and the simplicity gathers a focus which is clear-eyed and joyful, and I can once again draw breath, and consider the lilies – and then, the hummingbirds. This, too, is a gift.

WHISTLING SWANS

Do you bow your head when you pray or do you look

up into that blue space?
Take your choice, prayer fly from all directions.
And don’t worry about what language you use,
God no doubt understands them all.
Even when the swans are flying north and making
such a ruckus of noise, God is surely listening,

and understanding.
Rumi said, There is no proof of the soul.
But isn’t the return of spring and how it
springs up in our hearts a pretty good hint?
Yes, I know God’s silence never breaks, but is

that really a problem?
there are thousands of voices, after all.
And furthermore, don’t you imagine (I just suggest it)
that the swans know about as much as we do about

the whole business?
So listen to them and watch them, singing as they fly.
Take from it what you can.

Martinez 62

THE GIFT

Be still, my soul, and steadfast.
Earth and heaven both are still watching
though time is draining from the clock
and your walk, that was confident and quick,
has become slow.

So, be slow if you must, but let
the heart still play its true part.
Love still as once you loved, deeply
and without patience. Let God and the world
know you are grateful.
That the gift has been given.


~ both poems from FELICITY, by Mary Oliver ©2017, Penguin Books

Poetry Friday is hosted at Miss Rumphius’ house today, where there are doubtless numerous other people celebrating the gift that is the life and work of Mary Oliver. Whether you are snowed in, or leapfrogging puddles in this boundless wintry weather, may your weekend be touched by a breath of the Divine, and a touch of the untamed world which reminds you that you do, in fact, have only this one wild and precious life.

Pax.

{p7 on pf: a patchwork of a cento}

“I cannot hide my anger to spare you guilt, nor hurt feelings, nor answering anger; for to do so insults and trivializes all our efforts. Guilt is not a response to anger; it is a response to one’s own actions or lack of action. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Yet all too often, guilt is just another name for impotence, for defensiveness destructive of communication; it becomes a device to protect ignorance and the continuation of things the way they are, the ultimate protection for changelessness.”

Greetings and salutations: It’s Poetry Friday, and is anyone else mildly bewildered that it’s September? While no one can say this summer has gone by quickly – no one who was has been wilting in the heat or sucking down smoke – that we’re officially motoring towards Autumn is a bit surprising… ah, well, on with the dance.

How I did it: While found poetry is typically difficult for me, this month’s cento challenge was a doozy. After TEN YEARS (this past April) of making poetry together with these ladies, I would not have wasted time whining about how difficult this was, except if we’re too quiet, it makes Sara leery, so WOW, THIS WAS HARD, UGH, GOSH, CENTOS, ARGH. Better, Sara? Onward:

From the Latin word for “patchwork” a cento is a collage poem made up of lines from poems by other poets. For our poetic quilt, the Poetry Sisters chose a single stanza from “I See Chile In My Rearview Mirrow by New Delhi poet Agha Shahid Ali. From this poem, we then chose a single word from a selected stanza around which to build our collage.

Finding poems for centos can be challenging, but a quick shortcut is to put your chosen word into the search engine at Poets.org and proceed from there. Out of the plethora of interesting choices, I chose like, which was common enough to give me too many options for poems, so I limited myself to only five pages of results from Poets.org, and twenty-seven poems, which I whittled down to a mere seventeen. Happily, this choice also opened my poem up to myriad cultural and ethnic diversities as well, as we move from the past to the present, through myriad continents and genders and faiths.

Making Meaning: It’s challenging to make meaningful poetry out of patchwork, however – having to leave the words of the poems in the order in which they were within their individual works made this even more difficult. However, because I have still been reflecting on my recent foray into harpy-ism, I found myself with ample fodder for the whirling emotions in the lines which presented themselves. Reflecting on how I had felt in the moment just after an insult, I found a backing for the swirling patchwork, and I pinned my individual bits in various places and orders until they felt true.


ozone & petrichor (after lightning)

i.
I would like to describe the simplest of emotions

ii.
it was like this:
like a feather on an arrow shot through a neck other times
like brooms of steel.
like sunlight, in fog
breaking like oil. the night
smelled like a dead frog.
a rose like a screw
drawn out of my breast like a rib.

I know this is an all-black-people-look-alike moment…
I have never been anything like pink
& lord knows, I have been called by what I look like.
Just like that, I’m a flung open door.
I run around like mad –
Like them, I wanted — only to die, moon-dark. Blessed,
unnoticed. now they look suspended, like heroes
a dream still clinging like light to the dark,
as the mist disappeared. like a curtain, open,
maybe. its flaws, like cracks
leaking in and out in all directions

iii.
mistress, eyes are nothing. like the sun
like a million dollar god with a two-cent
rim-shot, history, like a shadow, passes.


Closing Credits: And there’s even more cento-y goodness from the Sisterhood. Laura meets this month’s challenge through glass, Tricia found a truly envy-producing title, Sara, who set our challenge this month, sees all that is before us, while Liz breaks down breaking/brokenness. From their cushy chairs on the sidelines, Andi and Kelly meanwhile wave their pom-poms in our general direction, cheering us onward.

The true gift of a cento is the impetus to read widely – and wildly – a number of different types of poems one might not have otherwise attempted. To best appreciate the rich cloth from which each piece of patchwork is cut, you are invited to find a line you feel is especially intriguing, and read its antecedent poem.


This week’s Poetry Friday host is Beyond Literacy Link. Here’s to corralling the various whirling emotions that we might have and pinning them down into poetry. A cento style might not make it as easy to impose order onto your world as, say, a sonnet, but there is something to be said for using whatever feelings you have – however you feel – to make an orderly mind out of chaos.

” We use whatever strengths we have fought for, including anger, to help define and fashion a world where all our sisters can grow, where our children can love, where the power of touching & meeting another woman’s difference & wonder will eventually transcend the need for destruction.” Audre Lorde, Sister Outsider: Essays & Speeches (Berkeley: Crossing Press, 2007), 124-133

Hat tip to Tech Boy who made my little table in ten minutes, when I would have had to work carefully, with a lot of scowling and muttering, for an hour or more.