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My GOODNESS, it’s nearly the penultimate week of the month! Time to check in again with this month’s NPM Objective from The Use of Poetry and the Use of Criticism (1933), “Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.” – T.S. Eliot

A level deeper into my, erm, substratum, I think of the unnamed feelings I have surrounding the well-meaning. There is a woman with whom I peripherally interact in my volunteer work who is a fervent inclusivity ally. She consistently grabs the spotlight with her dogged insistence on letting all and sundry know that if anyone ‘better’ comes along to do any of the tasks she’s been assigned, she will step aside for them. That would only makes sense in a work environment, to move aside for the better qualified – and a savvy manager would make sure that happened. However, this is volunteer work, and her “better” is always a person of color.

Have you ever tried to grab hold of the amorphous reasons behind WHY something feels discomfiting? Have you ever tried to do so in a poem? I have been sitting with those feelings and here I am – going to, without a mentor poem this time – blank them onto the page. (This IS A DRAFT, NOT A POEM) Am I going to want to make it all at least rhyme tomorrow? YES. Am I going to feel like it’s incoherent enough not to address real feelings? Yes. Is that going to matter? No – because… feelings, duh. If I knew why it was bothering me, I could write a better poem, but alas, smoke and sand…

Draft, Untitled 4/18

The more you try to hold them in your hands
The more the tumbled grit slithers away
You’re micro in the cosmic, that’s your place
Let go! There’s nothing you need understand.

What troubles you is trouble’s thinning skin.
You’re triggered, primed, and spoiling for a fight.
So packed inside you’re ripe enough to crack
But you’re a lady, so you pack it in.

Dust riding on the wind can’t slow this train
Unless that windstorm’s fine enough to choke.
When engines, falter, wheezing your mistake,
Make common cause with nomads, wait for rain…

We see all that we have here, what is known,
Is all our people need is all we lack.
Yet somehow, hearts abraded still, we chafe
Hands fumbling after smoke that’s being blown.


Have you been following this year’s Progressive Poem? I am kicking myself for not jump in to add lines on an earlier date, in a way, as the poem now has… like, a name and an identity now, and maybe I should have worked with it when it was more of an amorphous zygote!? I hope I don’t ruin it.

Meanwhile, Poetry Friday is celebrated today at Second Cousin Heidi’s juicy little universe, where you’ll find poems with clarity – and titles. Happy Friday.

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Happy Poetry Friday!

I don’t know if you’ve ever seen the Brené Brown’s TED talk from a few years ago wherein she mentions a Christmas movie – a family in a car singing carols, the camera panning over the individual faces, and then — she stops the imaginary movie, then she asks people what happens next. People immediately say “car crash.” Others add to that, imagining oncologist based bad news, serial killers – menace. I heard this in a talk, and laughed out loud. Like, what the heck?! Who are the people who think that?! And what the hell is wrong with them?

Um…? The people who think that is …us. Me. Brown talks about how many people feel like ‘the worst’ is always going to happen. We are fear-based society, raised in fear-based systems – even our faith is fear-based. Joy is greeted with foreboding, and disappointment is a state of being.

When I got done laughing about this, I had to cry.

Do You Believe in Love?

I struggle to believe
My faith lingers in facts:
Time moves on. People leave.
I live with my bags packed.

My faith confesses fact:
Gifts get taken away.
I live with my bags packed –
“Nothing gold can stay.”

Gifts get taken away
Fears, holding them too tight,
Since “nothing gold can stay,”
Dread keeps us from delight.

Fear makes us grip too tight
And, one foot out the door,
Dread blotting out delight,
Does absence faith restore?

My one foot’s out the door,
Time’s moved on. People leave.
Losses leave my heart sore.
I struggle… I believe.


I felt this TED talk rated another repeating poem – but just to be difficult, I have returned to pantoums. Jone’s our hostess today, with a smart interview with the author of a most gorgeous ekphrastic anthology – and Jone herself has a photograph included. Thanks, Jone, and Happy Poetry Friday.

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Extended family isn’t something I ever talk about, or write about, I realize. Those… extensions run a long way, and while I don’t love them any less for it, those extensions rarely ever lend themselves to poetry. However, this morning I considered the OTHER extended family I have, by law.

Cousin Mary Lee’s prompt to the Inklings’ poetry group this month was a haiku sequence in which they, using a mentor poem, talked about the topic of poetry without mentioning it by name. I was inspired to approach my own connections thusly, in a roundabout, gingerly fashion, carefully not naming – but letting the outline of a thing define its shape. I used both religious and forensic metaphors, which reflect specifics, and I was amazed by how much I wanted to reveal, when the object is to, in part, hint and obscure. I’ll have to try this again sometime…

A Last Supper

Actions speak louder
Than the space between silence –
Would you pass the salt?

hearts hide in plain sight
seeking, though silent. Something
Sings out its presence

prodigals plead for
reunion, not reckoning
choke on fatted calves

if we measure life
not in time, but in heartbreak
we’d call time of death

crisply chalked outline –
officially declare it
done: on to dessert


Poetry Friday today is hosted by Irene @ Live Your Poem.

{pf: poetry peeps pantoum on repeat}

Welcome to another Poetry Friday Poetry Peeps Adventure!

Poetry Peeps! You’re invited to our challenge for the month of April! Here’s the scoop: As a final celebration for National Poetry Month, we’re exploring the work of Rebecca Kai Dotlich and Georgia Heard’s, Welcome to the Wonder House, and noodling through answers to what we consider to be “unanswerable questions.” How do ants sound complaining? When do stars sing? Let’s wonder as we wander through the natural world – and ask and answer those wonderings in whatever way that appeals to you. Are you game? Good! Whatever way of seeing that you choose, you have a month to craft your creation and share it on April 26 in a post and/or on social media with the tag #PoetryPals.

(P.S. – Here’s an answerable question: do you know what you’re doing for National Poetry Month this April? I’m taking part in the Progressive Poem for the first time, ever. Last I looked there were a few spots left…! If you’ve never done it, why not give it a shot?)


*waves* Hello especially if you’ve dropped by today because you’re one of the St. Mary’s Episcopal School scholars, or one of the EIGHT HUNDRED readers from the San Mateo County Library District who had a school visit with me this week. Welcome!

From Process…

Since the pantoum is a familiar and well-loved form for our Poetry Peeps, this month Cousin Mary Lee introduced Padraig Ó Tuama from Poetry Unbound, to our practice. As our brief was to write a pantoum and include animals in some fashion, we felt free to come at the project from a variety of different ways. I used these eight prompts on different days and in varying moods to get the answers to questions which might take me deeper into the topic. In answering the questions, we began to expand our thinking about ordinary interactions. While I doubt I used these prompts entirely as directed, they were a welcome push in the right direction to get me started:

Write a line about something that’s become ordinary for you: The restless shift of windblown leaves.

Where does this ordinary thing happen? Dust baths of birds against expanse of earth.

Write a line about time: When did you notice this ordinary thing had become ordinary? A year of watching shifts of shadow through walls of window.

Other surrounding events: what happens before it? what happens after it? Clamor lifts the blinds like opened eyes, revealing drowsing birds on hard fence post bed.

What is a single feeling you have about this ordinary thing? Amusement at our vastly different ideas of comfort – no cottage core cozy, but a slab of post.

What do you most wish to say about this ordinary thing? (You may wish to imagine yourself speaking to a person you think will listen: it could be yourself.) Open your hand to the gift of ubiquity, dust baths and freedom to flee, lending magic to the earthbound.

Write a line showing us an object that’s associated with this ordinary: A curtain drawn back opens me not to sky but to dirt.

Write something about your body and this ordinariness: Widening eyes expansive as horizon’s wings, I too, will settle, not soar, yet still sing.

A lot of us used this prompts in various ways – or not at all. This week’s host, our very own Miss Rumphius interpreted ‘animals pantoums’ in this way. Sara saw it thusly. Liz’s poem went this direction. Cousin Mary Lee’s pantouming pointed her this way. Laura’s poem is here. Michelle K.’s poem is here. Heidi’s cardinal poem is here. Carol V’s hummingbird is here. Denise K. brought a western fence/ lizard. Linda B. joins the party here, and Margaret brought elephants! More poets may be paso doblé-ing with the pantoum, so check in throughout the weekend, for the round up, won’t you? (Seeing as it’s Easter Weekend and I’m singing with either an a cappella sextet or a full chorus with organ, bells, strings and trumpet voluntary every day from now until Sunday, I might be slow, but I’ll get there!)

… To Poem

As you can see, for me it was less about answering the questions and rearranging them for actual use in a poetry, and more… just idea generation, which I used as a springboard to create subtle differences in the way I use the traditional pantoum repetition. Once I started expanding on the prose ideas, combining the ordinary with an animal really came easily. What’s more ordinary in the backyard than a dove? I have to admit that I don’t know if my doves are rock pigeons, mourning doves, white-winged doves, or common ground doves. They’re just ubiquitous – and sketchy, fluttering off if I look at them too hard. But, they’re a very common bird that I have come to have a rather uncommon love for. Growing up, my father kept pigeons. They’re faithful parents, but their nest-building tends to surprise people. They lived on rocks, before they were domesticated, and they prefer rocks for nesting. They prefer pecking leftovers on the ground, than to eat from the feeder – as a matter of fact, they won’t. They are the most low-key, low-maintenance bird to invite to the yard – and they might stay, if they feel like it – or they might skitter off and you’ll never see them again. You can put out a nesting box, and they might use it. They’re just passing and yet, they show up every year anyway. I can’t quite figure them out, and yet they intrigue me.

A Paloma’s Pantoum

A subtle clamor draws my blinds aside,
Full, rounded bird buns, fluffed on wooden fence,
Wild garden sprouting weeds, lushness supplied,
Hears March’s orders: “Let the Spring commence!”

Full, rounded bird-bum fluffs on wooden fence,
So placid! Dove, in shades of granite gray
Hears March’s orders, “Let the Spring commence!”
Selects a twig, and nesting seems to weigh.

Ah, placid dove, in shades of granite gray,
No cottagecore, no. “Cozy’s” not the rule –
Selects a twig, and nesting seems to weigh
Upon a rock, nurture seems minuscule!

No cottagecore, no – hygge’s not the rule,
Ubiquitous and mild as scratching hens
Nesting on rocks, nurture seems minuscule –
The common core of magic shines again.

Ubiquitous and mild as scratching hens,
In gardens wild, a lushness signified
That “common” creates magic. Once again
A subtle clamor bids me open wide.

I wasn’t joking about their preference for fence posts and their tendency to “select a twig” and weigh the idea of making an actual nest; rock pigeons and doves make equally flimsy, horrifying-to-non-dove-observers, deeply un-cozy nests. This image is courtesy of Nancy Carver of Livermore, from our local paper’s annual weird nest “contest” several years ago.

What ordinary thing captures your heart, and elevates your thoughts? What beauty and grace is there in the commonplace in your life? May it pry your heart open wide this weekend. Pax.♥

{pf: the poetry peeps love a letter}

Welcome to another Poetry Friday Poetry Peeps Adventure!

Poetry Peeps! You’re invited to our challenge for the month of March! Here’s the scoop: We’re writing animal pantoums. This delightful Malaysian poetic form will pair perfectly with beasts of all kinds – wild or domesticated. Are you game? Good! Whatever way of seeing that you choose, you have a month to craft your creation and share it on March 29 in a post and/or on social media with the tag #PoetryPals.


From Process…

I love letters, and I don’t think it’s unfair to say that I could write a pretty good love letter if I put my mind to it… but somehow writing a poetic epistolary felt beyond me this month. Mainly because I am… burnt out to ashes. There’s been a lot of drama going on (2024 CONTINUES to be that special snowflake) PLUS I have a bunch of editorial notes and a big fat revision going on – which is honestly great news, my editor is brilliant, but… I’m just pooped. My body tends to respond to stress by… stressing out further. There’s some switch in my brain that trips that keeps me up, unable to quiet my mind, because SOMETHING IS WRONG AND I MIGHT BE ABLE TO DO SOMETHING TO FIX EVERYTHING IF I JUST STAY UP AND OBSESS.

Yeah, it hasn’t worked so far, but my brain remains determined.

This month is supposed to be about writing love letters, but I have no love for insomnia, and that’s all I could fixate on. Kelly helpfully suggested that I might flip that script, and write about insomnia’s love …for me.

…To Poem

Honestly? I hadn’t spent a lot of time thinking about anything but how grinding this was. Insomnia is like your worst night, on repeat. I knew I wanted a repeating form to work with, but I couldn’t think beyond that. The minute Kelly gave me her suggestion, I was able to shift my viewpoint, and found an entry point to writing not one, but two epistolary poems, in conversation with each other. After all, doesn’t every love story have two sides?

There’s the unhinged pursuit…


Pursuit
A fascinating flame as bright
As lightning streaks the thoughts fly through
A moth to flame, I crave the light
Of neuron’s fire. Of minds. Of you.

As lightning streaks, your thoughts fly through
From deepest darkness, just the sight
Of neuron’s fire. Of minds. And you –
Forgive me! – whet my appetite.

From deepest darkness, oh the sight
Of signals sparking, rendezvous
Forgive me for my appetite –
I know you’ve things to attend to…

Those signals sparking, rendezvous –
The surge and twist of thoughts delight
I know you’ve things to attend to,
I pause your sleep, but not from spite —

They surge and twist, your thoughts. Delight!
A fascinating flame so bright…
I pause your sleep, but not from spite –
A moth to flame, I crave your light.

And then, there’s the pointed refusal…


She Resists
Insomnia, your sobriquet
Sounds sweet, though lately, in the night
As sleepers sway at sleep’s threshold,
You feast with gluttonous appetite.

Your ‘som’ shapes softly somnolence
I sink in with a grateful sigh…
And wake – abruptly – all pretense
Of resting peacefully passed by.

Why me, Insomnia? Reply!
Explain your wearying campaign!
Your ardent interest I defy
Desist! You’ll not leave me insane.

Oh, well. Better luck next time… I guess. Insomnia will, doubtless, keep trying…

I spent a lot of time giggling writing this, so thank you, sweet Kelly, who is always a positive energy in the universe, for making me laugh, and reminding me that there’s ALWAYS another way of seeing things.

There’s more love stories, or anti-love stories waiting, thanks to our Poetry Friday host Tabatha, at The Opposite of Indifference. Want to see what everyone else came up with for love poems? Sara’s epistle to February is here. Mary Lee’s love letter is here. Laura’s affectionate missive is here, and Tricia’s loveliness is here. Michelle’s epistle to a sparrow is here, Linda B’s first heartbreak poem (it counts, Linda) . Carol V’s poem is here, and Linda M’s poem is here. More Poetry Peeps will be penning tender phrases to all manner of animal, vegetable, and minerals this weekend, so stay tuned and I’ll post more links as I find them.

Until then, dear ones – keep your pillows soft and your screens off. This too shall pass.

{pf: the poetry peeps are piñata-ing}

Welcome to another Poetry Friday Poetry Peeps Adventure!

Poetry Peeps! You’re invited to our challenge for the month of February! Here’s the scoop: We’re writing …love letters. Epistolary poetry in the form of a love poem can pull us in any number of directions. We’re writing our ways of seeing love as an animal, vegetable, mineral, emotion, decision – or anything else. Are you game? Good! Whatever way of seeing that you choose, you have a month to craft your creation and share it on February 23 in a post and/or on social media with the tag #PoetryPals.


From Process…

Mere weeks ago, I can remember thinking to myself, “If I can just make it through December…” Hm. Well. January is proving to be its own special level of Hades so far. First, I got roped into just “beefing up the choruses” for a Pergolessi piece, and somehow ended up doing a solo and a duet on top of the chorus pieces. Then, I was given a draft deadline a week before said concert for next year’s middle grade novel, and I figured out one day that the act of opening the document for my draft made me physically ill, I hated it so much, so obviously then I started rewriting THE ENTIRE THING a week before said deadline… and, THEN one of my parents had the temerity to have a minor heart attack. Oh, 2024, you’re a special snowflake already.

You’d think this would mean I would a.) bow out, or b.) sensibly at least cut my research short for our first Poetry Friday venture of the year.

…*crickets*…

That would have made sense, wouldn’t it? ::sigh::

It’s been a joy to revel in the work of Roberto Benavidez, the South-Texas sculptor who specializes in the piñata as an art form. The color and light and movement in his work is a serious treat on these gray, soggy days. From poking around on the artist’s Instagram page, it appears that it’s done via layering the thin pieces of crepe paper. Some of the paper is impregnated with glitter, but a lot of the effect is simply light filtering and refracting through the thinnest layers of paper, and it is… *chef’s kiss* WOW. We Poetry Sisters gave ourselves the latitude to write an ekphrastic poem on any of his wide body of work, and that, in itself, was a little daunting. Initially I found myself fixated on his treatment of birds, and thought that’s the direction I was going… until I saw the Medieval Bestiary from his Illuminated Piñata show. The basilisk isn’t a bird… but it’s also a bird? Or something. I obviously needed a deep-dive into the medieval mindset on monsters, didn’t I. (I mean, what deadline?)

Before I get too distracted, you should see what Sara did. Or, what Laura came up with (when she wasn’t serving as the Poetry Princess Archivist, and updating all of our challenges since sometime in 2007. Thank you, Laura). Cousin Mary Lee’s way of seeing is here, Tricia’s piñata poem is here, and Liz‘s project is here. Denise K.’s poem is here, Linda M.’s celebration of the artist is here. Michelle K.’s sandpiper piñata poem is here, and Linda B.’s meditation on the Hieronymus Bosch piñata is here. (*snicker*) You might discover more Poetry Peeps checking in throughout the weekend, so stay tuned for the full round-up as I find them. Meanwhile… Poetry Friday is ably hosted today by Susan @ ChickenSpaghetti, who I “met” blogging sometime back in 2005. Here’s to the blogosphere, which, when it’s not giving us nonsense, sometimes gives us both good friends and good old friends.

I won’t bore you with all of my reading, but I had to share a few of the hysterical historical images I found, as well as a couple of significant points: one, a basilisk was mostly a basilisk in Europe. In Britain, it was referred to in the main body of literature as a cockatrice. It’s essentially the same thing, but the Brits have always strove for distinction, historically and to the present moment. It’s part of their brand. ☺ Secondly, from Pliny the Elder on down, no one could… agree quite on what a basilisk/cockatrice looked like (I mean, the CROWN. Jeez Louise, Pliny, how much poppy was in that wine???). Or, really, even what it did. Some swore that the beast was like a giant gastropod, dragging poison via its belly and even killing plants and soil beneath it, in a wide swath, while others say its mere breath did the slaying – not to mention its gimlet gaze. So much fear! So little… detail! That… got me thinking.

…To Poem

As I inarticulately tried to explain what I was working on in our Poetry Sisters Zoom meetup, Cousin Mary Lee said that my description of what the basilisk was – and wasn’t – sounded like politics. I kind of laughed at that, but then the thought returned insistently. So much of what we hear via the churn and spin of the news cycle regarding the Sturm und Drang of current events is like …well, like trying to swim by committee. Too many people are trying to manage the arms and the legs, trying to coordinate the strokes and the breathing as we beat the water into a froth, aerating our fears into some whipped up thing that we cannot see through. Boy, do we need to step back! Scoff. Doubt. Question. Interrogate. Take a moment and let things settle, and really look at what’s before us. Sometimes, when we truly examine circumstances, situations, and individuals which terrify us, we will find that they really are ludicrous… and then we can laugh.

This poem makes it sound pretty darned easy to do all of this – just pack up our troubles in our old kit bag, or some folksy nonsense. Friends, we are all well aware how easy it’s NOT. Fears are sometimes a serious, crippling business, and I will freely admit that this is just my first-ish draft of this idea. But it’s an idea to which I’ll be returning this year – because I am sometimes a person deeply in need of getting out of my own head. Doubting our fears is the first step away from them… and I hope it’s an one which gives you a different way of seeing things.

And if your 2024 is beginning with a seismic shift the likes of mine, take heart – we are in the year of the Dragon, and we can a.) start this New Year thing over and b.) immolate what isn’t working, and move on. Breathe fire, friends, and make your fears take wing. Who knows, you might be the basilisk.

{posting our january poetry plan}


I love this statement from Audre Lorde’s poem of the same title – poetry is not a luxury, but a necessity to remind of us thoughts and feelings and ways of seeing. This ‘ways of seeing’ is going to be a recurring theme for me this year, as the Poetry Sisters celebrate our unique and varied visions and our ability to all look at one thing and come away with seven different ideas about it. Viva la difference!

Welcome to another Poetry Friday Poetry Peeps Adventure!

Poetry Peeps! You’re invited to our challenge for the month of January! Here’s the scoop: We’re writing ekphastic poetry on… piñatas. No, really. Those hollow-hearted paper beasts we love to beat might not be something you think are poem-worthy – usually – but you’ve NEVER seen piñatas like these. Featured on PBS’s fabulous Craft In America series, we’re celebrating the humble piñata as elevated by Robert Benavidez. Check out his work. Are you game? Good! Whichever of his creative creatures and absolutely out-there works of art that you choose, you have a month to craft your creation and share it on January 26 in a post and/or on social media with the tag #PoetryPals.

HAPPY 2024!

May you offer art without apology as you celebrate YOUR way of seeing.

{pf: poetry peeps elfchen it up}

Welcome to another Poetry Friday Poetry Peeps adventure!

Friends, it has been a year of TRANSFORMATION and we’ve been glad to have every one of you who joined us. Thanks for being one of our #PoetryPals this year.

The Sisters are very shortly going to be in our annual poetry confab to come up with the 2024 challenges we’re setting ourselves, and to choose a theme or word of the year. While normally I’d let you know in this space what’s on for next month… you’ll have to stay tuned for the January 7th announcement! In the meantime, if you have a form or style suggestion, please feel free to drop it in the comments.


FROM PROCESS…: Our last challenge for 2023… might have been set by me? None of us remembers anymore, but since I’m a real fan of a five line poem, we suspect me. ☺ The Elfchen is eleven words, and the -chen suffix is a diminutive, so it’s a “little eleven” poem. As I began Duolingo German this year, I was happily able to try writing with my shaky grasp of another language. The basic Elfchen rules requires ONE word for line one, TWO for line two, THREE words for line three, FOUR for line four, and returns to ONE word for the fifth line. I’ve read that the first word is meant to be a topical, setting the tone of the piece, and the final word is meant to summarize and wrap things up. I did not always feel the need to summarize, as sometimes the topic wasn’t closed, but I like knowing what I’m supposed to be trying to achieve!

Of course, my restless brain took those rules and …tweaked them a little, deciding to not use only counted words, but counted syllables as well. As German is not a language known for short words, beginning with a single word of a single syllable was… definitely more of a challenge. (WHY did I feel like I needed more of a challenge? German wasn’t enough? Yikes, brain). As I made my attempts, I quickly discovered that I had to actually write in German, not take what I wanted to say in English, translate it, and then create the poem — that didn’t work at all.

…TO POETRY. What worked best for me was simply to draft many, many poems. Writing egregiously bad poetry is sometimes the only way I can get to the better stuff, so I wrote and wrote, as rain rolled down my office window. This is why so many of the poems I drafted had to do with being sleepy and or wanting to be cozy and warm… and/or wanting desperately to go back to bed with a book…! I wrote so many Elfchen it got to where I was once again counting words or syllables while I was thinking. The other day I wrote in an email to a friend: “Busy”/ isn’t true/ My holiday was/ Wholly ‘booked’ this year/…reading! However, I will spare you more of my stream-of-consciousness poetry, and share what the rest of the Poetry Sisters got up to. Tricia introduces us to a reverse elfchen here. Liz’s poem is here. Laura’s poem is here. Mary Lee’s is here, and Michelle K’s myriad Elfchen are here. Carol V.’s poems are here, and Linda B.’s Elfchen is here. Denise’s poems are here, and Heidi’s irresistible Elfchen are here.

More Poetry Peeps may be elfchening throughout the weekend, so stay tuned.

Let It Go For Now
Süß,
nicht wahr?
Wenn endlich
der Tag endet:
Schlaf.
————–
Sweet,
isn’t it?
When finally
the day ends:
sleep.

In neither language does this fit the rules for word count, but it does make the syllabic rule work.

Ausschlaffen (Sleeping In)
Wet
window,
drumming drops
murmur, “Safe. Sleep.
Shh.”

This final poem follows the actual rules of the Elfchen and not my invented ones – in an announcement that pretty much speaks for itself and explains why many are receiving New Year’s cards:

My Last Spoon
Folks,
The drawer
yawns empty now –
No further hungers sated
today.


Poetry Friday today is generously hosted @ More Art 4 All with Michelle K., one of our Poetry Peeps who has been playing with the Elfchen form for a couple of weeks now. May you find warmth and light as the year burns down to its coals – and may you gather a breath of strength, purpose, and hope to fan the flames again for next year. Happy New Year.

{pf: poetry peeps in the style of Valerie Worth}

Welcome to another Poetry Friday Poetry Peeps adventure!

Poetry Peeps! You’re invited to our challenge for the month of December! Here’s the scoop: We’re writing the eleven-syllable German cinquain, the Elfchen. Unfamiliar? There’s plenty online about this brief form, which has often been taught in German elementary schools, so intangible bonus points wenn dein Gedicht auf Deutsch ist (if your poem is in German). Are you game? Good! The Poetry Sisters are continuing to throw our 2023 theme of TRANSFORMATION into the mix as possible. Whatever your topic or theme, you have a month to craft your creation and share it on December 29th in a post and/or on social media with the tag #PoetryPals.


Poetry Friends! I hope you had a lovely Thanksgiving/Friendsharing/ChosenFamily/Family Day yesterday. I am putting this blog post together a week in advance, and might not ‘see’ some of your posts right away, but I will get there and add you to the Valerie Worth round-up! What with travel and meals and homes full of guests, those of us nearby may be a bit slower – so do pop back in for a full roundup later in the weekend. Meanwhile, it was delightful to meet with almost the whole gang at our Poetry Sisters prewrite last week. You must check out Mary Lee’s poem here. Sara’s poem is here. Laura is joining us here, while Liz’s poem is here, and Tricia’s poem is here. Laura’s poem flew in to land here. Michelle K.’s poem is here. Linda B.’s poem is here.

Poetry Friday is hosted by Ruth @There Is No Such Thing as a Godforsaken Town, long-distance from Uganda, so let’s take our time with Ruth and savor everything, along with a second helping of pie.


“Never forget that the subject is as important as your feeling: The mud puddle itself is as important as your pleasure in looking at it or splashing through it. Never let the mud puddle get lost in the poetry – because, in many ways, the mud puddle is the poetry.” (Valerie Worth, quoted in Another Jar of Tiny Stars, the second NCTE book of award-winning poetry, edited by Bernice E. Cullinan and Deborah Wooten

As I recall from our brainstorming session at the beginning of this year, we chose to write in the style of Valerie Worth first because many of us were less than familiar with much of her work, except her books for children, and secondly, because her poems are short(ish), small, plain-spoken (unrhymed), and specific. Note that when we say ‘small,’ we don’t mean an additional observation on length, but rather a topical observation on the dialed in, specific topics Valerie Worth judged worthy of poetry. Fence posts. Rags. Earthworms. Mushrooms. Valerie Worth was a poet who had, as Mary Oliver attributed to excellent writers, “an attitude of noticing.” I believe that observation lends itself to its own theme of transformation… In so many ways, when one is able to extrapolate the extraordinary from the mundane, it changes things seen, experienced, known, and understood. Inasmuch as Mary Oliver described that ‘noticing’ as a relentless and dynamic curiosity about the world, I believe that Valerie Worth’s unwillingness to exclude anything from observation is what enabled her to be a poet whose work is memorable and occasionally astonishing. To that end, in my own choosing, I purposefully looked for ‘small’ topics. I thought of my dead sunflowers, which I’ve left in place because the birds really love them, Himself’s giant clogs which I keep tripping over on the garage step, and the draft evader I fashioned from flat fiberfill stuffing and torn flannel rags. Sunflowers when they’re bright get plenty of ink – not so much when they’re dead. We might write poems to baby shoes, but not to rubber gardening clogs. Few find the wads of cloth we stuff under door and windowsills particularly poetic, and yet…

I started by hewing as closely as I could to one of Worth’s actual poems. Sparrow is one of my favorites about a dun-colored bird minding her own business, and not caring if you look at her. I transferred the sparrow’s ubiquity to the boxy rubber clogs that seem to grow on the back step – worn by anyone whose feet will fit, perfect for standing in the outdoor kitchen frying something, or chucking things into the compost bin in the rain…

Our garden is still quite lively, for all that it is considered functionally dead. The dry flower heads, yellow-browning speckles of mildewed stalks and fallen seeds are alive with an hundred thousand birds, chasing lizards, squabbling, pecking, rolling in dust, and scratching like hens. This is why we’re the WORST gardeners – we can’t bear to tear everything out and turn it under just yet because the birds are having way too much fun. May they all make themselves at home.

(This handsome specimen isn’t MY draft stopper, which is a scrappy, patch-worked thing in various shades of ‘dirt.’ Mine is in the wash just now and unready for its close-up, so we’ll just pretend I actually stitched something pretty.)


Mary Oliver’s famously succinct ‘Instructions for Living a Life’ admonishes us fussily to “pay attention.” Maybe in a less didactic tone, as there is nothing truly obligatory here, we might encourage ourselves to give attention to our lives, to see within our every day ordinariness a sheen of the extraordinary. As German actress and coach Uta Hagen once famously said, “We must overcome the notion that we must be regular…” As we tunnel out from stolid regularity into glorious irregularity, exchange our viewpoint on life as ‘usual’ for the chance to revel in the unusual, may we discover that life is more than we knew. May we, by being open, inventive, expressive, and questioning, live our uncertainty and questions into answers that change everything.

All poems ©2023 Tanita S. Davis

{11•17 gratitudinous}

I was nineteen, and a social work friend from work asked anxiously, “Hey, do you have time to fill out a questionnaire? I have a friend doing a project…” So many of us were guinea pigs for each other’s projects in school, I thought this wouldn’t be any different… but it turned out to be The Black Women’s Health Study, and all these years later, I’m still part of Boston University’s massive, multi-year study through the Sloane Epidemiology Center, to predict and provide better health outcomes for black women. So much has been uncovered and discovered, and there’s so much information to come. To that end, I filled a vial with saliva this morning…

All for a good cause, I guess.

genetic divination
science
pulls DNA
and uncertain fortunes
from crystal vials of spit – what
magic!