{pf: the p7 get dizzied by dizains}

The new month has burst upon us like …well, a lot like a sudden shower of rain. Because we keep having those. And I am not even mad about it. We’ve also got early strawberries at the Farmer’s Market, so… you win some… and then you win some more, if you have a hat in the car.

May is National Mental Health month, and this is my annual – weekly? – reminder to you all to be excellent one to another, because truly — “A single act of kindness throws out roots in all directions, and the roots spring up and make new trees.” – Amelia Earhart. After all, it’s SPRING! Time to make things grow, good people.


Poetry Princess Sara challenged us to dizains this month, which turned out to be… oddly mechanical. We were discussing how sometimes poetry seems to require us to …look things up and make specific connections with definitions and distinctions in order for mere words to turn into wordplay. The French poetic form dizain (not to be confused with dizaine which either means a decade or “about ten” in French) is regimented – ten lines, ten syllables per line, and a strict rhyme scheme – ababbccdcd. I found myself looking up things which were square, or ten, because it felt awkward, at first! I found that the form kind of builds on itself, and halfway through, the rhyme pattern begins to echo the pattern from the beginning, building a kind of square. Sara decided we could have a bonus point if we used the word “square” in our poems (from the Imaginary Point-Giving Poetry Body), so off we went.

My first poem was kind of a joke – my siblings and I play cards at my parents’ house once a month, in order to see them and each other more regularly, and we were making a disorderly mess last weekend, and my father was patiently …doing dishes. While we played. This is not the pattern of my childhood AT ALL, so that was… spectacularly weird, to be honest. But it got me thinking how much we girls (and my poor lone brother) disrupted my father’s #goals for order and peace. And, since my Dad was a bricklayer just out of high school, and that uses square…

Netherlands 2018 690

All the bricks you could want.

Daughters, Or Things That Messed Up Dad’s Life

Brick by brick, the Mason’s art constructed
Scaffolding, hod, cement in balance tied
Calculus, a symphony conducted
With “joints” and “beds,” and squarely dignified
As sums meet stone, and stone is satisfied.
Bull-nosed – both brick and man – he made life’s call
For “soldiers” in a row, chaos forestall.
No fickle furbelow accommodate
Geometry the goal, once and for all.
But Life provides girl-chaos to frustrate…

(I was reminded that CHILDREN, not just daughters, are the point of chaos, and so I concede. However, a good soldier makes do, and my father has.) That was a good entry poem for me, because I got to use a lot of technical terms (soldiers is a way to lay bricks – in a specific line. Who knew! [Well, Dad, probably]) and got to grips with the weird rhyme scheme. I decided to look further at squares… with dance.

Having attended religious schools my whole life, I never experienced the “fun” so many of my friends and relatives complained about (middle school + dancing for PE = tales of woe). I can’t square dance – or dance at all – but was delighted to discover that for an allegedly simple country dance, square dance has tons of serious adherents and technical terms. A ‘promenade’ is itself a whole dance subgenre! So, I was off again:

Treasure Island 35

Around the Quad

The Promenade brings sweethearts, two by two
With mincing steps, into a perfect square.
Striding in step along the avenue
Forward-and-back, the dancers walk on air
A ‘side-by-side’ that’s truly debonair.
Seeing – and being seen – the highest goal
As gents and ladies proudly take a stroll.
Walk where the lights are bright – all eyes on you
And never mind the critics on patrol —
Just do-si-do on to your rendezvous.


But, wait, there’s more! Sara’s poem uses more technical builder‘s terms, Liz is all science. Rebecca is, of course, quantum science, while Tricia found myriad other disciplines. Poetry Princesses Kelly, Andi, and Laura are off creating their own experiments elsewhere this month.

Need a bit more poetry? Poetry Friday today is hosted by the fabulous Jama-j, at Jama’s Alphabet Soup.

Glasgow Botanic Gardens T 15

One last Mental Health Month reminder: “Kindness in words creates confidence. Kindness in thinking creates profoundness. Kindness in giving creates love.” – Lao Tzu

{pf: p7 does anagrams}

Ah, it is April, the month, that, according to Ms. St. Vincent Millay, “Comes like an idiot, babbling and strewing flowers.” (Am I the poetry nerd who exchanged that poem with a college friend the first of April every year? Yes, yes I am. Do we still yearly exchange that poem, in full or in part? Yes. Because we’re STILL those nerds.)

In this month of rain, rain, more rain, weeds, floods and renewal, my Poetry Sisters nerds and I have set before ourselves a fairly robust challenge…anagrams. Anagram poems are varied – they can be the title of an existing poem, using the words created from the title to describe it. They can have no particular rhyme or rhythm, but each of the end words is an anagram variant. They can be a series of variations on a word or phrase, in its anagram variations. We had inspiration, word lists, and anagram creators, and a lot of blank paper. Not giving ourselves too many limitations was meant to make this challenge easier… but, anagrams, people. NOT EASY. And, I freely admit that all of these are bad – so very, very bad – but fun.

I mean, just ask Laura. Or Sara. Or Andi, or Liz, or maybe Tricia and Rebekah. Don’t ask Kelly, though, she’s just watching the carnage with genteel horror.

Glencoe 30

Because… ME, I started out with a theme. (My gosh, I needed some kind of guard rails and training wheels on this thing.) Being as last month was National Women’s History Month, I did several ‘Herstory’ poems, and managed to amuse myself. I tried ‘Spring’ as a thematic element, anagramming ‘pastel,’ then anagrammed some Rumi quotations – because he sounds both profound and wildly unfettered in his words. I anagrammed my name, which was weird (Savants Aid It? Really???), then a few random phrases. It took a long, long time to find my feet with this, which means I need to try it again and again until it becomes not such an oddly-shaped form in my brain. I’d say it was fun, but it was …more addictive? An inescapable challenge? Something. Once I got started, I couldn’t stop. So – here are a few of the myriad ways my brain jumped, vis-a-vis anagrams.


HERSTORY I.

Whilst sprawling in the spa
The Queen declared, “You’re saps.
You could jump in to save your skin
But you’re clueless. Buy a map!”
Mark Antony’s faux pas
Left Cleo in the wrong:
Held to the Romans’ iron law
Queen Cleo exited – stage asp.


BLUSH

Caspar 04 HDR

A springtide staple
Adorning both pleats
And sweet picnic plates,
pink breathes palest
in the perfumed pastel
of cherry blossom petals


SPRING’S MADNESS

This anagram, “spring’s madness” is a phrase that I worked hard to make sensible. I wasn’t entirely successful, but it was an amusing, realistically inarticulate look at how “In the Spring a young man’s fancy lightly turns to thoughts of love.” As they say, “life comes at you fast…”

I. In the mall
Mr. spending. Sass!
Spasm sends grin
Miss Rang spends.

Madness springs —
Man sends sprigs…
Grand mess spins!
(And sperms sings)

II. Disillusion
Nags Ends Prisms
Snags pends rims
Dangers spin, Ms!
Designs – Mr snaps!
Pangs rends Miss
Sadness pings Mr

Grasp mends sins
Spars mend. Sings!
Sass. Mend, Spring!

III. Cue HEA
A Sign: Mr Spends.
Sass pending… Mrs?

Mass pends: Rings!!!
Drams. Pens. Signs.
…Mass ends. SPRING!
Snaps. Signed. MRS!

Prams send signs…


WHAT IS APRIL POETRY?

Perhaps A Pier, Portly, into which our words might come.
Perhaps it’s a Reality Prop – IRL’s totes humdrum.
Possibly it adds a sparkle, like Literary Pops?
Or an Ear Pilot: Pry-ing out all the stops?

Start your own Riot! Reapply those skills,
Add a Parley Tip, Or keep writing “until”
The show goes on, times 3, like Opera — Triply
And as you Repair To Ply may your words be set free.


Poetry Friday is brought to you by the letter a, and the number 7, and is hosted this week by the über-creative Karen Edmisten @ The Blog With the Shockingly Clever Title. May you have a delightful weekend, full of wild words and soft winds.

{pf: p7 marches in with masks}

On the four weeks and five days before the Equinox, my plum tree gave to me… a surprising number of blooms, which I tried vainly to tell it to hang onto until temps got above the thirties at night and the wind slowed from 30 mph gusts.

It did not listen.

This honestly should be no surprise; the starlings did not listen when I explained to them last year that a nest over the front door was not really the most advantageous spot, the little cat from the house behind us does not listen when I beg him or her not to sleep on top of the plant in the walkway — the ladybug horde that has moved in does not listen when I gently try to entice them with the advantages of the great outdoors. I don’t know why I expected anything different from my tree. Spring comes whether it is pouring or dry, whether I think it is way early or no, whether it is convenient to the sinuses or not (it is NOT. Ever). And so, it is coming, a dive-bombing bird of prey, screaming across the sky, with talons extended, and with no brakes. Um, welcome Spring.

For reasons made clear in the previous paragraph (just call me Dolly Dramatica), this month’s poetry challenge was a good match for my particular brain. Mask poems are poems in which the reader slips into the soul of an inanimate object or an animal, and looks out through its eyes, answering questions of what it sees, what it thinks, or how it reacts to what’s going on around it – or with the poet. What does a snowflake want to say about itself, before it’s gone? A pair of gloves, a cell phone, a turtle? The poet takes the opportunity to embody another – an excellent excuse to pretend – and to consider a question in a voice that isn’t quite one’s own.

Because Laura initiated our challenge this month, I set myself the additional challenge of writing a poem that might suit a child. Laura is very good at consistently using our challenges to write poems for children and teachers, who are her readers, so however successfully/unsuccessfully, I’ve tried to take an animal-and-upbeat page from her book today. I’d say it was unsuccessfully, but hey – I was mindful not to be depressive, at least! I call that PROGRESS.

You might wonder if you’ve ever met a black phoebe. They’re a variant of flycatcher, and they’re they hardest darned things to photograph, ever. They’re tiny, smaller than a sparrow – more finch-sized, really, and ALWAYS moving, flicking their tail, abruptly leaping up or diving, and zipping all over, deeply unconcerned with what you’d like them to do – much like all of my other backyard neighbors.

Peachtree 244

a plum tree sings of phoebe

Black phoebe sits and sings near me
Concerned with only my gnat pests
He could care less that I’m a tree
With Damson blossom buds as guests.
Just bugs for him. His whistled call
Says mostly that it’s “time to eat!”
My branches reach for Sunlight’s fall.
(My leaves are waiting ’til there’s heat.)

My human comes to fuss at me
And gently touch a blossom guest.
She worries there’s no guarantee
That frost won’t make my branches stressed.
But phoebe flits, and doesn’t know
If flies tomorrow he will find –
“But look,” he tweets, “the lily grows!”
(Birds worry less than people-kind.)

Black phoebe, dining on the fly
Nabs lacewing here, a moth elsewhere –
Aerial antics amplify
The birdkind version of a prayer
To Spring. To flight, to frigid wind
As blossoms shimmy in the breeze –
Sing, even if the world should end
Use beauty’s balm your mind to ease.


There are more masks hiding and revealing all sorts of things amongst the poetry sibs this month. Laura’s enlightening us, while Sara’s sharing treasures. Liz is in the kitchen, while Rebecca is using windows as eyes. Tricia was gluing the last bits of her mask together as she also leapt a tall building in a single bound, while Kelly and Andi have hung up their masks for today, so we’ll see them next time.

Poetry Friday is graciously hosted today @TeacherDance. Thank you, Linda B!

Ah, friends, I’ve heard it in the chillest land (which is where it feels like most of us live just now) -/ And on the strangest Sea (also what we live in now on the West Coast, despite this bright blue picture on a briefly dry afternoon)-/ Yet – never – in Extremity,/ It asked a crumb – of me.

Miss Emily reminds us that no matter where we are, we must listen for it… Singing, I mean. Get out and listen to things with feathers this weekend. And if you can’t hear the hope, sing it aloud for someone else. Tough times for many of us just now, but holding each other up, we’re going to make it. Keep singing.

Peachtree 243

{p7 on pf: a patchwork of a cento}

“I cannot hide my anger to spare you guilt, nor hurt feelings, nor answering anger; for to do so insults and trivializes all our efforts. Guilt is not a response to anger; it is a response to one’s own actions or lack of action. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Yet all too often, guilt is just another name for impotence, for defensiveness destructive of communication; it becomes a device to protect ignorance and the continuation of things the way they are, the ultimate protection for changelessness.”

Greetings and salutations: It’s Poetry Friday, and is anyone else mildly bewildered that it’s September? While no one can say this summer has gone by quickly – no one who was has been wilting in the heat or sucking down smoke – that we’re officially motoring towards Autumn is a bit surprising… ah, well, on with the dance.

How I did it: While found poetry is typically difficult for me, this month’s cento challenge was a doozy. After TEN YEARS (this past April) of making poetry together with these ladies, I would not have wasted time whining about how difficult this was, except if we’re too quiet, it makes Sara leery, so WOW, THIS WAS HARD, UGH, GOSH, CENTOS, ARGH. Better, Sara? Onward:

From the Latin word for “patchwork” a cento is a collage poem made up of lines from poems by other poets. For our poetic quilt, the Poetry Sisters chose a single stanza from “I See Chile In My Rearview Mirrow by New Delhi poet Agha Shahid Ali. From this poem, we then chose a single word from a selected stanza around which to build our collage.

Finding poems for centos can be challenging, but a quick shortcut is to put your chosen word into the search engine at Poets.org and proceed from there. Out of the plethora of interesting choices, I chose like, which was common enough to give me too many options for poems, so I limited myself to only five pages of results from Poets.org, and twenty-seven poems, which I whittled down to a mere seventeen. Happily, this choice also opened my poem up to myriad cultural and ethnic diversities as well, as we move from the past to the present, through myriad continents and genders and faiths.

Making Meaning: It’s challenging to make meaningful poetry out of patchwork, however – having to leave the words of the poems in the order in which they were within their individual works made this even more difficult. However, because I have still been reflecting on my recent foray into harpy-ism, I found myself with ample fodder for the whirling emotions in the lines which presented themselves. Reflecting on how I had felt in the moment just after an insult, I found a backing for the swirling patchwork, and I pinned my individual bits in various places and orders until they felt true.


ozone & petrichor (after lightning)

i.
I would like to describe the simplest of emotions

ii.
it was like this:
like a feather on an arrow shot through a neck other times
like brooms of steel.
like sunlight, in fog
breaking like oil. the night
smelled like a dead frog.
a rose like a screw
drawn out of my breast like a rib.

I know this is an all-black-people-look-alike moment…
I have never been anything like pink
& lord knows, I have been called by what I look like.
Just like that, I’m a flung open door.
I run around like mad –
Like them, I wanted — only to die, moon-dark. Blessed,
unnoticed. now they look suspended, like heroes
a dream still clinging like light to the dark,
as the mist disappeared. like a curtain, open,
maybe. its flaws, like cracks
leaking in and out in all directions

iii.
mistress, eyes are nothing. like the sun
like a million dollar god with a two-cent
rim-shot, history, like a shadow, passes.


Closing Credits: And there’s even more cento-y goodness from the Sisterhood. Laura meets this month’s challenge through glass, Tricia found a truly envy-producing title, Sara, who set our challenge this month, sees all that is before us, while Liz breaks down breaking/brokenness. From their cushy chairs on the sidelines, Andi and Kelly meanwhile wave their pom-poms in our general direction, cheering us onward.

The true gift of a cento is the impetus to read widely – and wildly – a number of different types of poems one might not have otherwise attempted. To best appreciate the rich cloth from which each piece of patchwork is cut, you are invited to find a line you feel is especially intriguing, and read its antecedent poem.


This week’s Poetry Friday host is Beyond Literacy Link. Here’s to corralling the various whirling emotions that we might have and pinning them down into poetry. A cento style might not make it as easy to impose order onto your world as, say, a sonnet, but there is something to be said for using whatever feelings you have – however you feel – to make an orderly mind out of chaos.

” We use whatever strengths we have fought for, including anger, to help define and fashion a world where all our sisters can grow, where our children can love, where the power of touching & meeting another woman’s difference & wonder will eventually transcend the need for destruction.” Audre Lorde, Sister Outsider: Essays & Speeches (Berkeley: Crossing Press, 2007), 124-133

Hat tip to Tech Boy who made my little table in ten minutes, when I would have had to work carefully, with a lot of scowling and muttering, for an hour or more.

{pf: the p7 & the sestina scourge}

Okay, so maybe “scourge” was dramatic, but this, y’all, has been… just about impossible.

Don’t get me wrong – every month, I adore the challenge of pitting myself against a poetic form, but the sestina and me… we’ve just never managed to do more than approach a strained détente and limp back to our respective corners to lick our wounds.

The form… just… repeats a word. Not a whole phrase, a word. That should be no harder than a pantoum or a villanelle, right? And yet, because of the length, perhaps, or the lack of rhyming, the tetrameter, or perhaps the specific order of the word repetitions… well, for whatever reason, it just seems much harder. The list of end words from which we were to choose six seemed fine at first – nothing wrong with face, down, mirror, ground, prism, prison, block, bend, wishes, beam, string, or blade, but eventually they were too concrete, too unwieldy, too… blah, blah, blah. Something.

Add to that, a creeping horror over the vast and terrible fires consuming my home state and my adopted country while suffering a soul-sucking loss of faith in humanity from the decay rate of our disintegrating Republic, bleak discouragement over a new diagnosis which might lead to surgery, generalized introvert anxiety over house guests, as well as the stomach ‘flu in the SUMMER, and you may well understand that my mental state was not all that it might have been for the construction of this poem.

Nevertheless, she persisted.

With locked jaw and gritted teeth. Scowling fiercely.

Won’t you celebrate with me? I’m still here. Still. Here. Dang. It.

As are my sisters Tricia, and Laura, and Sara, — as well as Kelly, Liz, and Andi, though those three are down at the boardwalk just now. Through packing and moves and trips and illnesses and too many meetings and family – still here. The battle this month is to those who finish, no matter when it happens. Slog on, ladies.

Here’s mud in the eye of all the things trying to ruin our day.

Battle Plan

A countermove for every move you block
A spark and it could all burn to the ground.
A breath could tip the house of cards you face;
They count you out, but you will not stay down.
Resolve a whetstone sharpening your blade
In battle’s heat you will not break, but bend.

How fine the line exists ‘tween ‘break’ and ‘bend’
What makes ‘assist’ turn into ‘stumbling block?’
There’s no help up from those who’ve fallen down
No stopping ‘floor’ from meeting with your face…
At least you walked before you met the ground –
So trial by fire creates a stronger blade.

It parries; thrusting, slashing with a blade
We nimble fighters long must strike and bend
Not moving meekly to the chopping block
We slash and stab until we’re falling down…
Bedtime. Tomorrow we must battle face
For now, retreat, regroup, and go to ground.

And this is where we find our common ground:
That all of us are wounded by this blade
That all, whip-scourged and raw, before it bend
And all, hauled fighting, to life’s butcher block.
And all of us death hunts, and will drag down
We’ll “go not gentle.” That, we could not face.

Still spitting venom in disaster’s face
We won’t just let it drag us underground.
A change of route avoids each sly roadblock,
We pray for open roads around the bend.
Audacity shines, hope-bright on the blade
The slingshot wielding shepherd boy brings down.

“He’s small – but won’t take trouble lying down.”
“She killed a giant?” – Shock on every face.
“But, when the gristmill grinds you up, you’re ground!
And, I heard you were bludgeoned by that blade!”
They didn’t see you learning how to bend…
Mustering moxie through each stumbling block.

A starter block for scything setbacks down:
First, stand your ground. Look trauma in the face
Then draw your blade and make the bastard bend.


Shout out to Josh Mandel’s useful and beautiful sestin-a-matic for help in remembering those tricky repeat patterns, especially in the envoi. Visit the site, click through, and choose a few words of your own, if you’re feeling poetically frisky. Sestinas really are a delightful challenge… when you’re not in a vile mood. Or, maybe they still are, but your sestina might end up being a teensy bit combative. Whatever, right?

Poetry Friday today is brought to you by the letter U and the number 8, and is hosted at my play cousin Mary Lee’s blog, A Year of Reading.

{p7 on pf lift a glass & w r i t e}

Every once in a while, I go through my blog’s drafts folder and find posts I began and never finished, or finished and never published. Sometimes, the reason is crystal clear – they were too moody, too personal, too specific. We always want to show our best selves in public, after all. But, every once in a while I find unfinished gems. I started a post last June, after Robin Smith died, and I was “all up in my feelings,” as it were, pondering her exhortation to me to keep writing despite the chaos in the world. (And there was chaos closer to home, too – after Robin passed, we had houseguests from across the country to entertain, my Mom went back to work, Tech Boy got a new job, and within two weeks, we’d abruptly moved out of a place we’d been for the five years since we moved back from the UK – it was A LOT. Too much, really.) I was groping my way through what those words meant to me. I did eventually publish something on writing near the end of June, and will eventually share the blog fragment — but today is more for my thoughts based on those words.

The fragment was some very descriptive thoughts on writing – and writing through life’s chaos – and as a jumping off point for the Seven Sisters Poetry Challenge this month, that’s my topic. Now, this month, Sara’s challenge was for us to write a toast. Or, kind of a toast, anyway; more of a salute to a…thing. Toasts for non-drinkers don’t come up a lot, but I gave it my best shot in three glasses.

three tools, one toast

A quill! A quill! The poet needs a quill
to scribe in blood the pain of loss
to lance the flesh and drain the wound
to coolly plot a double-cross
signal a shipwreck left marooned
A quill! A quill! All hail the mighty quill.
      ♦
A pen! A pen! All celebrate the pen
chips ice from frozen seas inside
a two-edged sword, which cut both ways
a whetstone to the tongue applied
we cross out lines and then rephrase –
A pen! A pen! All celebrate the pen.
      ♦
A word! A word! the writer seeks a word
elusive as a unicorn
it hovers just beyond one’s reach
grasped for in joy and hurled in scorn
its figure lent to grace your speech
A word! A word! the writer seeks a word.


Sara’s rules for “A Toast! A Toast!” were merely that we had to begin and end each poem with the same two words. (After setting the challenge, even SHE found this supremely difficult!!!). The crew is off in seven different directions this month, so we may not all get to this challenge at the same time, but we raise a glass to Laura in Cyprus, Sara in an airplane between here and there, Andi in the garden, Kelly in the studio, Tricia under a pile of final projects, Liz dashing between school and daughters, and me packing for vacation. The poetry must go on!

Poetry Friday is being hosted by the gracious Brenda Davis Harsham at Friendly Fairytales. Pop over to visit her beautiful garden-centric blog.

{pf: seven sisters and a february tanka}

Another month (was January sixteen years long, or was that just me???), another poetic endeavor with the Seven Sisters! This month we’re visiting Moscow (brrr, in spirit only, it’s far too chilly to venture that direction these days) to stride the wide boulevards surrounding this lovely bit of Moscow called by Muscovites “Vysotniye Zdaniye,” or “the tall buildings.” That nondescript description is more fancifully known to Westerners as “Stalin’s Seven Sisters.” While this is basically one gigantic architectural wedding cake, each of the seven buildings has its own distinct spire.

In our poetic endeavors this month, we’ve been tasked to create tankas – but with a tiny catch. Our topics were chosen for us, as each of us was to respond this month to another sister’s sonnet from last month. You’ll find Sara’s here, right here is Liz’s; Laura’s is here, and along with an explanation of the form, Kelly’s is here, and Tricia’s, here. We wish Andi a happy February, and hope catch up with her another time.

I am fairly certain that I got the easiest assignment out of the crew. Kelly’s winsome little beauty, Kismet made words sparkle from Kelly’s pen, and certainly Kismet easily lent herself to the tanka form, which traditionally celebrated the glories of nature. Well, nothing more natural than a cat falling asleep while plotting world domination, right? I mean, if they could just stay awake long enough, we might need to worry. But, otherwise, nah.

I played with the idea of what it means to “respond” to the sonnet, and, since we’ve encountered tankas before repeatedly in this poetry project, I also tried harder on the “turn,” that comes in the third line of the tanka form. Conventional wisdom suggests that this “turn” could be both used as a widening of perspective, bridging topics between the top and bottom lines, or for a complete turn of attitude. This makes it fun to use Kismet in the sense of destiny, and as the subject of our poems.

o, mighty huntress

russet drab, and dun
flap/flutter/peck unceasing.
double-glazed reprieve
denies this bat-eared huntress.
Crouch gains curl, then, pounce turns purr.

days of dozing

what calico dreams
await the fuzzball, sleeping?
the feline kismet
paws splayed, claws keen to capture
at least one fluffed-up sparrow.

as told by k2

sunbeams shift closer
that translucent obstacle
unimpaired by claws slashing
frames distraction. my human,
eyes dreaming, hears Muses sing

wayfarer

all hard ground and horns
the world is colder, outside
landing on her feet
she’s found warm laps and purring
not all who wander stay lost

Around Glasgow 596

Last week’s Poetry Friday host, Carol Varsalona, invited me to join the Winter Wonderland Gallery, where throughout the months of January and February, the poetry community will be sharing poems, photography, illustrations and reflections on the stillness and artistry of the natural world this season. Carol invites us to share “YOUR perspective of the winter season in any of these mediums: photographs, videos, digital slide shows, songs musical compositions, artistic renderings, collages, illustrations, digital inspirations, image poems, inspirational quotes, sketches, or hand-draw pictures. Share your inspirations globally.” Drop by, friends, and check it out.

Meanwhile, further poetry can be found at Poetry Friday, hosted this week by Donna JT Smith @ Mainley Write.

Pack as much introspection and discovery as you can into these crisp winter mornings. It’s the shortest month of the year. Make every day significant.

{december lights: p7’s poetry friday lai}

…or the stars, as the case may be.

It’s Poetry Friday, and the last month of the year, huzzah! The Sisters have once again persevered and come through! Yay, us! And here we are with another poetic form! This one… I’ve never done before, and it was both simple and hard. Simple is sometimes really difficult, I find. The Lai is a form from France, and this nine-line poem uses an “A” and “B” rhyme scheme with A lines being five syllables, and B lines two. The pattern is AA B AA B AA B. See? Simple. But… also ridiculously hard.

As always, the Sisters did it justice. Don’t miss works by Sara,
Laura, Tricia, Kelly,, and Liz.

Fortunately, our theme was “hope, peace & light” which ties nicely into December’s theme as a whole, right? I gave it a go, and after some technical difficulties under the heading of, “I started to enjoy just writing a poem, forgot there were rules about end rhyme and ended up with some weird hybrid,” I came up with this little poem in three parts – moving from dusk to midnight to dawn… it’s not so much about hope or peace or light, and more about… determination to find such:

I. Waning Light
Darkest time of year
Dusk seems always near;
It waits.
Autumn days austere
chill the atmosphere.
By eight,
Day time’s souvenir,
moon, will disappear.
II. Will The Dawn Return?
Let the dark gestate
That which we await
And fear.
Though we may debate,
seasonal dictates
are clear:
Let us celebrate
Life, as its due date
draw near.
III. Dragging In Darkness
Daybreak’s slow premiere
heralds blue skies, clear
roads straight.
Borne, we cannot steer
Our celestial sphere.
Our fate
mutable, unclear –
But, we persevere,
create.

Vacaville 191

2017 has been… a ride over Niagra in a barrel – and if you’ll recall, Annie Edison Taylor said of it, “If it was with my dying breath, I would caution anyone against attempting the feat…. I would sooner walk up to the mouth of a cannon, knowing it was going to blow me to pieces than make another trip over the Fall.” Yeah… it’s just been that kind of a year. But! While days may be dark, the moon may be dim, and our nerves on edge, remember that the spirit of creativity is its own spark, dear ones. Don’t let your hands be idle. Even if it’s putting stickers on a piece of paper and making bookmarks for a school library, it’s doing something to feed you. Keep finding your feet, holding your candle, and lighting your world.

Arise and shine.


Poetry Friday today is hosted by Cousin Mary Lee at A Year of Reading. Please pop over for more lovely poetry today. Thank you for dropping by, and we hope you join us – the Seven Sisters – for whatever poetic hijinks we get up to next year! We’ll see you in January.

{poetry friday: p7’s ekphrastic: on the rocks}

CALL FOR SUBMISSIONS: Because “mistakes flower/every hour,” this anthology of middle grade poetry will look at mistakes from as many angles as possible, including (but not limited to) mistakes that result in discoveries/inventions, grammar and etiquette mishaps, historical and fictional blunders, funny/silly/embarrassing missteps, ways to make things right, and forgiveness.

Visit the link for details. Submission deadline November 1, 2017. Send poems to mistakesanthologyATgmailDOTcom.


It’s the first Friday of September, and the countdown to autumn begins in earnest. All hail, the gathering of the Poetry Sisters, as they come in from balmy, sticky summer days, too-short vacations, garden grubbing, housekeeping, art-making, school year preps, and conferences.

All hail, the gathering up of the brain cells.

I will now skip my usual song and dance about “Already!” and “Good grief!” and any number of other folksy expressions of shock, and just admit that 2017 feels, each month, as if we’ve lived a full year in the past thirty days… and yet, time keeps on shoving us onward, into the future. Hurrah.

(I mean, it’s not like I would like time to stop or anything, but the shoving just seems rude. I would like the days to pass without a cattle prod, thank you.)

Ah, well. The world is full of short, sharp shocks, is it not? Fortunately, there’s always poetry.

This month, we’re back to the ekphrastic, which means that the form was up to us, and the prompt was the rather lovely picture above, taken by Sara, along a path at the Highlight Foundation retreat center near lovely semi-rural Honesdale, Pennsylvania. I and several other sisters were taken by how the stone etched with the word ‘wish’ was snapped in half – rather like a wishbone – through the pressure of cold and weathering. We also noted how some of the words are obscured. Can wishes be broken? Are the things we wish for, or that make us individual, hidden, even from ourselves?

2 Princes

Snap)(ped like cold stone
two paths. one wish.
No way, except my own
I choose. I walk alone.

Two paths. One wish.
Fated, to Rule of Three
I ch(o)se (to) walk alone,
faithless. [Set free.]

Fated to rule. Of three
wishes, I wasted two –
Faith, let set free
desire’s detainee.

Wishes, I wasted. Two
snap ped like cold stone.
Desire’s detainee?
No (one’s), except my own.

I love how a pantoum can be… about any number of things at all.

In the spirit of the Poetry Sisters trying to think through and talk more about our process, I’ll admit that my brain has to flush itself with a sing-songy, drivelicious piece of nonsense first before I can come to grips with poetry of any kind of Serious Form. True to form, I messed about for quite a bit with this and that, then ran out of time on a sonnet I felt was suitably difficult enough To Appear Serious. The truth is? No matter how much I whine, these are just fun, and I’m grateful to have the outlet for this kind of fun, to let my brain run along paths other than flash floods and garbage fires, war wounds, weeping, and wailing. Wordplay is the best play, right now, anyway.

Once Was Is Past

once was is past: snapped clean and cleaved in twain
time’s pulse a timpani that marches on,
relentless, in this lifetime marathon;
all paths converge and seek out this refrain.

with restless adaptation, time’s campaign
seeks but to better life’s phenomenon:
streams seep, then oceanward surge thereupon
meek molehills strive – to steeper heights retrained.

as all things change, yet changing, keep the time
and dance to day’s distinctive martial tune
what changes least, you’ll find, still dies too soon.
that’s paradox, in living’s paradigm.

the past, a path wayfarer’s quests elude,
ahead, horizon’s trackless latitude.

And, OKAY, since Liz doesn’t think it’s actually drivel – here’s the first thing that fell out of my brain for this project:

WARNING, or DO NOT WISH UPON A STAR

with no apologies to Disney whatsoever

When you’ve wished upon a ROCK
You’ve wished, at least, on sturdy stock,
& tethered it to solid ground –
(not vague celestial hopes unsound).

Wishes on stars are ill-advised;
A heavenly-body’s VAST, in size
You wish might land… or, go astray,
Become some wind-tossed castaway…

But plant your heels on cobblestone,
‘Wish’ turns to ‘deed’ with your backbone.
Persist, and dreams you’ll undertake,
That starlight’s whimsies cannot make.

(Full disclosure; this is the Poetry Sister polished version of this poem; first out of the gate had a much bootstrappier final stanza, and with a mighty vengeance I detest and loathe hoisted-upon-yon-bootstraps poetry – #sorrynotsorry Rudyard Kipling/Robert Service. This ending has both stars and stones to root it, and thank-you, Sara.)

There’s more poetry all over: first, check out Laura, Sara, Tricia, & Liz, and see what they’re doing with this particular ekphrastic challenge this month. Be sure to wave to Andi, and welcome her back!

Next, head on a short flight to Oz, and visit the blog of Kat Apel. Check in and add your links to the rest of the Poetry Friday roundup today.


And now, a little plug for the Cybils Awards: Since 2007, the Cybils have long been a place for those who care about children’s literature to get involved. Especially this year, when it may feel that nothing we do changes anything (cattle prod notwithstanding), highlighting good books for children, tweens & teens is a hopeful imperative. If you read and write about children’s literature, between now and September 11th, there’s an open call for judges in all categories. Better to open a good book – which is, its own way, lighting a candle – than to curse the darkness.

{poetry friday: p7 play “Statues in the Park”}

How on earth is it already August!? This year has seemed to be the longest parade of awful, ever but somehow this summer is flying by like greased lightning. I guess it’s just that the pace of the chaos has sped up…? Who can tell. This week, I’m writing poetry from a new garret, in a house still filled with the odd unpacked box or stack of somethings.

Vacaville 2Vacaville 1

Our August Poetry Project is another Salas Special, wherein Laura gave us the title and let us go hog wild. Well, that’s never a good idea for me. I was stumped for ideas for a hot minute until I narrowed down my Flickr selections of statues to the actual park, and not entryways, old buildings, cemeteries… These bronze statues are in a graveled park, a short cut between a strip mall and a street of shops. The pair of them are gathering pears. The girl is gathering windfalls, while the man takes care of the official harvest. The light and the wet day perfectly captured the ineffable quality of an autumn afternoon:

Statues in the Park, Vacaville

Gather ye orchard’s gleaning
As sun decants to starlight.
The summer leaves no greening
Untouched by autumn’s appetite.
Soft, the season turns, governed by winter’s oversight.

I like that, but still find five-line poems a struggle (if I actually follow the rules for syllables, which I patently did NOT in the final line). Five lines are just not enough time for wordy-old-me to invest a poem with emotion – which is why I deeply respect people who can really make tanka really work. (I keep trying, though.)

I gave up on the quintet form and just went with rhymed couplets — and a statue that stopped traffic for me. Ever been to Treasure Island?

Treasure Island 36Treasure Island 34Treasure Island 30

Statues in the Park: Bliss

Like no one’s watching, dance, they said
Away your fears, take joy instead!
Such glib advice! So hard to take.
(Perfectionists can’t risk mistakes.)

Who wouldn’t choose a bird to be –
All blithe-winged swooping, flying free –
…But, what goes UP must come to grief.
DOWN follows up. Joy’s flight is brief.

Light, soaring thistledown I’d fly
Wind’s fickle dance exemplify,
But plodding, scaredy-self the rope
That leashes whimsy’s gyroscope.

Is fearing, living? NO, say I
If convention we satisfy
And let “tradition” turn our feet!
Take back your drum! Dance to your beat.

They’re watching, but dance anyway
Sing loud. Love hard, life’s cabaret
Plays rarely past four score and five –
You have RIGHT NOW to be alive.

This is “Bliss Dance,” by Marco Cochrane, on the great lawn at Treasure Island. She is forty feet tall, and she literally, the first time we saw her, caused us to hit the brakes and gawk. She. Is. Huge.

Some art you can encounter once and simply remember it. Bliss, I could visit repeatedly. She’s just…there larger than life, and …brings to mind the William Carlos Williams poem, “The Kermess,” another poem I memorized in college. I love the joyous defiance of Breughel’s-great-picture-The Kermess; the poem’s thick shanks and big butts and bellies all swinging round made me so happy. Bliss’ body is traditionally symmetrical, but her nudity puts her on the same level – she’s unashamed and getting her slightly awkward, spinning groove on. She’s probably going to trip over her own feet, in a minute. Do you think she cares?

Treasure Island 31

She does not.


The poetry sisters are in the house! Some of Laura’s statues are just waiting for you to leave. Sara’s diving into the complicated uses of Lincoln’s memorial. Tricia’s managing to write surrounded by family. Kelly’s playing with the idea of release, while Liz is traveling. And don’t forget to wave hello to Andi, who is cheering us on from the bench this week.

There’s more Poetry Friday this lovely early August day! Our hostess kicking off the month in style is [email protected] Write. Put on your dancing shoes, dearhearts, and shimmy through your weekend. They’re all watching. Who cares?