{come for the poetry friday roundup! stay for the peeps wrestling the raccontino!}

Welcome to Poetry Friday!

Poetry Peeps! You’re invited to our challenge for the month of July! Here’s the scoop: We’ll going to write brief poems called Sedokas. A Sedoka is an unrhymed poem made up of two three-line katauta with a 5/7/7, 5/7/7 syllable count. Since a Sedoka has only six lines, you can totally do this! Of course, we’re continuing our theme of being ‘in conversation,’ next month as well (and since Mary Lee has invited us to join her at A(nother) Year of Reading for protest Poetry on Independence Day next Friday, this might be a great short form to use for that!). Are you in? You’ll have a month to craft your creation(s), then share your offering on July 25th in a post and/or on social media with the tag #PoetryPals. We hope all of you will join the fun!


Whew – just like that, summer has come in, and wow is it trying to redefine the definition of “heat” in much of the United States. To those of you prostrated before your AC and fans, we see you. Normally it’s California sweltering with no mercy, but so far this year we’ve had a really slow beginning to the more vicious heat – which leads us to believe we’ll be in steaming puddles by August, but let’s kick that can of sweat down the road, shall we?

Meanwhile, THIS is the place for Poetry Friday links!

Click, Friend, And Enter



Can I take a moment to revisit my Poetry Peeps invitation for last month and snicker? I wrote, “We’ll going to write a couple of couplets and make a Raccontino. Never heard of the form? No worries. If you can count to two, you can play with this delightful form.” Can anyone tell I’d forgotten that I’d struggled with writing a Raccontino before? The Poetry Sisters did, in fact, attempt them before. In 2015 I bleated, “This raccontino stuff is BLOODY DIFFICULT.” …Heh. So much for the ‘delightful form,’ huh? And yet: while it’s definitely complicated, this time around, it hasn’t been that bad.

From Process…

In Italian, a raccontino is a narrator or storyteller, so it stands to reason that the Raccontino form tells a story. From the title, which some poets compose as part of or an entire sentence, to the couplets, to the end words of the odd-numbered lines, each element tells a small story that braids together into a whole. I came back to this frequently.

When we gathered for our drafting session, the Poetry Sisters recalled our previous processes. Last time I tried this, I tried writing the odd-numbered end line phrase first, the even-line rhyme scheme second, and the title/rest of the poem after that. That worked for most people, except I could only think of long quotes/sentences for my end-line story, so ended up with ten thousand couplets. (I started over a lot, and whined a lot more.) We got a giggle remembering how last time Sara jiggered the end lines only after writing the poem – yet somehow made that chaos work into a beautiful, heartfelt piece. Those who can throw down with chaos do, I guess!?

…to Poetry

This time around, I started with a handful of end-line quotations to use, but some of them were a little too close to the bone, and I abandoned the very first poem I wrote mid-word. What is it about poetry that sometimes leads it to be …well, too true? Anyway, I turned to my back-up phrases and hoped they were a bit more generic. The title of the first one I got through was based on something my little sister said, and the rest is realism based on a comment about ability/mobility and arthritis from another poet in our circle. I liked how they came together.

Because a Raccontino calls for only one rhyming application, as I wrote that second poem, I found myself struggling with the meter. I could write a …decent enough collection of words within the boundaries of the rules, but I spent a lot of time cherry-picking and fussing, trying to find a flow. I gave it up as “good enough” when somehow, a third poem just… suggested itself. I came up with it because I went back to reread my 2015 post and words in conversation with the concept of “it’s a jungle out there,” arrived from the title of my first poem. (And, hand to God, as my friend L says, I didn’t even realize that the first part of the end-line words, “Undeclared, this war rages on, grab hands, stay close” were written in reference to the 2015 undeclared war against ISIS in Iran and Syria until I was writing this right now. Plus ça change, plus c’est la même chose, non? God save us from ourselves.) Because it’s a jungle out there, we need to live with honest hearts and true, and keep each other close… still holding hands before we jump, which I unthinkingly reechoed from the past. Just for fun, I’ll share both finished poems, but the last is definitely today’s winner for me.

I’m Not Lazy, I’m In Power Saving Mode

We ran full-tilt, but now we take it SLOW –
(Our changing bodies outside our control.)

We hustled once, but forced, we’re slowing DOWN,
Extending Pain-Free days is now the goal.

It’s galling when the doctor croons, “Hey, YOU,”
And lays out reasons, with her words cajoles,

Assigning PT. We relearn to MOVE:
(Make no mistake, pain’s jail without parole.)

Our choices going… gone – Have yours gone TOO?
Does freewill feel like what your body stole?

We whine, but truth to tell, life changes FAST
Who knows – someday we might again feel whole.

♦

This chronic pain crap may leave you downcast.
But keep the faith: Life’s mysteries are vast.

You’ll notice I’ve included a little envoi as if this were a sonnet. I don’t know – somehow today it felt like envoi were necessary? Additionally, the image is of the Bay Bridge in SF – not the well-known and fancily painted Golden Gate, but the plain old Bay Bridge which carries much of the common daily commuter traffic – not the 59th Street Bridge, but probably as pedestrian for people just getting to work or cycling across one bit of water to get somewhere else. Maybe the drivers are not yet feeling groovy, but having the potential for it…I like that link to joy in the ordinary.

Other Raccontino wrestlers are perhaps feeling pretty groovy or reveling in the ordinary as they share their forays into this form. I got a tiny preview Sunday and know that Tricia’s efficiently composed poem is here. Sara probably chose more chaos here, Mary Lee – always prepared – is here. Laura’s short and to the point is here, and we can’t wait to see what Liz has done. Karen rose to the challenge and wrestled her Raccontino here. Michelle K’s poem has punch, and we have a newcomer – let’s welcome Diane and her Raccontino to the Peep Squad. Margaret’s poem is here, and Carol V’s lovely poetry-filled post is here. More Poetry Peeps might swing by with their Raccontinos (Raccontini?) and I’ll round ’em up here by the end of the weekend.

Life, Improvised

So, how does it start? You, what, simply hold
Your heart on your sleeve and hang it out there
To sweat in the spotlight – your fate in its hands?
Sounds awful! Exposed! Most people’s nightmare.
A big life says, “Yes.” Acceptance adds, “And?”
An honest life asks that you lay yourself bare.
Why skulk in the shadows when courage cries, Jump!’
Living your truth means that you build wings midair.

Freefall has its benefits — and by and by
You’ll forget about falling. You’ll have learned to fly.


My nephew graduated from high school nine days ago, and turned eighteen seven days ago, so the imagery of jumping into life – nervous, but holding hands – improvising, and learning to fly is definitely on my mind. The younger set remind us we all need a little help to get aloft – our neighbors, our chosen family and friends, and the community we need to keep close, now more than ever as the clouds close in. Elf’s fledgling flight might be a ragged one, with a bit of frantic flapping and barely missing crashing into windows at first, but if he falls, I’m counting on the rest of us to raise him up and run until he finds the wind again – into whatever extraordinary life is allotted to him. Whatever your age, may your circle do the same for you. May we never discount the power of community.

Look for the interconnected stories you’re telling, or have been told, and see where your narrative intersects. Remember that Yes. and And? are invitations to acceptance and connection. Know how well you are loved – and may it fuel you to love in return.

Happy weekend. Be well and do good.

{pf: p7 shovel gold with Elizabeth Bishop}

Welcome to Poetry Friday!

Poetry Peeps! You’re invited to our challenge for the month of June! Here’s the scoop: We’ll going to write a couple of couplets and make a Raccontino. Never heard of the form? No worries. If you can count to two, you can play with this delightful form. Of course, we’re turning our faces to the winds of ‘conversation,’ as always. Are you in? You’ll have a month to craft your creation(s), then share your offering on June 27th in a post and/or on social media with the tag #PoetryPals. We hope you’ll join the fun!


In leagues worth of understatement, it’s been a HELLUVA month. As of this post we’ve been in our new house for a week and three days, and we’re 97% unboxed. Now we’re back to the stupid phase of any packing/unpacking expedition wherein you want to shriek and fling your possessions into the street just so you can be DONE, but I’m hanging on, faithfully sorting and deciding what we no longer need – something it would have made sense to do on the other end, but that only works if all parties packing have the same idea. Sometimes… it’s just easier to do these things when one has a quiet moment. Ahem. So! Chaos abounds, which is why I realized that a.) it was the end of the month and b.) the last Friday of the month exactly twelve hours before this post. Oops! And yes, that means the entire crew missed our Sunday meet-up last week… but honestly? Summer: it happens.

From Process…

Oh, it’ll be fine, I told myself. A golden shovel is a very forgiving poetic form. Well, yes… and no. I knew my topic almost immediately, since we were using Elizabeth Bishop’s “Letter to NY” for our mentor poem – I knew I wanted to write a letter to someone, be in conversation with someone or something unusual – but a letter to my erstwhile sanity seemed just slightly on the nose, and a little too narrow of a topic (though I truly could go on and on about it). And yet, moving house: all there IS is chaos, and lacking sanity. However, it also occurs that it’s been chaotic nationally for a …while now….and getting louder. But could I pull any of that from the mentor poem and use it in a meaningful way?


…to Poetry

I decided to delve into writing a golden shovel from opposite directions. Much like the opposing voices within our national conversation, there are very loud opinions of who is doing what correctly, and why, and I wanted this chaotic letter to reflect two ways of looking at a single idea, like survival – something that is both nebulous and distinctly individualized. What does it mean to live your ‘best life’ in the midst of chaos? Is there a way to do that? What’s your best route to safety – or is living your best life not bound up in safety? With these thoughts in mind, I began to compose – keeping in mind that I truly did not have time to make a lot of rhyme, but trying to give a nod to internal rhyme anyway.

A Letter From Our Collective Consciences

Every exchange seems somehow the same, WHERE
Ant-like, we follow and wave around words. ARE
antennas An offer? So strained are the smiles YOU
So shallowly proffer. A nose-to-tail following, GOING
Unknowing. Direction? Who questions? We walk, AND
Keep pace; a silent compliance surely keeps us safe. So WHAT
If the naysayers still shake their heads? We all ARE
Who we are, and ‘safe’ is the stock in the soup YOU
are brewing. Survival’s the goal. It’s what we’re all DOING.
***
WHAT living teaches still won’t make us wise.
(ARE expectations urging us wrong?)
YOU know in your heart the world will tell lies – that
DOING and saying don’t much harmonize…That a song
AND a singer aren’t the selfsame thing… Knew
WHERE the lies was, yet it somehow still stings.
(ARE our instincts sending common sense askew?)
YOU just survive this life as best you may –
GOING your own way seems the only way.

These are definitely in conversation, yet not as much in opposition as I had imagined when I first began, perhaps. Survival is a topic which elicits similar emotional investment, and sometimes, we end up more closely aligned in heart than we expected to… In any event, I’m happily joined in this golden shovel challenge by my fellow Poetry Sisters, who are very likely much better diggers than I. Laura’s poem is here. Tricia’s poem is here, and Sara’s poem is here. Liz’s poem is here, and early bird Michelle K’s poem is here. Other Poetry Peeps may pop in throughout the weekend to take part in this challenge, so stay tuned for the round up; I’ll post ’em as I find ’em. Additionally, Poetry Friday is ably hostessed today by the one and only Karen Edmisten, whose shockingly cleverly named blog makes me smirk every time. Thanks, K – may your coffee stay hot and your mornings be energized.

If chaos and survival are on your mind this month, don’t forget to take naps, touch grass, drink water and remember to hug a friend. Your mental health will thank you, and more than that, it will remind you that we’re all just trying to survive, and to perhaps be kinder than you want to, when you encounter someone whose world worldview runs counter to your own. Courage, friends!🌼

{pf read: one step forward, a novel in verse by Marci Flinchum Atkins}

This isn’t a book review since I don’t do those on my personal blog, but I am reading a couple of novels in verse – at the same time, because one of them, ONE STEP FORWARD, by Poetry Friday alum Marci Flinchum Atkins is an intense read during our current historical moment and I admit to bursting into tears periodically and needing to put it down. Today I share three poems from the book that really struck a chord in me.

I admit that I haven’t thought a lot about women’s suffrage since school. Once we learned about the way that Black women were shoved to the back of the parade – literally – the whole ideological argument about the rights of women left a sour taste in my mouth. I expected women not of my time to be able to hold multiple truths, and some of them simply could not, and it is what it is. Even if they were not marching for my rights, their work was important. I can imagine the brilliant classroom discussions this book will provoke – about how long a movement takes (Montgomery Bus Boycott = 382 days), and how much it costs to bring about change (Jailed. Beaten. Raped. Hung. Force Fed. Starved.) My whole life I have heard the phrase “freedom isn’t free,” and I’ve pretty well hated it, because it’s a bit smug of a statement, usually bandied about by those who are merely trying to silence others, but… it’s true. Freedom isn’t free. And in many cases, neither are the people who believe they are. Pushing back against racism, classism, bigotry and fascism has a cost – that all of us must shoulder. Learning the historical realities of these costs has been keeping me up nights since I was a child who learned to read and got into historical accounts of the Klan that I wasn’t ready for.

I have these shudders reading Civil Rights books – because I hate being shouted at, I hate people being angry with me, and I cringe from bullies. Honestly, I do not know how we ever achieved suffrage. I do not know how we ever achieved manumission. Cruelty seems so easy for some, and courage erodes so easily and is so hard won. We will all have to be much, much braver – and keep marching.



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On the eve of a turning page of American history, it feels important to keep looking back. History has a certain weight and inevitability… We lived through it. No matter what various heads of state try to delete, they can’t erase family stories, personal recollection nor every diary and attic stored record. We are here. We remain. We persist.

transient

Spring without flowers
Still comes, days bright and warming:
Know winter passes.

♥•♥



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“Madea! You can’t go to the store like that!”

Our small mouths hung open, aghast. Our grandmother’s smile was pure amusement, toothsomely sweet as the Louisiana cane that papa brought us from the neighbor’s field.

“No?” she asked in her slow drawl, willing to be led by our whimsies. “Well, if y’all take ’em out, y’all gonna put ’em back up again, y’hear?” We promised faithfully that we would take care of everything, and spent some part of each day on every vacations, whether visiting her home in one-stoplight-Patterson, or she visiting our more metropolitan corner of West Coast suburbia, carefully taking out our mother’s mother’s curlers, brushing her black-brown hair into soft curls, and carefully rerolling it on our return from wherever the day had taken us. No one in our experience went out in public wearing rollers, and we didn’t know what to think of her, the sheer scarf she wore no cover to the shame. What was Madea saving up her “good hair” for, if not to be seen in public? We weren’t old enough to understand her timeline, and the years where women took out their rollers and put on a pleated dress at 5pm – when the patriarch’s work day was done, and theirs was merely continuing. We just thought she had a lot of outfits, so she liked to change in the afternoon. If we’d had as many nice shoes and dresses – and those hats she wore to church, and those gloves – we would have changed clothes, too. Wouldn’t you?

Madea – [ˈmədēˈä] – ma’deah, my dear. You smiled so often at your guileless granddaughters. I wonder what else of your many faces we failed to see.

a woman’s glory

that is what this is
she, the angel of the house
curls up in limbo
       rolling out the shopping cart
       stalks through earthbound paradise

(The B&W curlers photograph is from the book “Growing Up Female: A Personal Photo-Journal”, published in 1974 by American photographer Abigail Heyman. Click to embiggen.)

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A collection of nostalgia fills the words, My Country, ‘Tis of Thee. Despite a tune shared with the British anthem, the song resonates, and raises longing eyes to the horizon of our imagination, in memory of a collective past most did not share. Not the land where all our fathers died. Not all descended from prideful pilgrims. Still we have craved the intimation of freedom, a definition of ‘belonging’ expanding to include us as we struggle to fit our picture into the American album. This is Nye’s shared world – not one of rejection but of acceptance, of mamool shortbread, and powdered sweetness dusting open palms.

we believed it would last forever

hold a moment more
the shape of home, of ‘country’
a sapling stretching
        in deep-rooted certainty
        of endless ripples of rings

♥•♥


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songs & philosophies

“Should auld acquaintance be forgot and never brought to mind?” – lyrics recorded by Robert Burns.

“Those who cannot remember the past are condemned to repeat it.” – George Santayana

“I wish I were in the land of cotton, old times there are not forgotten.” – Daniel Decatur Emmett

As a fifth grader carefully shaping cursive letters for our daily penmanship exercise, I was often struck by the quotations we were copying. Like so many 80’s men, my fifth grade teacher was an eager early adopter to the computer, and had us doing simple coding the last period of the day, but first period was for penmanship and famous quotations – things he insisted would benefit us greatly in the digital age. We coped quotations from Rudyard Kipling, Robert Service, Ellen G. White, and Winston Churchhill. “Remember where you came from so you appreciate where you’re going,” he was fond of saying. The words ran over us like water, wearing grooves into our brains. Remember. Remember. Remember.

Only now as the American past faces deletions and revisions through the intense ethnocentrism of our current administration do I realize where the Santayana quote fails. Too many of us remember the past – but not everyone agrees on how far ‘past’ it should be.

rising behind you
softness from red soil, sunward
pasts wrenched from sharp bolls


{npm♦4/22}

unprecedented?
nothing’s new under the sun
we’ve been here before.

“What a time,” is what people have said to me the most. Or, some variation on, ‘these are just such crazy days,’ with a rather helpless gesticulation. We all know what we mean – the tired phrase of “unprecedented times” has simply been turned inside out and had its seams ripped so it’s bigger, and usable by more people. We are still in a trackless waste with no idea of which direction to strike out for a horizon. We are still free-falling from thousands of feet into space, spinning and disorientated with nothing to grasp for safety. The only good news, as the saying goes, is that there is no ground.

Is it possible to feel safe when we’re not in control? And… have we ever really controlled anything?

I am waiting for this thought to feel like comfort.

the upside-down flag
a visible inversion
of all normalcy
          Earth’s S.O.S. colors fly:
          Can we be saved from ourselves?


{npm kidlit progressive poem}

It’s time! The lovely progressive poem has “progressed” for twenty days, and now it’s my turn! Here’s the panoply of poets playing this year:

April 1 Linda Mitchell at A Word Edgewise
April 2 Tricia at The Miss Rumphius Effect
April 3 Robyn at Life on the Deckle Edge
April 4 Donna Smith at Mainely Write
April 5 Denise at https://mrsdkrebs.edublogs.org/
April 6 Buffy at http://www.buffysilverman.com/blog
April 7 Jone at https://www.jonerushmacculloch.com/
April 8 Janice Scully at Salt City Verse
April 9 Tabatha at https://tabathayeatts.blogspot.com/
April 10 Marcie at Marcie Flinchum Atkins
April 11 Rose at Imagine the Possibilities | Rose’s Blog
April 12 Fran Haley at Lit Bits and Pieces
April 13 Cathy Stenquist
April 14 Janet Fagel at Mainly Write
April 15 Carol Varsalona at Beyond LiteracyLink
April 16 Amy Ludwig VanDerwater at The Poem Farm
April 17 Kim Johnson at Common Threads
April 18 Margaret at Reflections on the Teche
April 19 Ramona at Pleasures from the Page
April 20 Mary Lee at A(nother) Year of Reading
April 21 Tanita at {fiction instead of lies}
April 22 *Patricia Franz
April 23 *Ruth at There’s No Such Thing as a Godforsaken Town
April 24 Linda Kulp Trout at http://lindakulptrout.blogspot.com
April 25 Heidi Mordhorst at My Juicy Little Universe
April 26 Michelle Kogan at: https://moreart4all.wordpress.com/
April 27 Linda Baie at Teacher Dance
April 28 Pamela Ross at Words in Flight
April 29 Diane Davis at Starting Again in Poetry
April 30 April Halprin Wayland at Teaching Authors

(EDITED TO ADD – tomorrow’s line will be found at Rose’s blog, and the poem will go forward from there. Please skip Patricia for now. Thank you!)

For those of you new to the process: this NPM children’s poetry celebration was originally begun by Irene Latham, and the mantle taken up by Margaret Simon, who wrangled this year’s distracted poets into a cohesive whole. Linda M. started us off with a gloriously open April window…

From Process…to Poetry (Line)

April thus far has been a particularly scattered month for me, but reading poetry has been particularly grounding, especially seeing this poem grow in creation. In this April garden, nothing yet has come to grief. It is full of the actions of joy. As I breathed the “gift of the lilacs,” and imagined myself painting and breathing and dabbling and gamboling, I thought about what we verb-y activities we haven’t yet done in this poem – eaten, spoken, shouted, screamed/squealed, or slept (we’re playing in this garden alone, which is its own kind of delightful). I also meditated on the scents on my back porch just now of an evening – orange blossoms from my dwarf citrus tree. It almost feels like we opened that April window into a glorious morning, and now… taking my cue from the thanks at the “day’s end,” and “long-ago springs,” as well as Cousin Mary Lee’s flowering shrubs, I decided to forget about eating (I couldn’t figure out how to fit it in 😂) and drink in a sense of peace and rest. That’s what this April garden has given to me this month. Since we’ve stayed in four lines per stanza, I’ll add an ellipse and begin a new one…and then it’s over to you, Patricia Rose!

Open an April window
let sunlight paint the air
stippling every dogwood
dappling daffodils with flair

Race to the garden
where woodpeckers drum
as hummingbirds thrum
in the blossoming Sweetgum

Sing as you set up the easels
dabble in the paints
echo the colors of lilac and phlox
commune without constraints

Breathe deeply the gifts of lilacs
rejoice in earth’s sweet offerings
feel renewed-give thanks at day’s end
remember long-ago springs

Bask in a royal spring meadow
romp like a golden-doodle pup!
startle the sleeping grasshoppers
delight in each flowering shrub…

Drinking in orange-blossom twilight