Welcome to Poetry Friday!
Poetry Peeps! You’re invited to our challenge for the month of July! Here’s the scoop: We’ll going to write brief poems called Sedokas. A Sedoka is an unrhymed poem made up of two three-line katauta with a 5/7/7, 5/7/7 syllable count. Since a Sedoka has only six lines, you can totally do this! Of course, we’re continuing our theme of being ‘in conversation,’ next month as well (and since Mary Lee has invited us to join her at A(nother) Year of Reading for protest Poetry on Independence Day next Friday, this might be a great short form to use for that!). Are you in? You’ll have a month to craft your creation(s), then share your offering on July 25th in a post and/or on social media with the tag #PoetryPals. We hope all of you will join the fun!
Whew – just like that, summer has come in, and wow is it trying to redefine the definition of “heat” in much of the United States. To those of you prostrated before your AC and fans, we see you. Normally it’s California sweltering with no mercy, but so far this year we’ve had a really slow beginning to the more vicious heat – which leads us to believe we’ll be in steaming puddles by August, but let’s kick that can of sweat down the road, shall we?
Can I take a moment to revisit my Poetry Peeps invitation for last month and snicker? I wrote, “We’ll going to write a couple of couplets and make a Raccontino. Never heard of the form? No worries. If you can count to two, you can play with this delightful form.” Can anyone tell I’d forgotten that I’d struggled with writing a Raccontino before? The Poetry Sisters did, in fact, attempt them before. In 2015 I bleated, “This raccontino stuff is BLOODY DIFFICULT.” …Heh. So much for the ‘delightful form,’ huh? And yet: while it’s definitely complicated, this time around, it hasn’t been that bad.
From Process…
In Italian, a raccontino is a narrator or storyteller, so it stands to reason that the Raccontino form tells a story. From the title, which some poets compose as part of or an entire sentence, to the couplets, to the end words of the odd-numbered lines, each element tells a small story that braids together into a whole. I came back to this frequently.
When we gathered for our drafting session, the Poetry Sisters recalled our previous processes. Last time I tried this, I tried writing the odd-numbered end line phrase first, the even-line rhyme scheme second, and the title/rest of the poem after that. That worked for most people, except I could only think of long quotes/sentences for my end-line story, so ended up with ten thousand couplets. (I started over a lot, and whined a lot more.) We got a giggle remembering how last time Sara jiggered the end lines only after writing the poem – yet somehow made that chaos work into a beautiful, heartfelt piece. Those who can throw down with chaos do, I guess!?
…to Poetry
This time around, I started with a handful of end-line quotations to use, but some of them were a little too close to the bone, and I abandoned the very first poem I wrote mid-word. What is it about poetry that sometimes leads it to be …well, too true? Anyway, I turned to my back-up phrases and hoped they were a bit more generic. The title of the first one I got through was based on something my little sister said, and the rest is realism based on a comment about ability/mobility and arthritis from another poet in our circle. I liked how they came together.
Because a Raccontino calls for only one rhyming application, as I wrote that second poem, I found myself struggling with the meter. I could write a …decent enough collection of words within the boundaries of the rules, but I spent a lot of time cherry-picking and fussing, trying to find a flow. I gave it up as “good enough” when somehow, a third poem just… suggested itself. I came up with it because I went back to reread my 2015 post and words in conversation with the concept of “it’s a jungle out there,” arrived from the title of my first poem. (And, hand to God, as my friend L says, I didn’t even realize that the first part of the end-line words, “Undeclared, this war rages on, grab hands, stay close” were written in reference to the 2015 undeclared war against ISIS in Iran and Syria until I was writing this right now. Plus ça change, plus c’est la même chose, non? God save us from ourselves.) Because it’s a jungle out there, we need to live with honest hearts and true, and keep each other close… still holding hands before we jump, which I unthinkingly reechoed from the past. Just for fun, I’ll share both finished poems, but the last is definitely today’s winner for me.
I’m Not Lazy, I’m In Power Saving Mode
We ran full-tilt, but now we take it SLOW –
(Our changing bodies outside our control.)
We hustled once, but forced, we’re slowing DOWN,
Extending Pain-Free days is now the goal.
It’s galling when the doctor croons, “Hey, YOU,”
And lays out reasons, with her words cajoles,
Assigning PT. We relearn to MOVE:
(Make no mistake, pain’s jail without parole.)
Our choices going… gone – Have yours gone TOO?
Does freewill feel like what your body stole?
We whine, but truth to tell, life changes FAST
Who knows – someday we might again feel whole.
♦
This chronic pain crap may leave you downcast.
But keep the faith: Life’s mysteries are vast.
You’ll notice I’ve included a little envoi as if this were a sonnet. I don’t know – somehow today it felt like envoi were necessary? Additionally, the image is of the Bay Bridge in SF – not the well-known and fancily painted Golden Gate, but the plain old Bay Bridge which carries much of the common daily commuter traffic – not the 59th Street Bridge, but probably as pedestrian for people just getting to work or cycling across one bit of water to get somewhere else. Maybe the drivers are not yet feeling groovy, but having the potential for it…I like that link to joy in the ordinary.
Other Raccontino wrestlers are perhaps feeling pretty groovy or reveling in the ordinary as they share their forays into this form. I got a tiny preview Sunday and know that Tricia’s efficiently composed poem is here. Sara probably chose more chaos here, Mary Lee – always prepared – is here. Laura’s short and to the point is here, and we can’t wait to see what Liz has done. Karen rose to the challenge and wrestled her Raccontino here. Michelle K’s poem has punch, and we have a newcomer – let’s welcome Diane and her Raccontino to the Peep Squad. Margaret’s poem is here, and Carol V’s lovely poetry-filled post is here. More Poetry Peeps might swing by with their Raccontinos (Raccontini?) and I’ll round ’em up here by the end of the weekend.
Life, Improvised
So, how does it start? You, what, simply hold
Your heart on your sleeve and hang it out there
To sweat in the spotlight – your fate in its hands?
Sounds awful! Exposed! Most people’s nightmare.
A big life says, “Yes.” Acceptance adds, “And?”
An honest life asks that you lay yourself bare.
Why skulk in the shadows when courage cries, Jump!’
Living your truth means that you build wings midair.
Freefall has its benefits — and by and by
You’ll forget about falling. You’ll have learned to fly.
My nephew graduated from high school nine days ago, and turned eighteen seven days ago, so the imagery of jumping into life – nervous, but holding hands – improvising, and learning to fly is definitely on my mind. The younger set remind us we all need a little help to get aloft – our neighbors, our chosen family and friends, and the community we need to keep close, now more than ever as the clouds close in. Elf’s fledgling flight might be a ragged one, with a bit of frantic flapping and barely missing crashing into windows at first, but if he falls, I’m counting on the rest of us to raise him up and run until he finds the wind again – into whatever extraordinary life is allotted to him. Whatever your age, may your circle do the same for you. May we never discount the power of community.
Look for the interconnected stories you’re telling, or have been told, and see where your narrative intersects. Remember that Yes. and And? are invitations to acceptance and connection. Know how well you are loved – and may it fuel you to love in return.
Happy weekend. Be well and do good.



I spent Friday thrifting with friends and all day Saturday teaching a friend of William’s to cook before she heads off to law school. I’m grateful now for today’s opportunity to enter power saving mode. I think the envoi you added to each poem adds so much depth to the form and really wraps the poem up in a way that simply ending with a rhyming line after the story’s end does not. I adore the final couplet of the second poem. In fact, I’ve found most of the final couplets across our poems to be powerful lines.
Thanks for sharing and for hosting.
@MissRumphius: You’re a gem for giving someone cooking lessons! I can definitely see the reason for power saving mode after that, though!
Ooh, Tanita, I love both these. I emailed the first one to my daughter Annabelle, who deals with chronic pain and has for several years. And that second one! The doubtful/indignant voice at the beginning…the way you makes such a smooth, yet conversational, rhythm: “You, what, simply hold…” That’s amazing how you managed that. And how you managed to work in improv, living a full life, risk, and community into such a tight poem. And of course, your ending, makes me think of Dan Santat’s gorgeous After the Fall. I feel a bit broken but much safer after reading both your poems. Thank you. And thanks for hosting!
@laurasalas: Oh, NO, poor Annabelle – but my late twenties is when my unraveling began and it’s just been a long time since pain and I weren’t housemates. Some days are better than others, and I wish Annabelle one of the good ones. Incidentally, I wasn’t even thinking of Dan’s book, but at the same time, I’ve kind of been thinking of it ever since I saw it (in the manner of “man, that is gorgeous, I wish I’d written that”). I’m complimented that anything of mine reminds you of that, thank you!
Thank you so much for hosting today, Tanita. I am thinking a lot about change these days, all kinds of changes, and so your poem and Mary Lee’s poem both really resonated a lot with me. Thank you for the introductions to new-to-me forms too…I think I need to try one of them! xo, Amy
@amyklv: I hope you do try this form! I see your wordsmithing skills working well with it – there’s a lot of room for wordplay to shine. May the changes you face come softly and easily. Cheers!
Your first poem speaks to me as I see how my Dad is struggling with these very issues after a lifetime of being active. I love the line “Does freewill feel like what your body stole?” And look at you, inventing a cross between a raccontino and a sonnet! Sonnetino? Racconet? Tanitino?
@saralewisholmes: LOL, I’m going to call it a Tanitino, certainly. ♥
I’m loving how these two poems are in conversation: “Slow down! You move too fast” and “Hold hands and jump” — Each appropriate for different contexts, yet –each a reminder: community waits. Thank you for hosting, Tanita –and for the invitation to write next month with all the Poetry Sisters!
@PJNunz: To everything there is a season, indeed. Best wishes for your community to enfold you this week. Thanks for stopping by.
Tanita, your first poem spoke to me: “We whine, but truth to tell, life changes FAST
Who knows – someday we might again feel whole.” As far as my friends are concerned, the aches and pains of life are part of aging. Feeling whole is what I am striving for but somehow my racconito does not have the flow that your poem does. I guess I was having a conversation with myself. I, too, dumped the earlier poems for lack of rhyming words that made sense. Thanks for hosting and providing us with two poems, an envois, and your process.
So many fantastic lines (“pain’s jail without parole”), so many big truths (“you build wings midair”). I love that you bumped the form up a notch with the envois. I agree — the first one’s good, but the second one’s great! Thanks for giving next week’s challenge a plug.
Thanks for sharing all your process notes, Tanita. I love your little sister’s take, and as someone with lots of chronic illness in the family, I think it applies perfectly to learning to live with revised goals. Power-saving mode is for real.
An envoi is *always* welcome. 🙂
And wow on the parallels/conversation with 2015. God save us from ourselves indeed.
I tried a Raccontino! 😀
@Karen Edmisten:✨The Power Down button is real – !! Meanwhile, can’t wait to read your Raccontino! Thanks for playing this month!
Wow Tanita, two for the price of one, terrific, Let’s FLY!!! And yes to Improvise, we could use more of that too! And Yes to family, community, and STORIES also!
Thanks for hosting us today in these grand Raccontino poems! I did try two on for size, but am just sharing one, saving the other to send off on that leap of faith JUMP! I also included a wee little, lovely, bird sketch. You can find me at:
https://moreart4all.wordpress.com/2025/06/26/poetry-friday-raccontino-poem-challenge/
@Michelle Kogan Art: I went ahead and added your link to the InLinkz list so everyone can see your art and poet-y goodness – can’t wait to read yours! We need to improvise and jump now more than ever – here’s to flying, friend. ♥
Thanks, I appreciate your adding my link in Tanita, I must have missed it yesterday…
I love thinking about hanging your heart out there! Thank you for all of this poetry goodness and thank you for hosting!!
@Marcie Flinchum Atkins: We’re all so used to protecting our hearts – but they are our truest compasses, pointing to where we need to go. Thanks for coming out to play this Friday!