This is NOT about Mr. Potter.

This is about… the power of words. Characters. Universes.
And the power of imagination.

Does a story have to be steeped in magic to be magical?

As the coundown to Harry winds down, the UK’s psychologists are getting ready for… grief counseling.

What do you think of that?

Herein may lie the major differences between UK and US cultures. People here are excited, but there is this sense that children are meant to be excited, and there is a high degree of sarcasm and annoyance from some sectors because excitement over a mere children’s book – a book of time wasting fantasy, is seen as unseemly at best (and satanic at worse. And sue-worthy at very worst. Sigh.) Undoubtedly, there are those same attitudes in the UK, but along with their wholesale embracing of costuming and launch parties, they’re calling in more therapists – the largest UK bookstore chain is funding an emergency counseling line. They know characters will die, and children will be saddened, and they feel that children are important enough to care.

I am moving to such a… different place.

Poetry Friday: Hope & Glory – the 51st (dream) state

Today, Poetry Friday is hosted at NYC Teacher’s place, and the topics are wide, far ranging — and original and beautiful and thought-provoking and heart inspiriting and flat out AWESOME today — really, as they are every Friday. The 7 Imps, however, are the only ones with nude poetry.

Just thought you should know.

excerpt from the 51st (dream) state by Sekou Sundiata:

What if we were Life

Or Liberty

Or the Pursuit of something new?

Between the rocks below

and the stars above


What if we were composed by Love?

And what if we could show

that what we dream

is deeper than what we know?

Suppose if something does not live

in the world

that we long to see

then we make it ourselves

as we want it to be

What if we are Life

Or Liberty

and the Pursuit of something new?

And suppose the beautiful answer

asks the more beautiful question,

Why don’t we get our hopes up too high?

What don’t we get our hopes up to high?

High!

Sekou Sundiata, the eloquent and much loved poet, performer, artist activist and educator, passed away this past Wednesday, and I am grateful to the lovely people who brought his work to my attention. This is from a musical and spoken word performance designed to bring audiences together to envision a more perfect Union, and was still being performed until this week.

So much of what we find, we discover when it is fading or almost lost.

What if we began to search sooner?

Here’s to hopes set high.

Tellin' Tall Tales

This is a rare opportunity for those of you who are natural born storytellers. Tall Tales Audio Books is looking for …storytellers. The real, old-fashoined, spinnin’ a yarn kind of storytellers. You’ll know what I mean if you go to the website and take a listen to a story.

This is what those seeking storytellers have to say: TallTales Audio publishes original told stories for children ages five and up. Our emphasis is on exciting, kid-centered tales of almost all genres—ones that will hold a whole family’s attention during a long car trip. …mysteries, old west adventures, and stories about not-too-scary ghosts, talking animals, princesses, kids with super powers, and more.

The format is CD-ROM (no print version), with each one-hour CD containing a series of three, approximately 20-minute long stories. This comes out to roughly 2,500-3,000 words per story. All three stories meant for a single CD involve the same characters.

The ideal TallTales stories have the following elements:
* strong characters that kids will relate to, with the action centered around children or animals
* a story line, setting, or relationship that kids can identify with and care about
* in addition to story narrative, at least several characters who have distinctive voices (this is audio, after all), and
* drama, humor, adventure, or suspense that truly holds the listener’s attention.
TallTales does not publish folk tales and traditional stories from cultures around the world. As much as we admire folk tales, this is not our publishing focus. In addition, TallTales does not publish stories with these elements:
* Death and misery. Although characters may have to overcome adversity such as a death or an illness in the family, we prefer to keep these themes in the background of upbeat adventures that entertain and build self esteem.
* Religion. There are plenty of religious publishers, but we are not one of them.
* Preachy tone. We are interested in wholesome characters and themes, but not stories whose primary goal is to attempt to instill “proper values” or “good behavior.”
* Violence. Our stories keep violence to a minimum and absolutely avoid torture or killing.
* Foul language. No. There are lots of other ways to express strong emotions.

If you wish to create a children’s audiobook for TallTales, please send us the following:
• brief (less than a page) description of three proposed (related) stories
• overview of the market (including age) you envision and why you believe kids will love your stories, and
• summary of your background and experience telling or writing stories for children.
Email this material to info_at_talltalesaudio_dot_com, noting in the subject line “TallTales Submission.”

We will review your proposal and get back to you within approximately 30 days. If we’re interested, we will ask for additional material, such as writing samples. We may also ask for a brief audio sample of your proposed stories. We sometimes prefer to line up actors to voice our stories–but this is always a second choice to working with storytellers who have the skill to do it themselves. If we sign a contract for your stories, we will pay you an advance plus royalties depending on sales.

The website is bright and happy looking, and it’s local to the Bay Area, so you know it’s good people. So, storytellers (and Alkelda, we’re looking at you), start your engines!

Tellin’ Tall Tales

This is a rare opportunity for those of you who are natural born storytellers. Tall Tales Audio Books is looking for …storytellers. The real, old-fashoined, spinnin’ a yarn kind of storytellers. You’ll know what I mean if you go to the website and take a listen to a story.

This is what those seeking storytellers have to say: TallTales Audio publishes original told stories for children ages five and up. Our emphasis is on exciting, kid-centered tales of almost all genres—ones that will hold a whole family’s attention during a long car trip. …mysteries, old west adventures, and stories about not-too-scary ghosts, talking animals, princesses, kids with super powers, and more.

The format is CD-ROM (no print version), with each one-hour CD containing a series of three, approximately 20-minute long stories. This comes out to roughly 2,500-3,000 words per story. All three stories meant for a single CD involve the same characters.

The ideal TallTales stories have the following elements:
* strong characters that kids will relate to, with the action centered around children or animals
* a story line, setting, or relationship that kids can identify with and care about
* in addition to story narrative, at least several characters who have distinctive voices (this is audio, after all), and
* drama, humor, adventure, or suspense that truly holds the listener’s attention.
TallTales does not publish folk tales and traditional stories from cultures around the world. As much as we admire folk tales, this is not our publishing focus. In addition, TallTales does not publish stories with these elements:
* Death and misery. Although characters may have to overcome adversity such as a death or an illness in the family, we prefer to keep these themes in the background of upbeat adventures that entertain and build self esteem.
* Religion. There are plenty of religious publishers, but we are not one of them.
* Preachy tone. We are interested in wholesome characters and themes, but not stories whose primary goal is to attempt to instill “proper values” or “good behavior.”
* Violence. Our stories keep violence to a minimum and absolutely avoid torture or killing.
* Foul language. No. There are lots of other ways to express strong emotions.

If you wish to create a children’s audiobook for TallTales, please send us the following:
• brief (less than a page) description of three proposed (related) stories
• overview of the market (including age) you envision and why you believe kids will love your stories, and
• summary of your background and experience telling or writing stories for children.
Email this material to info_at_talltalesaudio_dot_com, noting in the subject line “TallTales Submission.”

We will review your proposal and get back to you within approximately 30 days. If we’re interested, we will ask for additional material, such as writing samples. We may also ask for a brief audio sample of your proposed stories. We sometimes prefer to line up actors to voice our stories–but this is always a second choice to working with storytellers who have the skill to do it themselves. If we sign a contract for your stories, we will pay you an advance plus royalties depending on sales.

The website is bright and happy looking, and it’s local to the Bay Area, so you know it’s good people. So, storytellers (and Alkelda, we’re looking at you), start your engines!

4 More Reasons Why… Jay Asher is very cool

I don’t have know him well enough to list all thirteen ways in which YA author Jay Asher of the threesome blogging team of DiscoMermaids fame is cool, but YA lit aficionado Natalie on the
Children’s Writers & Illustrator’s Chat board does — so check out her 13 reasons (and do a little dance that the October release date is COMING! Soon!), and listen to this:

There are four very excellent reasons the Mermaids as a team are rising stars in the YA lit blogosphere. They have done a very fine thing: they have interviewed… fifteen year olds. Four of them. To talk about who they are and what they are and what it is that they want to know and see in young adult literature.

Talking to the people for whom we write is sometimes really funny, really cool, really bewildering and always an experience. More writers for young adults need to find a way into the culture of the classroom, the library and into the world of young adults to keep in touch with why they are writing and the very real people and situations with whom they want to connect. I think this is SO COOL on myriad levels, Jay, and thanks for the heads up on this.

So: LOOK. LISTEN. LEARN.

Tomorrow, the first of what is intended to be a continuing series ‘airs’ on the DiscoMermaids site, truck on over and check it out!


(Psst! If you look over here, you can also find someone Else – a few someone elseS – doing Very Cool Things. To save the world. And stuff. Check ’em out.)