{haiku: morning}

Kent Road Flower 61

Eyes squinted against the morning sun, I totter into the kitchen and collapse at the table. Tea! My kingdom for my tea! A moment later, my brow wrinkles… there’s a smell I’m smelling, a prelude to a headache brewing. It’s green, peppery, fresh, a bit sweet. It’s forty stems crammed into a jam jar…

Who knew!? Daffodils
Not unscented as I’d thought.
*sinus tingling sneeze*

Fuzzy arms lifted
Life breathed in saffron-lined throat —
My lovely violet

(This one only scans if you’re from the West Coast of the US – to me, violet is two syllables, and not three. I always smile when I hear people pronounce the ‘o’ as they do here in Britain. Vi-o-let vs. Vi-let. Hm. Now I’m beginning to think pronouncing the ‘o’ is technically correct. [It is way too early for this.])

So, the whole thing, amended:

Fuzzy arms lifting
Inhale through saffron-lined throat
Sing, Saintpaulia.

Rustic Blueberry Creme Pie

A swirl of crème fraiche
Studded with tangy, sweet blue —
Break your fast with pie.

{haiku: all emo & stuff}

Stirling 257

The dictionary defines the word “undone” in many ways; the second as being thrown into disorganization or chaos. This is an old usage, harking back to more formal speech. Imagining being outmaneuvered in chess, and simply knocking over your king and admitting, “I am undone.” Or finding out that the third house has been sold out from under you – as I just did. Again: undone. Thoroughly undone.

Because I am a much, much bigger drama-diva than that, I would have to put more feeling into the thing:

Undone

Open mouth, gobsmacked.
Unmoored. Swamped, and lost at sea.
Flailing, wordless. Drowned.

That is indeed “undone.” It can have a positive spin, if thought of in terms of something being a nice devastation – for instance, I was utterly undone seeing fields and fields of yellow flax flowers in a field lined by daffodils the other day. Or, today my friend Van has four boys; just the other day, he had three. I’m sure he and his family are completely undone with love for their newest. (And, congratulations, Van & J!)

I was “undone” with gratitude when I saw what Ashley Hope Pérez planned to write in her review of HAPPY FAMILIES:

The short version of my post today is this: anyone who has been moved, intrigued, or otherwise affected by the “I’m Christian Unless You’re Gay” essay by Dan Pearce (aka Single Dad Laughing) NEEDS to read Tanita S. Davis’s newest book, HAPPY FAMILIES.

The reason the Single Dad Laughing piece is back on my mind is that Dan recently posted in “A Teen’s Brave Response” about how the essay led to one teenager coming out to his family and community–and calling them to live their faith differently.

For those who haven’t read the “I’m Christian Unless You’re Gay” essay, let me summarize: Dan writes gently, humbly, but also compellingly about the tendency in lots of faith communities to reserve “full” love for a select few. Here’s a bit that’s relevant to what I’m going to say about Tanita’s book:

“Oh, but you’re not gay? You’re clean, and well dressed, and you have a job? You look the way I think you should look? You act the way I think you should act? You believe the things I think you should believe? Then I’m definitely a Christian. To you, today, I’m a Christian. You’ve earned it.”

I bet you’ve heard that message coming from others. Maybe you’ve given that message to others. Either way, I hope we all can agree that we mustn’t live that message. We just shouldn’t.

Dan Pearce wrote this essay in response to persecution a friend of his is facing – persecution that the author can’t, as a father, a friend, a non-religious person and a regular guy, understand or countenance. His friend’s family is religious, and how they can hold onto their cruelty and their faith at the same time simply doesn’t make sense to Mr. Pearce. As a person of faith myself, stuff like this shames and humbles me. It happens, yeah. But, it certainly isn’t right.

When I wrote HAPPY FAMILIES, I kept a note from Tech Boy next to me as to why I was writing it – because I was very, very afraid to lose my way. I had no specific friend for whom I was writing, and it was really important to me to keep my focus and not let fear of What People Might Say derail me. I also had to be sure I wasn’t writing for spectacle. I had to be certain I wasn’t writing the book just to upset people (some people say that your writing isn’t worth much if it doesn’t upset someone – for myself, I disagree), or put myself in the light of controversy and drama. I wrote, because I wanted to express a radical idea which had come to me after an ugly incident: that love is more important than… well, any other concern.

explanation

I merely wanted
L♥VE to be my only eyes.
What mattered: seeing.

Nothing more than that. No drama, no agenda. Just… looking at what matters.

A Logophiles conversation this past weekend said it even better. Though talk in the Word Circle was of romantic love, Kel’s words still apply: “…it’s okay to give your wholehearted whole self to another person, especially when they are willing to give that same thing back to you. That it’s okay to be ass over teakettle in love with someone and not feel like it’s something to hide or cover over… every day is an opportunity to get things right, and…it’s okay to be optimistic on a regular basis.” It’s okay to give that, to our friends – to dive in, hold on, reveal ourselves, and be real.

It might be also scary. That’s the small print I need to highlight. Keeping your vulnerable areas hidden becomes second nature after junior high — we’ve all been pretty well skewered. Keeping things surface is often easier than sharing – and in these days of over-sharing, people are still afraid. It takes courage to go all Velveteen Rabbit and get real, down to the skin. But, everyone can get there if they’re willing to take the first step – of being a trustworthy person and trusting the people around them.

None of this is easy. But, it’s all worthwhile.

enough mushy stuff

Shorthand for feelings
Emoticons have used up
My emo muscles.

It’s been a rollercoaster of feelings… and that’s enough from me today. Stay tuned for more in your world to undo you; stay tuned for more expressions of awe and terror, joy and longing. Stay tuned for your real life.

Stirling 256

{pantoum: What He Is Not}

About a week ago now, I was talking with my Brain Trust about any number of things, and somehow or other I veered onto a digression about a show I hated, which I will leave nameless except that it featured a group of people who specified themselves as “The Fab Five.”

I refuse to argue the point as to whether or not this was a good show on other levels, but I will indulge in a little junior sociology talk and say that I believe it privileged a certain style and shallow substance of masculinity, and it failed, as all alleged “reality” television fails to do, to present anything real. It promoted hyperconsumerism, and a must-have-this-to-have-IT mentality, and I am too big of a not-IT to believe in the all-consuming importance of IT; I don’t have IT, and yet, here I am, getting along crookedly, but my crooked has a lively, working symmetry.

The problem with this show and with other shows which depict populations in stereotyped or generalized ways is that there are people who truly believe the message presented. I recall a conversation with an older friend – she is sixty-five – who, in passing, said, “Whatever would we do without them, to tell us how to dress?” To which I silently shrieked, “WHA????” And yet, she means no harm when she says this – she is at heart a very kind person. She isn’t “othering” deliberately, this is “Lil” being enlightened and tolerant and open and accepting.

And yet: this is also “Lil” having been fed and regurgitating a wholesale lie.

After the end of the television show Will & Grace, a gentleman wrote an essay which ended up on the “Best Of” list from Craigslist – I won’t link; it’s all kinds of NSFW and PG-17 – anyway, the writer wrote about all that the show did to promote misconceptions of various people – how it revived a caricature that is six parts generalization and four parts cliché. The letter was both kindly and kind of snarly, and it made me laugh and wince and cringe.

We are a society in search of an identity. Perhaps we think we need either a Will or a Grace. Maybe we aspire to have a Sassy Gay Sidekick. Real people struggle; struggle to mimic acceptable behavior, struggle to understand social mores, struggle to find a structure which will let them fit in and be accepted. And yet, the social perspective is that difference has some kind of weird cachet and a hipness factor. Think autism, “acceptable” mental illness like depression and alcoholism – these all SUCK. Yet somehow, it’s cool to flash a scars from cutting, talk up our days sober, or bandy about the names of medications. Not that we should be ashamed of our differences, no, but I object so strongly to other people’s realities achieving cult status, and being something to which the empty aspire – as long as they can have the identity badge without any undue suffering.

Western Civilization is, at times, freakishly incomprehensible. Human beings: surreally complicated.

And yet: I believe in the power and beauty of the individual. I know that generalizations exist, I know that people have relationships which are like and unlike anything we can see depicted in media, but every relationship and individual deserves the respect of being original. People are not collectibles, accessories, adjuncts or other add-ons to our own particular internal sitcom. There is no Sassy Gay Best Sidekick. Half the population was not put on earth to serve as your cheerleader, or your mirror.

That is all.

If you remember the rules of the form, it varies lines like a villanelle, and repeats everything twice in a pattern. Of course, every pattern has variations and every original has an exception:

Is Not

Not Girlfriend’s go-to for a “You go, girl!”
Not Hipster’s latest hip accessory,
No spinner in your diva-drama swirl,
Not personal couture advisory.

A Hipster’s latest hip accessory
(Like teacup dogs or black Tahitian pearls.)
Is personal couture advisory,
Applauding for your catwalk strut and twirl.

Like teacup dogs or black Tahitian pearls?
“Collectibles! Trés chic necessities,”
Applauding from the clotheshorse, swish and twirl
An audience: not in their own story.

Collectible – a chic necessity
who understands your inner diva, girl!
A spinner in your daily drama swirl —
No audience within our own story.

Reflective surface to your vanity?
Not. Girlfriend’s go-to? Please. Just you go, girl.

{haiku: Interruptions!!}

Hayford Mills 330

Lately I spend a lot of time asking myself, “How can I write, when ______?” There is ALWAYS something, always x, y, or z curdling my guts, dividing my brain, taking my time. I am pulling on the reins and curbing my tongue. I am moving, I am packing, I am overloaded, I am stressed. I am also refusing to allow myself to be snotty, snappish, nobby, lazy, lax, or indolent. Believe me, it’s a full-time job.

This Is Reality

ONLY when juicy
prose rolls do leaf-blowers come.
(darned sapless foliage)

Better Answer That

*doorbell* Oh, who now!?
Virtues: Patience, Kindness, Peace.
Sanity returns.

And Stop Whining

Dear Wisher, Writers
Write. Are you a dreamer, or
Selling Magic Beans?

And finally, this is for the mower who even now is MOWING UP my precious lawn daisies! Oh, the humanity! Or something like that:

My Daisies!

The growl of diesel
Confetti colors scatter —
A farewell to lawns.

Hayford Mills 329

{haiku: tiny little odes}

Lynedoch Crescent D 428

Pilot gutters, then
blows out. Solitude, the spark
that quickens me.

Easter 13

A little surprised at how long it’s taking me to come back to center after a weekend full of company. Either I am so often alone that I’ve lost the ability to have groups around me, or I’m just so often calm that the hyped up emotions of wanting to make sure that Everything Is Perfect have just wrung me out. A combination of both, plus being on my feet for most of twelve hours, cooking like a fiend. Oh, well, at least my brain is still plugged in.

This month a group of reporters and therapists are coming to our chorus to interview various members and ask why they sing… the idea being that they know it’s good for us, but want specifics on individual hows/whys. I hope they don’t ask me, but I can say that singing always puts me in a good mood. Unless our Dictator Director harangues us too much, chorus is a joy. But, even then:

Stirling 290

Savagery soothed, Beasts,
civil, sup upon love’s food.
Play it again, Sam.

And to those who have listened to my flailing and wailing this past week on the bewildering question of screenplays and tokens and other such randomness, thank you. You are my Brain Trust, and my pull-it-over-my-head-and-shut-it-all-out blanket, and apparently also the rest of my naptime set…

A firm pillow, they
Let me rest, but not slouch down.
My best self forward.

I keep meaning to get better about posting these things on a daily basis, but that doesn’t happen. A si es la vida. I’m pleased to be writing daily – not necessarily well, but daily. The haiku thing is catching; I find myself turning over syllables in my head about the smallest things: my violet is blooming (happy dance, happy dance), an ink scribble over the shape of a dragon from my two-year-old Japanese correspondent, Sora (the child of friends, obviously; he’s not up to reaching the post office on his own just yet), the surprising discovery of raisins in the gigantic chocolate egg our friend Thing 1 brought us. (Tech Boy is Thing 2… never mind.) Everything is a song, a poem, a symphony.

And it is all waiting to be written. Like my novels. So, back to it.

{haiku: two for the holiday}

I am exhausted and for some odd reason, sore. We had overnight guests and ten hours of folks ’round the table, laughing and talking, and the volume went up, and up, and up. I escaped frequently to the kitchen to wash dishes and — after it appeared that the brunch crowd hadn’t budged by dinner — to cook an entirely new and unexpected meal! I need to grocery shop now, but as my bestie Farida reminded me, it’s the Hobbit’s Way to feed those in the house when it’s time to eat. I was just grateful that everyone ate what was put in front of them happily.

Sometimes I have a bit of quiet amusement at how opinionated the people who gather in my house tend to be. We are a mouthy lot! And the volume climbed and there was arguing and finger shaking and howls of laughter (with the occasional snort) and opinions waging war through the air. And there was no awkwardness, no one was truly peeved – everyone went home with their pride intact. A good day, a perfect Easter: we celebrated renewal and reaffirmed what joy we had that we perhaps hadn’t yet known.

These poems rattled through me throughout the day: one revolving on the idea of apnea, which is interrupted breathing, and the memory of Adam’s first breath; the other referencing the number of windows I opened in the house, and how many times I had to splash water on my face and dab a wet cloth over my neck. Who knew it would get this hot in my house without the heat on!? An additional six people moving and pacing and reaching and eating and laughing and candles lit and voices raised and baking done — will do that.

Alight

Extinguished. Wicks cold.
Wax brittle. Light long gone as life.
— then! Flame, Spirit, breathes.

Excitement

Guests laugh, argue, eat:
Friction makes heat, opens
Minds. Ions dance.

Hard to believe, with the rain today, that we had sun yesterday. Hard to believe with the quiet – that the house was full of noise. Hard to resist a nap. I don’t think I will…

{spirit is fire and flesh, it is clay}

Years and years and years ago, when one of my oldest friends was the minister of music for an Episcopal church, she dragged me along to the Vigil as an additional singer for her chorus. That was an experience – a service at midnight, processing into an entirely darkened sanctuary by feel and with tiny strips of reflective tape on the floor. Singing and waiting and standing and sitting – in the dark, in the pitch-black, with the feel of the dark pressing down, the smell of the incense, the ruffled high neck of the robe and surplice against my chin… Liturgy holds such tradition and mystery – and for a plain-Jane Protestant, the experience was a bit heady.

One song stands out from that night, amidst the other hymns and the traditional choral pieces we led and performed. For years I called it “the click song,” and begged my friend to remember the real title from amongst the reams of music she had done that night, so I could find the sheet music. She eventually unearthed When It Was Yet Dark, by Stephen Hatfield, and years later I sang it with my sister and her best friend for a 7 a.m. Easter service. I have no confirmation of this, for no one was awake enough to record, but we were told it was a beautiful performance. I can at least say that I know we did not go flat – it was simply too early; sharp, at that hour, is the order of the day. Still, I remember our voices belling out beautifully as we declaimed the end, Shame and pain can never defeat you! Spirit is fire, and flesh, it is clay…

The memory of our voices is with me still.

When It Was Yet Dark

Words by Stephen Hatfield

Then when Mary Magdalena came to the tomb to anoint the dead,
There in the midst of the Easter morning, she found an empty stone instead.
Where were the soldiers to guard the body?
Where was the click of dice at play?
Where was the smell of death and dying?
How was the great stone rolled away?

What does it mean and how could it happen?
Who would defile a poor man’s grave?
Where is the teacher who taught that even women like me were fit to save?

Woman, tell me why you’re weeping,
Why on a morn so fresh and fair?
I came to pray for my Lord, but look, his grave has been robbed and the tomb lies bare.
Can’t you tell me where he’s been taken?
I’ll do anything you say.
Where is the man who called me Mary when all of the others turned away?

Then he spoke to Magdalena; she heard her name so soft and low.
Then she knew he had died to teach her what there was no other way to know:
Shame and pain can never defeat you; spirit is fire and flesh it is clay.
Back to the clay go the men who mock you.
Death is a great stone rolled away.

One was Mary bearing the baby,
two was Mary whose brother was reborn;
Three was Mary Magdalena,
Bearing the gospel
On Easter morn.

I’ve never understood spirituals and other songs that do that counting – there’s an entire song, “One for the Itty Bitty Baby,” so the counting…it’s a …thing. Perhaps someone else can explain it. Anyway, these ladies give this complex song their best shot – their brightly colored dresses say Spring renewal as clearly as a lawn daisy and a dip-dyed egg. Enjoy, enjoy.

{opening the door for Elijah}

Lynedoch Crescent D 430

I have read a lot of fiction featuring Jewish families, but think the first time I really had it click in my head that These Families Are Different Than Mine is when I read The Devil’s Arithmetic by Our Lady Jane Yolen, and the main character, Hannah, was opening the door for Elijah. Now, I’d heard stories about The Unseen Guest, where families pretended someone was visiting, and thus had better table manners (wouldn’t have worked in our family, let me just say), and even heard of people who left a literal table setting for a missing parent or family member or God or whomever, but I was bewildered as to why Elijah would come to dinner or drink the glass of wine poured for him.

Google pointed me in multiple directions, which reflects the multiple facets of Judaism and belief (What, you thought there’d be one reason/explanation? Can a group of Christians agree on any one facet of belief? Exactly). The consensus, if Teh Internets can be believed, seems to be this: First, the night of the original Seder came when the Jewish people were enslaved in Egypt, and it was, to put it mildly, A Bad Time. The opened door and invitation implied their trust in God’s protection from the Angel of Death. Next, Eliyahu, as Elijah is called in Hebrew, is present at other important rituals of Jewish manhood, namely, circumcisions, thus he is present this night, which celebrates belonging to God as part of the Jewish tribe. Finally, leaving a place for Elijah reminds people, as they were themselves oppressed and friendless in Egypt, to be kind to the stranger that they meet, and to set him a place. This is one of the foundational beliefs of Jewish ethical behavior.

Ideally, when Elijah comes to drink that wine, something wonderful and powerful will have brought him. And so, part of the Passover is awaiting the wonder.

Which is a wonderful reminder of how to live – with the expectation of great things.

All of this is background to a poem I’ve been reading for years – trying to capture all of the nuances and turns. It’s called April 4 – and while the date isn’t accurate for this year, the words match the tradition played out all over the world — bittersweet, maybe a little confusing, a terrible night of awe and wonder, for a people whose history with each other and with God embraces both terror and awe, and wonder.

I like that it ends with an invitation. I’ve never been to a Seder, but I feel invited into something bigger than myself.

To those who celebrate, may you have a meaningful and family-rich Pesach. May everyone feel invited to wonder.

April 4

by David Lehman

The exodus from Egypt takes place
tonight this is the bread
of affliction this the wine
like the water of the Nile turned
into blood, the first plague
visited upon Pharaoh this is
the lamb of the feast the blood
of the lamb smeared on the doorposts

my mother served the tears
of many centuries and my father
poured the wine in Elijah’s cup
that the prophet invisibly sipped
let all who are hungry join us

Click here to read the short poem in its entirety.

{haiku: the god-of-probability poem}

I am honored to know people who are intelligent. Fellow Poetry Princess, Liz, has salon evenings at her house – guests full of good food and good thoughts, sitting down to discuss things. They watch a TED talk or read an article beforehand, and just show up to share.

In college, we had book club salons every Friday night – but that was expected. It was college, after all, the place where we talked endlessly, trying to clarify and form our values, and determine what was important to us. Older now, the need for clarity is still there, but it’s amazing how few people recognize the need within them still to think and talk things out.

This is why I am grateful for my Logophile friends – that circle of wordlovers who bring pieces of prose and poetry our attention. I pondered a poem by Jacqueline Berger yesterday for hours, challenging myself on some lazy thinking and stale beliefs. I read up on probability, and wondered whether I’d ever seriously considered it as part of my life (ironic, as much as I use the word “random”). Simple chance? That’s not the Divine guidance I was raised to believe in – and yet, aren’t at least some things truly aleatory? (I love that word. There’s also aleatory music!) My response haiku answers some questions, and asks yet more – and though I’ve not yet reached a conclusion, I am appreciating the journey.

the god-of-probability

¿
probability:
god breathes, milkweeds disperse–
predestination
?

♥ – for Jules, who shared the poem, and Y2, who this week wrote about belief.

{pantoum: Whatever what is is, is what I want}

What Is, Will Be

I aspire to, “what is will be,”
Yet live in impatience and stress
“What happens, accepted,” is key
In living a life of success.

“Yet live, in impatience and stress
And survive,” is the goal, you’ll agree.
In living a life of success
You must free yourself of decrees.

To survive is the goal, you’ll agree.
“Stuff happens – accept it!” is key
In living a life of success
I aspire to, “what is, will be,”

Hayford Mills 315

Almost two years ago a conversation amongst the Princesses revealed some disquieting news – a lost job, a troubled partner, struggling kids. One of us dug out the Keillor, as one does during these times, and quoted from Good Poems for Hard Times (ed. Garrison Keillor):

Prayer

Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell

The tiny nugget of difficult wisdom has reverberated. Whatever “what is” is supposed to be, is all I want. I wish I were the type of person who could easily exhale, acquiesce and exist in “que cera,” “Thy Will be done,” “Whatever will be…”

Maybe someday.

NB: These poems appear as they appeared, so this one is not very good, but it is what it is. See? Learning already.