Flickr Fiction Friday: Daring to Dye

Holding hands, giggly, off-balance, they’re

Swept miles along the route with the crowd

Past Fullerton and 4th, toward Locust, and the bandstand.

Below, all furry boots, long johns, flannel-lined jeans,

Above, hep cats. ‘St. Louis Floozy’ from their waists up;

Spangled gold lamé tanks and Mardi Gras beads,

Paint, rouge, feathers under fur-trimmed parkas, sparklers.

Warmed by spirit, they imagine New Orleans.

Kristál, Hennessey, and Frangelica, they name themselves,

Behind their sequined masks, giddy with the freedom of late night

Flouting rules, they dance to the rhythms of the Wyld Stallyns.

Being together is all that matters, poised on this first stair of life.

A winning trifecta: brains, boldness, beauty,

They hold up their arms, and scream: confetti, beads, trinkets.

Showering down. They catch whatever is being thrown.

No curfew tonight, Fat Tuesday; the city is awash in desperate

Celebration. The girls, happy to join the revels in the week before midterms

Are young, and free spirits. Their families would not care

To see them here. Knowing well the risks, of parental displeasure, they

Took it upon themselves to raise precautions against the voices of disapproval.

Though the precautions themselves might change few minds and still

No chiding tongue, they are buoyed by each other, back to back,

Safe in their mutual defense:

All for one, one for all – Athos, Porthos, Aramis.

“Buy you girls a drink?” Trailing a feather boa, Hennessey has lured

The first catch of the night. Nowhere near twenty-one, he, pockmarked, thirty-ish, judges

They need his I.D., and smirks. Three downy chicks, such easy prey.

An offer they won’t refuse, a little GHB, and – score. But his assumption sours,

Though Frangelica flutters glitter-dusted lashes. “No, thanks.”

The voice still sweet, but firm. “You’re a pretty one,” he pants, leaking

Rancid charm, vice-slick hands grabbing for what is not his.

“We said no. We don’t want a drink,” Hennessey’s voice is scared.

“Back off,” Frangelica warns. Kristál’s small mouth turns tight.

“Go away, buttwipe. I’ll scream.” “Lighten up, little girls,” he sneers,

“This is a party.” And what is left unspoken, is, Scream. Go ahead.

No one will hear.

It does not seem now like such a good idea to be in

Downtown St. Louis, at 11:45 at night, dancing in the ashes

Of the Fat Tuesday parade. They sound, they know, like a

Headline: Three girls, age fifteen, Honor Roll students,

Found near the old Courthouse, when their parents

Believed them to be at home. They pull together, duck into

The crowd, and hope to lose their new “friend.” “Residential

Area,” one says. “It’s okay. We’re safe.” But her teeth are chattering.

No one even tries to keep on dancing.

The shine has worn off, and the glitter, beads, feathers, paint

Just seem like so much ground-up litter, strewn sloppily on the road.

“Let’s go home,” Hennessey sighs, her soft brown eyes red-rimmed from glitter

Eyeliner. “The best part’s over. Now it’s just the freaks who are out.”

Kristál nods. “No doubt,” she concurs. And the dispirited trio link

Arms, and kick through the piles of slush, quiet at first, then,

Youthful ebullience ascending like cream they reminisce about

That weird chick in the zebra-stripped dress, and That cute guy with the

Leather jacket and the chipped front tooth. “He probably took a bead

To the head,” Frangelica snickers, and they lean, like

Mirthful drunks, against each other as they sway across the road.

He’s brought friends, one for each, and it takes them a moment to realize

They are surrounded, and with the dark, outnumbered.

Hennessey washes off the rest of her cheap eyeliner with

Tears, as panic bubbles. “My father,” she quavers, but Frangelica,

Wiser, hushes her, quickly. “No,” she warns. “Shush.”

Kristál is silent, smallest, eyes behind her mask feral. “Stop. Go away.”

Skinny as she is, her voice is titanium hard. “Geez, Bobby, they’re just

Little girls,” one voice protests, not quite wasted enough to be up for

Whatever his friend has planned. “They’re old enough to be bitches,”

Bobby counters, his voice skewed. “Wouldn’t even let me

Buy them an effing drink.”

“I want a drink.” Frangelica steps out. Hennessey’s shriek is smothered.

“F– wait, no!” Frangelica ignores her, and Kristál grips Hennessey, hard.

“Emergency,” she argues. Hennessey wipes her eyes and scrabbles

In her purse, staying just in reach of Frangelica’s back.. “I think I’ve got

a little something for you, then,” Bobby leers, and comes in close. Behind

The mask Frangelica’s eyes flirt. Behind her back, hands meet. And then,

Below the waist, current arcs. Convulsions. Choking. Collapse. A bewildered

Shout. “Bobby, what the hell?” “What did you do, you little bitch?” Running

Feet and another falls, and the third, wisely, backs away, wanting no part

Of the boneless plunge, the crumpled twitching before him.

“Is he dead? Don’t do it more than once, okay?” Low voiced

Sultriness races up the scale, cracks. “Dad is going to kill me.”

“A taser doesn’t hurt them or cops wouldn’t use them.” “That’s not true!”

“This one is so tanked.” Look – I didn’t even make him –

Pee his pants.” “Hurry.” “You have the tape.”

“Do we leave them here?” “No! Wait! I have Kool-Aid.”

“A scarlet letter! What’s the A for?”

“What do you think?”

Later, an undercover officer will stop them.

Sweaty, leaning weakly against one another, giggling, they

Will have attracted the attention of one of St. Louis’ finest

When they no longer need him. “No underage drinking,

Zero tolerance,” he states tonelessly, wondering if the chief will thank

Him or not for recognizing his daughter who, if she could

Stop giggling, might take her Breathalyzer test. Is she too

Young for gin? He makes a rookie’s choice and says, “Go

Home, girls.” And shakes his head. The chief will have to

Take on his own troubles at home. And anyway, he has

Too much on his plate just now, what with wondering how

Two burly, red-faced toughs, are propped, taped and tied

To a Port-A-Potty, red A’s slashed across their foreheads while

The snow around them is dyed a bright vermilion. At times,

he thinks, Police work completely boggles the mind.


So. The very surreal picture that inspired this week’s Flickr surreality was taken by Flickr photographer ★keaggy.com, and should be Flicktionated by the usual suspects: The Gurrier, Ms. Teaandcakes, Elimare, Chris, Aquafortis, Valshamerlyn, and Miss Mari.

Poetry Before Sleeping

FOG

The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

Carl Sandburg

This is a cute little book about a fleeting friendship — one day a cat came to stay, and then it went away, leaving gifts behind like cats, fogs, and friendships do.

I remember this poem from the fourth grade, where we learned to say onomatopoeia. Sadly, it took until college to remember how to spell it.

Go forth and read the latest Edge of the Forest. I’m seeing double now, but I will be sure to give it a thorough read tomorrow… especially A Day in the Life, which features novelist Lauren Myracle of text-message novel fame, the Cybils recap (but no hints on this year’s – the jury is still out!), and the piece on reading and teaching Mortal Engines in Dubai… some really great stuff.

Just Popping By …

Greetings this blustery day!

I’m pausing for five minutes to look out and appreciate the world… okay, I could actually a.) shower, b.) put on street clothes, or c.) go outside, but reading blogs is my pajamas is my “outing” this hour…

I can’t figure out a joke to tell with the story of Geri Halliwell, former Spice Girl turned Children’s Author, so we’ll all just have to smile at the thought. Actually, my smile is… bewildered. She’s been contracted to produce a series, one book a month from May 2008, and is meant to be accompanied by a “promotional song.” And the storyline? Yes. Nine-year-old Ugenia Lavender, is the “incredible kid who has heaps of attitude and brainwaves like bolts of lightning“, and Halliwell will give her “contemporary adventures.”

Um. Okay. I’ll save the open mockery for MotherReader (also don’t miss her lovely and thoughtful comments on the late Mr. Vonnegut). I’d like to see Alkelda‘s editorial letter on that one.

Via A Chair, A Fireplace & A Tea Cozy, I found a call for bloggers who review “classic” children’s books. Gina from AmoxCalli feels she’s neglecting some of the older books she wants to recommend to a host of young readers. I have also felt that I missed being born earlier so I could read more Joan Aiken without having to hunt for old out of print copies, and I still adore such goodies as I Capture the Castle, Jean Webster’s Daddy Long Legs, or Stella Gibbons’ hysterical Cold Comfort Farm… Sometimes I think all of the good books and stories have already been told – but I’m proved wrong pretty much on a daily basis, happily. (Yes! So many more multicultural tales to tell. So many excellent vampire yarns. So many science fiction tomes. So many books, so little time…!) Anyway, do jet on over to AmoxCalli‘s and at least read the reviews. There are some fabulous books out there yet to be discovered.

Well, it’s back to work for me. Ciao, ciao...

Is It Only Wednesday?

Round-up ‘Round the Blogosphere

Satirical, thought-provoking and often ‘banned-and-burned’ novelist Kurt Vonnegut died today. I imagine him living to 84, just to aggravate those who hated his books…

YA Author’s Cafe asks an intriguing questions of YA authors and readers — what do you think about the sexual content of YA literature? Head over and log your opinion.

The ALAN Online Book Club’s April read is A Room on Lorelei Street, which is a fantastic book, so the discussion should be equally good.

Did you know that Readergirlz has over 1000 friends on MySpace? How cool are they? The discussion this month on On Point, by Lorie Ann Grover is ongoing, but read ahead, and get ready for The Phoenix Dance next month. Everyone is welcome to chat and join the gang! (The Readergirlz website always has the best soundtrack… and if you find yourself humming The Rainbow Connection for the rest of the month, you’ll know why…)

Fans of the graphic arts will be amused to see the School Library Journal’s graphic humor. It’s actually… both cute and informative. Huh. Go Librarians. (Via Fuse#8

I feel very much like a mole… or a roach. Working these weird hours makes me feel like I’m sleepwalking. It’s been a productive working time, however, so I won’t complain about my odd hours.

Even though it’s practically tomorrow, I wanted to post my National Poetry Month poem of the day… and I’ve just discovered that I can’t. Oh well. Until Gran Died is an unusual poem written by an British children’s Wes Magee… The poem is about death, a subject that causes more furor with Well Meaning Protectors Of Children’s Innocence, almost more than sex. I’ll not post it here, to observe copyright, but please go and read it here. It doesn’t mince words about sadness, but it isn’t overly sentimental either. I really liked it.

I’m pretty sure that noise I hear is my bed calling…

Glued Keyboards

Non kid-lit related book news, but, you know, um, Aaargh!

April’s Readergirlz book of the month is all about the spotlights, the action, and the dance. Don’t miss the discussion, and check out an interview with author Lorie Ann Grover, who talks about not quitting things that are difficult to achieve.

In world’s smoothest segue yet (heh), the final re-edit of my novel (how many times have I said that?!) goes apace… I fear I’m joining Colleen at Chasing Ray in feeling like words are coming out of me like… glue. And there’s really no reason. I know what I’m supposed to be doing, and, as I told my editor, the words “rewrite this scene using action and dialogue” are pretty clear.

It begs the question of why I’m not just galloping forward.

Perhaps it’s because I need to retire. To my cave (Via Fuse#8). It’s ridiculous how much I want to…

Today’s poem is just a snippet… for fun I memorized Robert Frost’s The Road Not Taken as a freshman, and it has stuck with me, especially whenever I start to feel pinched by the requirements, disappointments and fears of this particular profession, I remember:

Two roads diverged in a wood, and I
I took the one less traveled by,
And that has made all the difference.

Here’s to patiently walking the roads we choose.

Poetry, Panic and Procrastination

Occasionally (via Bookshelves O’ Doom), things just come along and attack writers, prohibiting them from doing the most basic things… like, um… finishing books.

I, myself, am close to approaching the plane of panic, but not yet cool enough to be Cecil Castellucci and make up a cool dance and song about it. Dang.

Meanwhile, Saints & Spinners has the true story of Children’s Books That Never Were, 2: The MISgiving Tree… hee! I wish I had the brainpower right now to participate in this; for now I only watch and snicker…

Again at Bookshelves of Doom, people in passing were commenting on how difficult it is to read books wherein the protagonist does something so… utterly… eeek, and the reader reads on with one hand over their eyes shrieking, “No! No! Nooooo!” Well. I have since discovered a fun – or not-so-fun fact. In my most recent note from SuperE, my editor (able to leap tall buildings in a single bound, is she), I have discovered that my personal cringing has apparently extended its tentacles right on into my fiction. SuperE has said that I must not resolve uncomfortable situations so easily. “Spend some more time with discomfort,” she says.

Eek.

Doesn’t that sound like something a therapist would say? “Make friends with silence” or, like a spinning coach, “Let the pain be your friend.” Ugh, and no, thank-you very much.

Sometimes I actually take my time getting to books to which everyone else has given great acclaim simply because the subject matter assures me that I am going to squirm, feel ill, both concurrently, or worse. I am not overly sensitized by sad or tragic stories, but I do tend to cringe from being …embarrassed. I guess it comes from really liking a character and investing in them, and identifying with them, and then, if they do stupid things… angsting for them. Bizarre, no?

It is not reassuring that I wish to keep the world in neat lines, packaged securely, wrapped in tidy brown paper packages. There’s no story in neatly wrapped packages… there is no …anything there. Life is messy. Good fiction should also strive to be so, as good fiction reflects life… So. I am now going back to the sea of blue scribbles on my manuscript and will endeavor to …suffer a bit for the sake of my art. The best ink, it is said, comes tinted with our blood, and

I Want to Write…
==================================================
I want to write
I want to write the songs of my people.
I want to hear them singing melodies in the dark.
I want to catch the last floating strains from their sob-torn

throats.

I want to frame their dreams into words; their souls into

notes.

I want to catch their sunshine laughter in a bowl;
fling dark hands to a darker sky
and fill them full of stars
then crush and mix such lights till they become
a mirrored pool of brilliance in the dawn.

Margaret Walker
(And wasn’t she brilliant? This poem she wrote when she was only nineteen years old…)

Writing is, mainly, as easy as breathing, except when it isn’t… except for the days when it is impossible. I know that I am stubborn, but I guess passive-aggressiveness isn’t going to get it, this time. Farewell… I boldly go seeking angst, anger and conflict.

Oy.

(This concludes the Panic & Hysteria portion of this post.)

Meanwhile, in a vain (but lovely and amazing and quite pleasant!) attempt to forget just how much work I have to do, I sat down and read eleven books during the course of various gatherings and duties this weekend. In one of them, I rediscovered one of my other favorite Our Jane poems,

Why Dragons?
==========================
The smoke still hangs heavily over the meadow,
Circling down from the mouth of the cave,
While kneeling in prayer, full armored and haloed,
The lone knight is feeling uncertainly brave.

The promise of victory sung in the churches,
Is hardly a murmur out here in the air.
All that he hears is the thud of his faint heart

Echoing growls of the beast in its lair.

The steel of his armor would flash in the sunlight,
Except that the smoke has quite hidden the sky.
The red of the cross on his breast should sustain him,
Except — he suspects — it’s a perfect bull’s-eye.

The folk of the village who bet on the outcome
Have somehow all fled from the scene in dismay.
They’ll likely return in a fortnight or longer,
He doubts that they’ll be of much help on this day.

And then — with a scream — that fell best of the cavern
Flings its foul body full out of the cave.
The knight forgets prayers and churches and haloes
And tries to remember just how to be brave.

The webs on the wings of the dragon are reddened,
With blood or with sunlight, the knight is not sure.
The head of the beast is a silver-toothed nightmare,
Its tongue drips a poison for which there’s no cure.

He thrusts with his sword and he pokes with his gauntlets,
He knees with his poleyn, kicks out with his greave.
He’d happily give all the gold in his pocket
If only the dragon would quietly leave.

There’s smoke and there’s fire, there’s wind and there’s growling,
There’s screams from the knight, and his sobs and his cries.
And when the smoke clears, there’s the sound of dry heaving
As one of the two of them messily dies.

Of course it’s the knight who has won this hard battle,
Who wins in a poem beaten out on a forge
Of human devising and human invention.
BUT:
If there’s no dragon — then there’s no Saint George.

– Jane Yolen
Here There Be Dragons, ©1993

Lovely Pesach, Easter, Spring & Weekend to You!

Via Fuse #8, the ‘funnest’ National Poetry Month game ever — what poetry form are you?

I am the sonnet, never quickly thrilled;
Not prone to overstated gushing praise
Nor yet to seething rants and anger, filled
With overstretched opinions to rephrase;
But on the other hand, not fond of fools,
And thus, not fond of people, on the whole;
And holding to the sound and useful rules,
Not those that seek unjustified control.
I’m balanced, measured, sensible (at least,
I think I am, and usually I’m right);
And when more ostentatious types have ceased,
I’m still around, and doing, still, alright.
In short, I’m calm and rational and stable –
Or, well, I am, as much as I am able.

What Poetry Form Are You?

If only they’d had jell-o instead of cream buns… it might have changed everything…

In more poopy news, the SF Cody’s is closing, leaving only the 4th Street locale in Berkley… independent bookstores are closing shop all over. ‘Tis depressing…

In honor of getting a note from my dear editor that “we’d like to be finished up with the final edit by early May,” and my subsequent lying on the floor and sighing, I present:

Fifteen, Maybe Sixteen Things to Worry About
by Judith Viorst

My pants could maybe fall down when I dive off the diving board.

My nose could maybe keep growing and never quit.

Miss Brearly could ask me to spell words like stomach and special.

(Stumick and speshul?)

I could play tag all day and always be “it.”

Jay Spievack, who’s fourteen feet tall, could want to fight me.

My mom and my dad–like Ted’s–could want a divorce.

Miss Brearly could ask me a question about Afghanistan.

(Who’s Afghanistan?)

Somebody maybe could make me ride a horse.

My mother could maybe decide that I needed more liver.

My dad could decide that I needed less TV.

Miss Brearly could say that I have to write script and stop printing.

(I’m better at printing.)

Chris could decide to stop being friends with me.

The world could maybe come to an end on next Tuesday.

The ceiling could maybe come crashing on my head.

I maybe could run out of things for me to worry about.

And then I’d have to do my homework (in this case, my editing) instead.

Flickr Fiction Friday: Focus

There is something unbearably melancholic about his umbrella.

He is holding it, clutching it, really, his hand worrying the cheap synthetic fabric as he anxiously scans the gallery for signs of familiar faces. It is the umbrella that Aunt Carol always told him to take, the umbrella he complained of so bitterly, and snarled that she thought he was a child.

He holds the umbrella like a club.

We told him we would meet him here, but now we are not sure. My cousin Prentiss pinches the skin above my elbow with sharp nails.

“He looks too sad.”

“No. He doesn’t look sad enough.”

We are twelve and thirteen, and bitter as gall; cold as black ice.

We have seen sin, and we are impatient with it. We are young and bold, and the world moves in swirls of black and white, there is right, and wrong, and nothing else. Have we not been told? Do and do, rule on rule, obey. Behave. Today we sit in judgment. But the lives of our elders are unknowable. They are nothing more than piles of aging flesh, sliding off into wrinkles, sloughing cells, somehow still animated. How, then, could our Grandpa Lanny – once we thought of his as ‘ours,’ before we repudiated him – still be thought of as attractive to someone? How could he have an affair on our Grandma Carol, take up with a widow with red-stained hair and yellowing teeth when both of them are almost seventy?

What conceit does seventy have left?

His leaving has taken its toll. There have been days of silence, of whispered conversations behind the kitchen door, Grandma Carol’s flattened, white threaded black hair, frowzy and dry against her pale powdered face, my mother’s haunted eyes, Uncle Loren’s insistence on investigators, lawyers, wills, and over it all, Grandma Carol’s soft voice pleading, leave it alone, children. Leave it. He won’t come back like this.

His mouth turns downward, matching the pleat in his forehead. Grandpa Lanny looks nothing like his usually debonair self. He has lost weight, his pants puddle sadly around his rubber rain shoes. He has no hat, no scarf, no gloves. He looks like a man who has, ill-prepared, run away from home.

“Crap. Crap. He sees us.”

Prentiss lets out a little moan.

I was not finished looking at him, tallying the differences in him. My legs twitch, muscles poised between love and rejection, the lightening expression of his hangdog face, and resentment. My feet are rooted. I want to run.

“There you are, my little gillyflowers! Come, come see the show. Helaine’s work is here – you will love it. She is a brilliant, brilliant photographer. You girls – maybe your Grandpa will buy you a camera for your birthday, hein? What do you think of that?” Grandpa Lanny tucks the umbrella beneath his arm, and waves us forward. “Come on, come on. We don’t want to miss anything, do we?”

Prentiss’ nails bite my arm again.

I am already shaking my head. No.

No. This has been a mistake.

We wanted to draw him, to bring him in. A glimpse of his precious granddaughters (it would have been grandchildren, but Heath was playing with the dog and Gavin would not come), wearing lacy collars and t-strap patent shoes, looking innocent and pure as he loved to see us. We wanted him to long for us, for family, and then for the comforts he had left behind; Grandma Carol’s pillowy bosom, his leather recliner and Havana humidor, the Tiffany lampshade we bought him last Christmas, the pearly Art Deco wallpaper in the front room. We wanted him to long for home, but it seems he had not been gone long enough.

Instead of us drawing him, he thinks to entice us.

A camera. A camera! Hah! Gavin’s mobile phone has a camera.

Our little world has been splintered and out of focus for too long.

It may never come into focus again.

“Girls! Wait! The show… come and have a little tea, then? Grandpa will treat you to chocolate malts… At least tell me how your Grandmother is…

I risk a glance behind me, hearing the magic word. His expression is woebegone, his rheumy old eyes wet, the umbrella once again wrapped in his gnarled fingers. My eyes sting, as I resist the urge to fling myself at him, wailing.

“Come home,” I whisper, as Prentiss yanks my arm and pulls me away. She does not yet forgive.

The watery sun spills through the smoked glass windows like a spotlight as he recedes from my sight.


The picture (entitled O) that inspired this week’s Flickr snippet was taken by Flickr photographer Eyeblink, and will likely be Flicktionated by the usual suspects: The Gurrier, Ms. Teaandcakes, Elimare, Chris, Aquafortis, Valshamerlyn, and Miss Mari.

Once more with the soapbox, then I promise I'll step off…

…from the article first seen in the Wall Street Journal
“…Many publishers think that teens like to “read up,” which means that they don’t want to shop in a section of the store focused on teenagers. Yet retailers say their young-adult sections are pulling in the kids. Their offerings often go beyond the formulaic. Craig Schiff, an 8th grader in Larchmont, N.Y., says he has bought and read such books as Watership Down and Lord of the Flies, in young-adult sections. “I’m not reading books about teenagers,” he says. “I like good books.”

Suffice it to say, I’m still not sure how to take that. ‘Often’ go beyond the formulaic? Often?

Ypulse, the YA media and marketing site, has responded to the article about how YA lit is shaped and targeted. As an author of a marketing text and the hopeful future author of a MG novel, the author says, “I want to just write [it] as if I’m writing the best book I can write (if it ends up appealing to more people, great), and not write to a specific formula.” This seems to indicate that Mr. Trachtenberg’s Wall Street Journal article on Larry Doyle is being taken seriously by more than one potential novelist, and is being processed with mixed emotions.

It needs to be said that YA writers are NOT some Stepford-ed word-processors freaks dancing to a hidden marketing tune. I mean, I have my fears about working through my final edits — everyone does, because it’s hard to see your work challenged and questioned, and we none of us want to give free rein to someone who believes that they know the market better, that they know our story better, that they know YA better than we. Everybody wants to write the best book they can write, and I believe that can be achieved by writing and publishing with YA houses, trusting our editors and their marketing staff, and continuing to think and observe and participate in the process.

I guess this whole thing has really pushed my buttons because I’m to the point in my editorial process where soon I’ll be hearing marketing decisions that may not be what I think is best for my book… it’s at this point that the work goes from being “my book” to being a team effort and the partial intellectual property of a publishing company. It is scary, no joke, but even as I say this, I find myself having to defend a process about which I’m usually fairly grumpy and hostile, because calling it a straight-out formula simply isn’t fair…

Okay. Enough with that.

A shirttail relative of this topic is the conversation over at Blue Rose Girls about compromise. How much of what we write, as YA authors, are we willing to give/take with — for the sake of our readers, if not our editors or the marketing/publishing world? For those who think that YA fiction is written by formula without thought, I’d be interested in hearing how they would work out that compromise… some things – a very few, but some things don’t come under the heading of YA literature. If your editor is asking you to change them, are they “shaping” you? Hm…

Meanwhile, there’s still hope for publishing. Dewey the library cat will be immortalized in his very own book…(and you can bet that Knute the Polar Bear will soon have a book of his very own.) The American Booksellers Association has announced its Booksense Books of the Year. Not a whole bunch of surprises there, as The Book Thief rolls in to collect yet another well-deserved prize. Finally, NPR reports the last of the fictitious post-apocalyptic series, Left Behind is released, and I’m sure it will be coming soon to a theater near you.

My smile for the day came from Saints & Spinners, and the amusing editor’s letters from Children’s Books That Never Were. Gleeful librarians come up with all sorts of stuff in their spare time!

The Poem du Jour is s from YOU HEAR ME? Poems and Writing From Teenage Boys, edited by writer and mother of boys Betsy Franco, and put out by Candlewick Press. This is a.) for YA’ers, and b.) it’s written by a boy, a Marcel Mendoza, who was sixteen at the time it was written. Poetry in many high schools is a girl thing – this one is not.

[Untitled]
Just because I love darkness
Doesn’t mean I’m depressed
Doesn’t mean I can’t love

Doesn’t mean I’m blind.

Just because I love my Mom
Doesn’t mean I’m not a rebel
Doesn’t mean I can’t love others
Doesn’t mean I’m a mama’s boy.

Just because I act psycho
Doesn’t mean I need medication
Doesn’t mean I can’t be compassionate
Doesn’t mean I don’t cry.

Once more with the soapbox, then I promise I’ll step off…

…from the article first seen in the Wall Street Journal
“…Many publishers think that teens like to “read up,” which means that they don’t want to shop in a section of the store focused on teenagers. Yet retailers say their young-adult sections are pulling in the kids. Their offerings often go beyond the formulaic. Craig Schiff, an 8th grader in Larchmont, N.Y., says he has bought and read such books as Watership Down and Lord of the Flies, in young-adult sections. “I’m not reading books about teenagers,” he says. “I like good books.”

Suffice it to say, I’m still not sure how to take that. ‘Often’ go beyond the formulaic? Often?

Ypulse, the YA media and marketing site, has responded to the article about how YA lit is shaped and targeted. As an author of a marketing text and the hopeful future author of a MG novel, the author says, “I want to just write [it] as if I’m writing the best book I can write (if it ends up appealing to more people, great), and not write to a specific formula.” This seems to indicate that Mr. Trachtenberg’s Wall Street Journal article on Larry Doyle is being taken seriously by more than one potential novelist, and is being processed with mixed emotions.

It needs to be said that YA writers are NOT some Stepford-ed word-processors freaks dancing to a hidden marketing tune. I mean, I have my fears about working through my final edits — everyone does, because it’s hard to see your work challenged and questioned, and we none of us want to give free rein to someone who believes that they know the market better, that they know our story better, that they know YA better than we. Everybody wants to write the best book they can write, and I believe that can be achieved by writing and publishing with YA houses, trusting our editors and their marketing staff, and continuing to think and observe and participate in the process.

I guess this whole thing has really pushed my buttons because I’m to the point in my editorial process where soon I’ll be hearing marketing decisions that may not be what I think is best for my book… it’s at this point that the work goes from being “my book” to being a team effort and the partial intellectual property of a publishing company. It is scary, no joke, but even as I say this, I find myself having to defend a process about which I’m usually fairly grumpy and hostile, because calling it a straight-out formula simply isn’t fair…

Okay. Enough with that.

A shirttail relative of this topic is the conversation over at Blue Rose Girls about compromise. How much of what we write, as YA authors, are we willing to give/take with — for the sake of our readers, if not our editors or the marketing/publishing world? For those who think that YA fiction is written by formula without thought, I’d be interested in hearing how they would work out that compromise… some things – a very few, but some things don’t come under the heading of YA literature. If your editor is asking you to change them, are they “shaping” you? Hm…

Meanwhile, there’s still hope for publishing. Dewey the library cat will be immortalized in his very own book…(and you can bet that Knute the Polar Bear will soon have a book of his very own.) The American Booksellers Association has announced its Booksense Books of the Year. Not a whole bunch of surprises there, as The Book Thief rolls in to collect yet another well-deserved prize. Finally, NPR reports the last of the fictitious post-apocalyptic series, Left Behind is released, and I’m sure it will be coming soon to a theater near you.

My smile for the day came from Saints & Spinners, and the amusing editor’s letters from Children’s Books That Never Were. Gleeful librarians come up with all sorts of stuff in their spare time!

The Poem du Jour is s from YOU HEAR ME? Poems and Writing From Teenage Boys, edited by writer and mother of boys Betsy Franco, and put out by Candlewick Press. This is a.) for YA’ers, and b.) it’s written by a boy, a Marcel Mendoza, who was sixteen at the time it was written. Poetry in many high schools is a girl thing – this one is not.

[Untitled]
Just because I love darkness
Doesn’t mean I’m depressed
Doesn’t mean I can’t love

Doesn’t mean I’m blind.

Just because I love my Mom
Doesn’t mean I’m not a rebel
Doesn’t mean I can’t love others
Doesn’t mean I’m a mama’s boy.

Just because I act psycho
Doesn’t mean I need medication
Doesn’t mean I can’t be compassionate
Doesn’t mean I don’t cry.