Friday, Finally.

My Cybils Sisters are already reading away on Laurie Halse Anderson’s Twisted (link has an interesting podcast and Halse Anderson reading) and Cynthia Leitich Smith’s vampire book, Tantalize; YA Books Central still has the make-a-vampire-recipe contest going… check out contest rules and cook up something… rare. (Sorry. Had to.)

And speaking of the lunch lady, you know there’s something weird about her, don’t you? Then it’s time to speak up. Check out this short horror story contest at Pinestein Press, which is seeking short stories for kids centered on the lunch room. Deadline is April 25th, so go to the website for details, and have fun.

Meanwhile LAST DAY for the free copy of Margo Rabb’s book! To qualify, send email to contest@margorabb.com. She has been giving away a copy of Cures for Heartbreak every day of her blog-tour.

Illustrators (and book arts people) who love discussing bindings and the artwork that goes into them will enjoy Jill Oriane Tarlau: Embroidered Bindings, the artist’s retrospective show in the gallery of Arion Press at the Presidio in SF. I’d love to see what she could do with Harry Potter in embroidery…

Via Galleycat, never turn your back on a publisher with a copy machine. Wow.

Last night at a New York bookstore (where apparently all intelligent conversation takes place), a group of authors who write about young adult issues met to discuss “the difficulties of telling truthful stories about youth in a world that wants to see them either as over-achieving super-kids or dangerous, violent losers and uses either a pious parental perspective or a leering sneer in media coverage.” I am verrry interested in the outcome of this conversation, as it does seem that — like people who condemn books without actually reading them? There are a whole host of people who have all kinds of information on young adults… without actually knowing any or speaking to them. As authors and YA book people, that’s worth noting. I still love the idea of the Mermaids going chaperoning Prom. I’m not doin’ it, but I love it…(via YPulse.

(Completely randomly, I ran across piece on “this generation” of parents (and teachers) over-praising kids. Some food for thought… lots of thoughts…)

The other day, Bookshelves O’ Doom had these really …nightmare inducing dolls… In response, I give you Gali Girls — and please note, they’re not silver, mustachioed, or sold with knives and shower curtains… nor come with cringe-inducing back story… They’re just… dolls. Add culture and imagination and play.

And it’s back to work for me, happy weekend, y’all!

In the Spring, A Young Girl’s Fancies Turn a…

By Jove, I think I’ve got it.

SHOES.
What, of late I have been asking myself, motivates me?

What is it that gives my ego that vicious little pinch which makes me perform? What causes me to set my jaw, grit my teeth, dig in my heels and try?

I have to say that nowadays it’s shoes. Or books. Or books and shoes. In college, I used to promise myself a bookstore trip if I wanted to trick myself into finishing something hard and ugly. No new book until you tell Dr. Anderson that no, you can’t take on another three hours of grading. No new story magazines until you tell Giselle you actually hate her, and this whole roommate thing needs to end. Now. No scoping out the $5 bins at Payless Shoes until at least half your Victorian Lit paper on Mary Wollstonecraft is done… It’s a bit psycho, actually, how the voice that was our nagging mother’s voice has morphed into the nagging voice of …us, but psycho as it may be, it’s what’s going to have to do the trick now.

Shoes.

I hereby declare in the sight of these (virtually) unseen witnesses: there will be NO shoes until a.) the manuscript is finished (oh, agony), and ten pounds minimum is lost. (Please note: the weight sounds easier, which should give some indication on how the @(*$%#*%! novel is going thus far.)

No cute new skimmers. No flashy patent t-straps. No strappy summer sandals. No bargain basement velvet flats that are on clearance this minute, nor sueded knee-high stretch fit boots for next fall. Not. A. Thing. Nada. Zilch. Zippo.

Sucks to be me right now.

Sooo. How’s your writing going?

WRITERS WANTED: Many who previously wrote for such testing groups as McGraw-Hill CTB, but disliked signing away full writer’s rights might be interested in New Leaders for New Schools, a national non-profit organization (501(c)(3)), founded on solid belief in children, academic excellence and achievement. New Leaders is seeking writers who can write clearly for children age 7-14. The topic needed are myriad:
Realistic Fiction: Up to date, engaging dialogue, interesting plot line, interesting but age appropriate vocabulary, sensitivity to economic and social diversity.
Historical Fiction: Accurate details relating to the time period.
Fables: The “lesson” or moral can be explicitly stated or implied. Often includes animals with human characteristics.
Folk Tales, Folk Lore, Legends, and Myths: Engaging dialogue, interesting plot line, interesting but age appropriate vocabulary, clear connection to genre
Fairy Tales and Fantasy: Engaging dialogue, interesting plot line, interesting but age appropriate vocabulary.
Rhyming Stories and Poetry: Well thought out word choices. Poems can be any style.
Non-Fiction Articles: A variety of high-interest subjects that lead the reader to new understandings. Science, History, Social Studies, Memoirs.
Biographies: Subjects who are not widely known and have made a significant contribution to society and include the historical and cultural context.
Speeches, Letters, and Other Genre: These can be about a variety of subjects, both fiction and non-fiction.
Directions To Perform A Task: Clear directions and purpose that children can relate to such as, how to condition a baseball glove, how to play a game popular in another country, how to make a craft. Original recipes are also welcome.

New Leaders for New Schools may not pay as much as testing companies, but keeping your rights and, especially for new writers, expanding that writer’s résumé is a good thing — and you know more that you can share with kids than you think. Check out their writer’s guidelines and go for it.

CALL FOR ILLUSTRATORS: Via Book Moot comes the announcement that published children’s illustrators are being asked to participate in the Robert’s Snow fund raiser. Even if you’re not an artist, there are ways you can participate.

CALLING ALL YA READERS A Wrung Sponge is currently creating a MG book list comprised of NEW books with “diversity that is not stereotypical; we have enough of the pregnant basketball playing teenagers living in single parent families in the ghetto, thank you.” Thoughts? Head on over, s’il vous plait, et merci.

Every year, Writer’s Digest has their Short Short Fiction contest… well, I daresay this six word contest would give most of us a run for our money. Try it and see!

Readers of high fantasy who enjoyed the Trilogy will enjoy hearing what this quirky Australian Author is working on now. Incidentally, you might also enjoy this author interview with Hilari Bell, one of the most thoughtful fantasy writers for YA I’ve appreciated. If you haven’t read her books, check out a review or two, and then jump in.

Much like Shelf Talker’s Alison Morris, I too am sort of going “meh” about the cover of the newest Potter book. Or maybe my “meh” could be translated as, “Yes, yes, let’s just get ON with it already.” Either way. Or, it could be that the whole thing just looks too much like somewhere we’ve all seen before!!! What IS IT with covers? I love the UK ADULT fiction cover, by the way… I will never understand publisher’s book cover guidelines, never… (via Fuse# 8.)

Time’s rolling on — back to work.

… Later that Same Day

I’m still kind of reeling over that whole Striped Pajamas-into-Movie thing on which I posted earlier. I didn’t allow myself to dwell on it before, but it’s… one of those things. Periodically, you read a really horrible book, and you think, “The world is strange. Either the publishing world is made up of COMPLETE IDIOTS, or else even I should be able to get published.” And so is with this film… I’m going with the idea that Miramax producers don’t read, ’cause that’s really the only viable option that makes any kind of sense — not everybody can write a script. Of course, with my well-documented HATRED for YA novels turned into books movies? (Thank you, Sara!) This one will more than likely be an entirely new and different storyline anyway. So, never mind…

…we’ve been talking about book covers lately, and Margo Rabb talks briefly about her great one in her interview at A Chair, A Fireplace & A Tea Cozy. I MUST get a cool cover like hers. I want someone to tell me how to do it… do I wrestle my editor into submission, or beg?

I read in the L.A. paper that there’s kind of a theme going on right now with apocalyptic novels. Thanks to the whole war-without-end thing, and September 2001, novels are turning pretty dark. I find it interesting that this has long since been reflected in children’s literature… we’ve had that dark world-ending thing going on for quite awhile now. Could it be that adults assume that YA lit would accept that “reality” more readily? Hm.

Read Roger had a recent post on what he called “lunch books,” that is, books only interesting whilst one is eating. It’s true — some books aren’t worth reading if you’re not otherwise multitasking! I was mostly interested (because my novel is food-esque) in the Simmons Summer Institute in Children’s Literature July 26-29th this year entitled Food, Glorious Food. It will be discussing the role of food in children’s lit – literally and metaphorically. If I ever wanted to brave Boston in the summertime, that could be fun.

Mitali suggests using children’s books as helps in learning a new language. One presenter at the Reading the World IX conference suggested that another use for chidren’s books is to help older people come to understand other cultures. Aging people are often put into the situation of having to live with people with whom they would never have otherwise encountered. People working in Residential Care centers are finding that older people feel less threatened by other cultures when learning about them via children’s books. Kind of an ingenious idea, really.

Though I am completely late on this, DO read the Cybils interview with Gene Yang. The book is awesome. I love it, love it, and would give it generously to every graphic novel liking kid I met – and even those who don’t yet know enough about graphic novels to like them. I was impressed that Mr. Yang was a.) a teacher b.) a Bay Area guy, and c.)drew so creatively. The variously interwoven storylines were just — delightful. I know I’m babbling, but I really liked the book, and I have never really been able to appreciate graphic novels — mostly because I was cursed to receive graphic versions of the New Testament when I was a child from some well-meaning adult… the experience sort of soured me on graphic novels in general. However — good drawing and an intriguing storyline make a huge difference!

Also – again very late – we are all cordially invited to the Cybils post mortem as our noble leaders decide how it’s all going to go next time. Speak up!

Via Bookshelves O’ Doom, it’s death by chocolate — literally!! Honestly, if you give me this much chocolate, you can shriek Exterminate! Exterminate! and I will really not much care. Where were these people at my last birthday party!?

In passing…

You have GOT to be KIDDING ME!!!!!
I never was anyway, but now I am SO not a fan of Miramax. Eejits. (Via Fuse#8, who lit my fuse!)

Because of recent discussions with the Cybil Sisters regarding book covers — and the weirdness that follows when books go from hard cover to paper back (like this Kitty to this Kitty and this Impossible Life to this Life and then, somewhat randomly, this cover, which obscurely looks just like the newest Life, in what seems to be a copycat cover trend) (Mad link props to LW, reigning Queen of the book cover) and in part of our discussion of the Pretty Girlization of book covers, the book cover site we found via Fuse #8 is a nice find, and will give us more fodder for our conspiracy theories.

Okay, okay, my conspiracy theories, all right? My madness alone. Sheesh.

It was super brave of the Disco Mermaids to talk about their recent drama, even in a lighthearted way. In every critique group I have ever been in, just about every day week (esp. in grad school) there would be rise in the level of tension running through the room from something someone said, and once in awhile groups would gather during our tea break. Phrases like, “did you hear her say…” and “did he MEAN…” would hiss through the hallways, and because we were all so honestly tangled up in our manuscripts, cradling them like helpless newborn blind… er, cubs, we all got our fangs out, our tails lashing and our manes ruffled when anyone said anything that didn’t sound quite right to us. (Whew! Nailed that metaphor.)

Sometimes, the whole thing was just really exhausting.

We care so much about our work. We want so much for it to be …right (which explains my choice of a gift-from-above editor rather than a PR machine, in answer to Justine’s question). We want to pull the best out from ourselves, and sometimes it feels like that best is not possible, and we get… frantic. Hostile. Vicious and viciously depressed. And a smaller writing group plainly doesn’t mean that there is no aggravation. Just two is enough; you can even get in a snit alone, if you’re feeling like nothing is working, and that your agent is going to Barcelona without having read your latest mss. because you simply cannot seem to push through to finish it (thus you are posting to your blog instead of working), and you’re afraid that the people who read your work just give you lots of sunshine because they love you, and that nobody is telling the truth, and you really do just suck, and it should really be raining outside instead of looking all Spring-y because everything else is going down the toilet… (ahem.)

I don’t want to be with myself when I’m working (or not working) like that (thus I am with you, oh, you lucky few!). Imagine the potential horror of writing with your SISTER!

Randomly: I’m curious about how co-authors write together. Cynthia Leitich Smith has interviewed other co-authors and Cynthia herself and her honey, Greg also write together. How does that work? How do writer’s groups and collaborators defuse tension and move forward? What if you have a goddess like Our Jane in your writing group and you’ve not published as much (and honestly, who has?!) or at all? From what I can see, the honesty of being able to disagree and speak critique truthfully to this issue produces an honesty in writing that is unparalleled. And I need me a dose of that…

All right. Enough with the work avoidance.
Siiiiigh.

Better Late Than…

Still languishing in the Valley of Revision, but wanted to quickly point out Cybil sisters Mindy, and Jen getting interviewed by the folks at 7Imp. I don’t know why it is so weirdly addictive to find out details on other bloggers… I think there’s something about that which falls under the category of Nosy By Nature…

Allrighty. Another cuppa tea and back to work…

Flickr Fiction Friday: Uncle Andrew

I had that weird “stepping back in time” feeling coming to Grimma and Poppy’s farm this week. Coming from the airport and driving through this endless flatland sort of warps the mind every single time. Living with mountains and coming down to the plains makes you feel like you can see forever… even though there’s nothing much to see. Farms. Fields. Flatness.

It was strange being in the backseat of the car with Mom and Dad driving, and be the only one. Faith, Leif and Charity are coming, and Hunter will have to leave for Seattle right after the funeral to make his meeting with Nike, so I’m the only one of us kids here. Once I would have killed for the chance to be the only grandchild at Grimma and Poppy’s, to be the center of all the attention in that house that had seen sixteen generations of my family. Not this time.

It was bad, worse than I thought it would be. When we got to the house, the goats and their kids were at the fence, and not seeing Uncle Andrew tromping along in his big old boots, pushing back his hat and wiping his face on those big old white hankies Grimma made him carry, stepping over goats and swatting at them to get to the gate… it started my throat aching as if I was choking on a rock, and Mom started sobbing right off. A farm hand pulling back the big barn doors shoved back his hat when he saw us drive in, and another one removed his in kind of a respectful gesture. When we got to the house, Poppy was sitting on the porch – sitting, when he never sits at all, not when there’s work to be done, and the hands to manage. Grimma came out of the house without an apron, and she and Mom just sort of melted into each other, crying.

It didn’t seem real to never see Uncle Andrew again… not having him bring me a flower, or a piece of comb from the hives, or a piece of fruit from the orchard or a pretty rock or an arrow head… it didn’t seem believable that I should have to do without him.

When we visited Grimma and Poppy’s when I was little, it was always the same. Mom and Poppy would talk politics with Charity, Grimma would go on about the canning and Faith’s latest 4-H project, Dad would talk engineering and irrigation and Poppy would complain about the farm hands, and try to talk Leif or Hunter into staying through the beginning of autumn to help get in the corn and pumpkins, but nobody had much to say to me. I was a strange child; Grimma called me addle-witted, Mom called me fey. I had been dreamy since I was small, and could be taken with staring into the distance for so long, wrapped in daydreams that teachers at school actually put me in the class for children with developmental delays, despite the fact that I read four grades above my own level. My parents, gifted with four other brilliant children were by turns exasperated and disappointed by my lack of promise, saying my name as a sigh or a prayer, “Oh, Mercy…” Yet Uncle Andrew, with his tall muteness always seemed to hear and see me, distinguishable from my brothers and sisters and all their clubs and activities and accomplishments. He saw me, even when we were all five still at home and a herd underfoot. A great bear of a man with great huge hands and a long, loose stride like he owned the earth beneath him, Uncle Andrew always had a smile for me, and he seemed to notice everything I did. Even though I was the youngest, and not as pretty as Faith or outgoing and athletic as Leif, or smart as Hunter or Charity, I secretly hoped that I was Uncle Andrew’s favorite. I guess I just took it for granted that he would always be here, just like I never think about Grimma and Poppy or Mom or Dad ever dying. I just never thought…

No one even knew how old he was. Poppy always says that one day, Uncle Andrew was just there, at the edge of the field on the back corner of the lot. He was maybe three or four or five, maybe a small six or eight. He didn’t talk. He never talked. He never even made sounds when he cried. He was just… there, funny light colored eyes, funny white hair, the color of cornstalks all bleached in from summer sun; a little boy with a serious face, brown arms bare in little denim overalls, and when Poppy put out his arms to him, he came. He planted himself into the farm like a seed, and he grew, well past six feet, and as he grew, the farm grew around him.

Nobody from the village knew a thing about him. No one from the other farms could say; Grimma always thought he must be a baby one of the Amish girls got on rumspringa, and they dropped him off in hopes that some other family might welcome him more than theirs. Eventually, the county let Grimma and Poppy have him, adopt him, since back then it wasn’t so hard to take on someone else’s child, especially not one who wouldn’t or couldn’t talk, and they went on like that. Poppy was glad of him; Grimma’s other babies all had died, stillborn, before my mother, and every farmer, in those days, at least, wanted a boy to carry on with the land. Mom wasn’t always thankful that she had a big brother; Andrew’s size and his silence intimidated the boys from the neighboring farms and village, and Mom always joked that it wasn’t until she left for college that she even got asked on a serious date. Uncle Andrew never had any other education but the agricultural school – he finished vocational courses in high school and worked on the farm, and though there were doubtless girls who would have run his direction with even the slightest encouragement, Uncle Andrew never seemed to be connected to anything but the earth, the farm. Everything he touched there seemed to come to life – the fields, the orchards, the apiary, even Grimma’s herb garden. Grimma’s roses won year after year after year that the State Fair. Poppy was fiercely proud of Andrew, and it seemed that the farm would serve him long as his inheritance later on.

Later on… Uncle Andrew had been as healthy as a horse, Grimma said on the telephone, over and over again. Hardly ever a day sick, never a day without working outside. No one ever thought he wouldn’t survive to take on his inheritance, in the end.

Today Grimma and Poppy looked so old. Grimma’s skin seemed paper thin, and Poppy looked frail and tired like I’d never seen him. Today even Mom had lines in her face like I’d never seen. Everywhere I looked I saw death hanging over us, death breathed in and death breathed out. After the service on Sunday, with the house filled up with mourners bearing molded salads and the cloying humidity of grief, I couldn’t stay and keep from screaming, lying down and giving in to the fear that seemed like it was rising up and choking all of us. That’s why I went there, to the field.

The field has always been where I am anybody and nobody. Tunneling under the razor-sharp stalks, sitting hidden while the jackrabbits hopped by, I am invisible, and blend in. In the field there isn’t any Charity to be smart and stunning, there isn’t any Faith to be ambitious and industrious. There isn’t any Hunter to ignore me, or Leif to mock me. There is no one to whom I must compare myself, nothing that has any expectations. I can sit in the hollow of the earth and be a part of it for hours, and no one ever finds me. At least, no one ever found me but Uncle Andrew.

The summer I turned twelve I stole a pack of cigarettes from the gas station and brought them to the field to smoke. I burnt my fingers on the match, and the smoke singed me. I coughed until I puked, and Uncle Andrew was suddenly just… there. He didn’t tell Poppy he took my smokes and brought me a drink, wiped my cold sweat with his bandana and trickled cool water on my neck until I could hold my guts. He never even shook his head at me, communicating in his silence disappointment or disgust. I know I could have set the whole field on fire, but he never said. He just sat with me, and then he was gone, leaving behind a round white stone quartered with a jagged streak of gold.

The summer I turned thirteen, I came to Grimma’s with my hair dyed black and my jeans all ripped. Grimma couldn’t stop herself from going on at me, telling me I looked like a skinny little hoyden, but that was the summer Uncle Andrew taught me to drive the tractor. I think I fell a little in love with him then, sitting with my back against his broad chest, steering, feeling the power of that machine in my nail-bitten hands, smelling the soapy clean scent of the bulwark of safety behind me. When we came in from the field, I felt like I was somebody important, even though Poppy said I’d probably mow down the corn, and that he’d better not catch me driving without Andrew. When his back was turned, I raised my black-polished middle finger at him, dark red lips sneering, and Andrew caught me. He just looked amused, and I felt like I was being silly. It didn’t matter what Poppy said, anyway. I would never try driving without Uncle Andrew. Without him behind me, the tractor was beside the point.

I was fifteen when summer lightning struck the barn and set it on fire. Poppy had taken the goats to pasture, but the jennys were still in the barn, and I was set on rescuing them myself, but Uncle Andrew had swung me behind them, and gone into the barn… in the fierce wind and hail, he had gotten all but one of them free before a rafter burned through and the roof pinned him. I remember dropping to my knees and screaming myself raw when they brought him out on the stretcher and the ambulance from the county hospital took him away. He only stayed in the hospital overnight before Poppy brought him home, said he was sickening worse away from the farm.

His ribs were cracked, his right collarbone was fractured, and he had thirty-nine stitches in his right thigh. I hardly left the house for the rest of that suffocatingly hot summer. I waited on him and sat with him and watched him, I ran the fan and brought him cool slices of melon and iced lemon balm tea; I read him stories, I laid wet cloths across his head. My grandparents were touched.

Grimma proudly told Mom that I had all the makings of a fine nurse. My father, who’d been despairing of me ever finding my feet, was thoroughly cheered by this. Since Charity looked to be heading for a career in law and Faith to one in engineering, he looked to his last girl to become the family doctor while his boys became captains of industry and finance. My mother was more realistic, and told Grimma I couldn’t stand the sight of my own blood, much less anyone else’s.

“You’d never know it,” she told Mom doubtfully. “Mercy’s hardly left him. She’d sleep in there with him, if I’d let her.”

Poppy said I was a good girl, since to his mind, women did right by sitting and waiting on men, but after talking to Mom, Grimma grew strange, smiling in that maddeningly sly, adult way when I offered to bring my Uncle a tray. She took to telling me I’d make a good wife someday. Only Uncle Andrew made no judgment. Sometimes, when I read to him, I would look up and catch him watching me, a tenderness in his eyes that would make my throat catch. None of us was ever demonstrative; Grimma would just as often swat us and grumble than hug us, even when we were small, but that summer, I dared to sit next to Uncle Andrew’s bed and lean my head against his arm. He touched his fingers to my hair from time to time, and with that I was satisfied.

This past summer, I had my tongue pierced.

The first time he heard me speak when we arrived at the farm, Uncle Andrew noticed the slight lisp, the click and the buzz of the metal stud against my teeth and looked at me, curious. He never grunted, never mimed sounds for speech, so I was caught off guard when he suddenly stood and faced me, reached out with his large hand and gently touching his thumb over my bottom lip, indicated I should open my mouth.

As his finger touched my lip, I swayed. It seemed for a moment that lightning fused my spine; I lost my balance and stumbled, blinking, arm hairs standing, suddenly aware of every inch of my skin. The piercing suddenly seemed in too intimate a place. How could I open my mouth and stick out my tongue? Why had I done it in the first place? Everything was suddenly too intense.

Uncle Andrew had caught my shoulder when I swayed, but when I couldn’t meet his eyes, he stepped back, out of my space.

“It’s… I pierced my tongue,” I mumbled, ill at ease and mortified. “It was stupid. It’ll probably fall out. I don’t know why I did it. I…Faith says it’s tacky. Mom says this is just a phase…” I felt the backs of his fingers brush my cheek, and went still. I wanted so much to hold his hand to my face that I felt afraid. Normal girls weren’t obsessed with their Uncles, didn’t want them to touch them or to kiss their hands. I was sick. It was wrong.

I turned and ran.

I hardly spoke to Uncle Andrew all last summer, and I barely looked at him. I wanted to too much. Grimma noticed and said it was a sad thing when a girl grew out of her family. Poppy didn’t say much, but he frowned at me, and told me to get inside when I sat on the fence and watched the farm hands when they came in to lunch. Leif told everyone I just needed a boyfriend, and Faith told him he was sexist. Fortunately Charity and Hunter were at summer school and summer jobs in the city. I didn’t need to hear their assessment.

Then Grimma called on Tuesday to say that Uncle Andrew was dead.

At the service, I looked at all the mourners, farmers with big hands and pale foreheads, their wives and families as solid and stolid and plain and brown as the earth itself. Were we his real family? Was there someone else there, someone silently mourning him, having lost him in life? I saw a tall boy in the back, his simple white shirt and dark pants marking him as maybe one of the Mennonite boys who hired themselves out to Poppy’s farm. Had I seen him before? Was he a brother? A cousin? A secret son?

I bolted from the house, in my good shoes, over the drainage ditch at the edge of the road and into the cornfield, anguished and sick, my hands sliced as I incautiously thrust the stalks aside. Why hadn’t I ever done… something, anything to apologize, to atone, to tell Uncle Andrew how much I loved him, in a way that was even a fraction of the truth? Why couldn’t I have been more normal, more appropriate, more the kind of girl that could be likeable and liked? Had he died because of something I had done? Was it some punishment, for secret fantasies?

I crawled into the rustling space between the cornstalks, the dry, sweet smell welcoming me to that sun dappled place. I pulled my knees to my chest and rocked, trying to breathe through the sobs that kicked against my chest, trying to escape. I was lost to the sounds of my breath strangling in my throat, so I barely heard it.

“Mercy.” A husky voice, soft.

I drew breath, sharply. Silhouetted against the light, one of Poppy’s farmhands stood at the end of the row, tall and broad and silent in the stillness. One moment no one was there, and the next, he stood blocking the light.

I struggled to my feet and stared, startled, my heart bucking wildly in my chest. None of Poppy’s regular farm hands, generally taciturn and middle aged, had ever followed me or spoken with me unless they had to. They were not unfriendly, but generally had no time for awkward, skittish seventeen-year olds used to all the modern conveniences and comforts of life in town. I couldn’t make out his face, but I was sure that this boy was new, and thought he could score points with Poppy by speaking to me. I was determined not to answer him.

I began to move past the boy at the end of the row when he moved into my path, awkwardly trying to leave me room to walk. Embarrassed, I stepped closer to him as he stepped closer to me. We almost bumped heads. I looked up, irritated. It was the Mennonite boy from the service.

“Who are you?” I demanded abruptly, suddenly shrill. “Why were you at Uncle Andrew’s service? Who are you to him?”

In the uncertain light, with the cornstalks above our heads, the boy’s eyes were so pale as to be colorless. They widened in surprise.

“I’m… Jack. Jack Greenman. Your folks hired me on end of the summer. I’ve worked here for four months. I was here the day your… he… Andrew… It seemed only fitting…”

I nodded jerkily, now sorry I had questioned him. “It’s fine,” I said dully. “I… I just thought…” What had I thought? That Uncle Andrew’s secret family would know more of him than we, his real family did? That somewhere there yet existed some part of the man I adored, and if only I asked enough questions I could find him again? I closed my eyes to staunch an unexpected flood of tears.

“Mercy,” Jack said softly, and the hair on my arms raised. My eyes flew open.

“How did you know where I was?” I blurted, suddenly afraid.

“It wasn’t hard,” he said, halfway smiling. “I watched you.”

I stepped back, shivering. How had I not noticed? In the dimness, his hair was as bleached as the cornstalks which rustled around us. His odd eyes were on my face.

“I don’t know who you are,” I babbled, “but go away, do you hear me? Go away. I don’t want you watching me. I–I’ll scream. Poppy will fire you. Just… leave me alone, don’t–”

“Mercy. Don’t be afraid,” Jack said, and brushed my cheek with the back of his hand.

He stepped away from me after that, led the way out of the narrow lane of corn which whispered in dry voices of the secrets of summer past. Still I stood, frozen, my hand against my face where his touch still burned.



This pictorial inspiration for this week’s Flickr is from the collection of Tom Debiec. Find Fliction with the usual suspects:The Gurrier, Teaandcakes, Elimare, Chris; Aquafortis, Valshamerlyn, and Mari, our newest victim.

Catching Up…

Zipping past Mitali’s Fire Escape, this week I came across several good things — one was a discussion on how the latest Disnified African American fairytale chickie will speak. Referring to a political discussion in an older NY Times op-ed piece about the racial politics of speaking “articulately,” Mitali makes some good points about ye olde Southern Louisiana belle. Just how will she sound? I mean, aside from the “soulfully crooning” crocodile, we inarticulate masses just really have no clue what the House of Mouse have planned… or do we? Does the word ‘soulful’ give any indication??

I, too, wanted to play the 123 Meme game, but it’s not in a spot that would do the book any favors. Bummer, huh? Actually, once editors get a hold of it, it may be perfectly fine — the first paragraph of pg. 123 may be completely blank…

More girls to watch from Readathon, who suggests ‘Girls You Should Know,’ and a new blog alert from Publishers’ Weekly, introducing us to ShelfTalker.

Chicken Spaghetti is now Chicken Maple Ingalls Wilder. I would live in the deep snow in New England for five minutes, just to do this cool project! And this is a good time to tell you — going into a seclusion of sorts this next week, half vacation, half writer’s retreat. Taking my siblings with me means that maybe not a lot will get done… but hey – a different room in which to stare at my computer screen is always good.

Happy Weekend!

Short Stops

Cheers!
I was scanning the March/April edition of the SCBWI Bulletin this morning, and found that SCBWI columnist and PR person Susan Saltzman Raab had helpfully blurbed the Cybils on the back cover. (Raab is also the inventor of Reviewer’s Checklist, a service which is designed to promote children’s, teen and parenting books to a broad range of media. If you’re serious about wanting to be a reviewer, definitely check it out.) She encourages people to read and nominate more graphic novels, and I know the graphics people are looking forward to that. (And don’t forget, people: the 2008 Nominations are Now Open…)

And speaking of manga, via ChickenSpaghetti, palindromic librarian bloggerTangognaT is celebrating four years of blogging and giving away mucho manga! Congratulations, TangognaT!

It’s a comic book kind of day. Buffy Returns! Available in bookstores yesterday, this Dark Horse Comics production of Season 8 of the popular girl-battles-vampire-with-good-one-liners is TODAY in its second printing! As always, Buffy kicks buns!

That's the Sound of a (wo)Man, working on the Chain…Ga-ang…

Email from Secret Agent Man (S.A.M.) this morning reminding me of the days he will be in glorious Italia for the La Fiera (Bologna) del Libro per Ragazzi, also known, to the plebes, as The Bologna Children’s Book Fair. Aside from gnashing my teeth that I can’t go extravaganza of all things children’s book-ish and finely Italian, this announcement has given me the final dates for getting my stuff together so he can have time for leisurely reading before jetting off to rounds of sand, sun, endless wine tasting and poolside chitchat with the hoi polloi.
Oh, did that sound catty? Sorry. Before he goes off to sip wine over business dinners whilst making serious agent-y decisions with the leaders of the children’s book World Market. Better?
Sigh.
I am SO jealous.
Not that I really want to go to that particular Fair, but I just want to be on vacation. Somewhere…

But no. Long awaited notice from my editor this morning ~ my days of gallivanting and pretending I don’t have a major revision facing me are soon to be gone, long gone. Siiiiiiiigh. But it’s a happy sigh, kids. A happy sigh. One that envisions me chained to my chair, weeping. With joy, of course.

More signs from the universe that I should really buckle down: The Class of 2k8 is preparing for liftoff, and my editor told me that I should consider getting on board. Two of the original Class of 2k7, whose books were delayed, are heading up the fight, and encourage everyone to pass the word to other middle grade and YA authors being published next year. Because I feel like I already have a blog… pod, or group of friends, I’m not sure I need to blog one more place, but I’m happy to advertise for it and check it out, and I encourage others who are having a book published in 2008 (squeal!) to join the fun. It will be an important year in so many ways! Presidents and Olympics and books, oh my!

Far from being the B-List Blogger (with props to MotherReader) that I should strive to be, this week, I’m… er, a Q-list blogger. I am reading blogs, but not so much commenting, as I am supposed to be WORKING, and I’m sure my agent is wondering how I’m even finding the time to gab now, so I must needs avant…