FIELD TRIP! The Museum of Childhood

Here’s a sad truth: I didn’t particularly like being a child.

I kind of …sucked at it.

An early maturing body and an over-developed sense of responsibility, “encouraged” by a very strict father made me behave as a smaller adult, and people generally treated me as such. Teachers expected me to be the one who told the truth about what mischief other students had gotten up to, and left me “in charge” of other groups of kids. Other parents asked their children why they couldn’t be like me (yes, I was the one you all hated. Sorry. I didn’t like it either.), and only my dad wasn’t satisfied with who I was turning out to be. Childhood was an anxiety-riddled, tension-filled time and I wished it gone, almost daily.

Unfortunately, once I hit my twenties I realized that I’d made a mistake: adulthood wasn’t much better.I decided I needed a do-over. Thus, I have entered, and remain in an extended period of adolescence, my second — and prolonged as long as I want it to be — childhood.

The title of this illustration with the fairy is Fairytales from Wonderland, which I thought was all too fitting for our blog, and our daily forays into the books we love and the books we strive to write. Fairytales are accessible no matter what your age… so if childhood was a complete bust for you, too, welcome to the expanding worlds of Wonderland…


Sitting on a tour bus in Edinburgh four months ago, I caught a glimpse of The Museum of Childhood in a side street. I’ve since gone back to Edinburgh, but on a weekend, that is one packed city, and, because my West Coast eyes still see sandstone and think everything in the UK looks alike, I wasn’t able to find it again. Then, last week, I took a tour bus from a different company which dropped me off at the door. Serendipity!


There are five galleries in the museum, beginning with things like the first baby bottles — oddly shaped glass things with corks in them from the 1800’s. These are followed by antique baby food containers and ration books for children’s meals from WWII. The candy cigarettes gave me a good snort. (“Cemel” smokes — with a camel on the packet? Camel’s been pushing to kids for that long? Way to have NO deniability, people.)

Of course, there were acres of rooms full of dolls: military ‘dolls,’ dolls depicting various cultures (with varying success), apple dolls, corn dollies, nesting dolls, dolls found in archaeological digs — you name it, there’s a doll for it. There are dress-up stations for actual children, antique toys and costumes behind glass, trains, cars, tricycles, jump ropes, jacks, doll houses by the mile and all the other accoutrement of childhood you can imagine. Even though it is a small and easy to miss museum, it is stuffed, and if you enjoy miniatures and train sets, the gift shop is quite a place to lose a few dollars (or pounds, as it were).


Childhood in Victorian times came with what felt like some of the same moral strictures I lived with, which makes Victorian times interesting to explore. I found a game called “The Reward of Virtue,” which was sort of a horrifying exercise in guilt, created in 1801. Players could be derided as truants, pigs, mice, misers, fortune-tellers and peacocks and more, and the rhyming couplets of descriptions made it even more entertaining. I much preferred the covers of “Little Pets” and other gorgeously illustrated children’s picture books. This instructive almanac likely came with the same moral poetry, but there is a certain amount of charm in the cover illustration that makes it forgivable.

As I stood in the Museum, I thought of all of you; of Jules and Eisha, when I saw the Alice in Wonderland illustration, of Laura Purdie Salas, when I saw the knitted mittens on strings and the socks, the toy car parts reminded me of Fuse#8, and every musical instrument reminded me of Saints & Spinners. All of you were in the museum with me…especially in the book room.

My favorite room, of course, was stuffed full of children’s books. Original Beatrix Potters, Randolph Caldecott illustrations, Beano comics, the strange “Golliwog” books (perhaps the root word for that horrible slur ‘wog?’), and thick, fat novels written in the
twenties with young girls in mind — I had to stop myself from wanting to pry open the airtight case and flip through them. I had an immediate jonesing to hie myself to a library and dig out the oldest book I could find and review it — as Virginia Woolf once said, libraries are full of “sunk treasure.” (Side-streets in Edinburgh are, too, since across the street from the wonderful museum is the Evil Fudge Kitchen…!)

It’s a tiny museum, and it didn’t take more than a couple of hours to get through the whole thing, but I do hope that if you’re ever in the neighborhood, you drop by. It put me in my happy place — a place I’m still making up as I go.

Cheers!
(Click on any of the pictures and see them larger in the Flickr gallery. And there are more.)

Poetry Friday: Stuff

Whew. Friday at last, and a not a moment too soon.

Happy Leap Year, everyone! The end of February is also here, and we’ll all share in the relief (just as soon as the forty-five mph winds stop gusting and the lights quit blinking off and on) that Spring is definite, indisputably, can’t-hold-it-back on its way. No matter what that groundhog said: it’s almost over.

Don’t forget to read down to ‘Toon Thursday; it’s still so great to be made into a cartoon; I’m so much thinner on paper…!

When I’m not obsessing over the whole thinness issue, I’m obsessing over my things. This poem struck me as a the beginning of an explanation for why we cherish stuff so much. It’s ours… we’ve named it. It’s our baby…

Things

What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.

We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,

and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.

Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.


“Things” by Liesel Mueller, from Alive Together: New and Selected Poems. © Louisiana State University.

The poetry of possessions and other ‘stuff’ can be found today at Writing & Ruminating.

Poetry Friday: The Ludicrousness of Self

In honor of the forty-five mph winds whipping today and the rain flying upwards, this poem appeals to me.

I’m feeling thoughtful at my impending birthday… not that I’m glum, but …feeling thoughtful. I think about my friend R. who is so… completely herself. She’s just a little older than I am, but so much more sure of herself, her style. She wears her dyed black hair and her combat boots and her tats confidently; who cares if forty is looming on the horizon? She’s already who she is… while I sometimes still feel like I’m slouching towards…? Maturity? Selfhood? Adulthood?

“What rough beast, its hour come ’round at last, slouches toward Bethlehem, waiting to be born?”

Hard Rain

After I heard It’s a Hard Rain’s A-Gonna Fall

played softly by an accordion quartet

through the ceiling speakers at the Springdale Shopping Mall,

I understood there’s nothing

we can’t pluck the stinger from,

nothing we can’t turn into a soft drink flavor or a t-shirt.

Even serenity can become something horrible

if you make a commercial about it

using smiling, white-haired people

quoting Thoreau to sell retirement homes

in the Everglades, where the swamp has been

drained and bulldozed into a nineteen-hole golf course

with electrified alligator barriers.

You can’t keep beating yourself up, Billy

I heard the therapist say on television

                                         to the teenage murderer,

About all those people you killed—

You just have to be the best person you can be,

one day at a time—

and everybody in the audience claps and weeps a little,

because the level of deep feeling has been touched,

and they want to believe that

the power of Forgiveness is greater

than the power of Consequence, or History.

Dear Abby:

My father is a businessman who travels.

Each time he returns from one of his trips,

his shoes and trousers

                                         are covered with blood-

but he never forgets to bring me a nice present;

Should I say something?

                                          Signed, America.

I used to think I was not part of this,

that I could mind my own business and get along,

but that was just another song

that had been taught to me since birth—

whose words I was humming under my breath,

as I was walking through the Springdale Mall.


“Hard Rain” by Tony Hoagland from Hard Rain: A Chapbook. © Hollyridge Press.

Oughta Be in Pictures

Via Suite101, comes the news that Jerry Spinelli’s Stargirl has had movie rights picked up by Nickelodeon Pictures. No cast announced as of yet. Also, via the Powell’s Blog, Diary of a Wimpy Kid, the former web comic by Jeff Kinney has been picked up by Fox 2000. Meanwhile, via Ypulse, Lois Lowery’s The Giver movie has been delayed because the director is also directing the final Potter film. From the sound of things, the film will be worth the wait, although the circumstances in which the announcement was made are pretty funny.

By now you’ve heard about the whole Mary-Kate & Ashley book thing… I love that the working title of the book they’re collaborating on is Influence

Five Questions for Ying Chang Compenstine

It’s been a busy month at the Tree House, as we’ve celebrated the Lunar New Year and African American History Month. Verrrry busy author Ying Chang Compenstine has taken time out of her TV and book tours, cookbook writing, picture book crafting and YA novel creating to have a lightning round of a mini-interview, and answer five short questions from Finding Wonderland about her little red book Revolution is Not a Dinner Party. Finding Wonderland would like to congratulate Ying, as her novel has received a starred review from Publishers’ Weekly as well as:
• 2008 Best Books For Young Adults (ALA)
• 2008 Notable Children’s Books (ALA)
• 2007 Publishers Weekly Best Book of the Year
• 2007 San Francisco Chronicle Best Children’s Fiction Book
• 2007 New York Public Library 100 Best Children’s Books
• 2007 Fall Book Sense Children’s Picks
• 2007 Parent’s Choice Silver Honor
• 2007 Cybils Award Nomination for Young Adult Fiction
• 2008 Tayshas Reading List (Texas)
• 2007 Chicago Public Library Best of the Best
• 2007 Cleveland Public Library Celebrate With Books
• 2007 Cuyahoga County Public Library Great Books for Kids
• 2008 Notable Social Studies Trade Book for Young People by the National Council for Social Studies!

(WOW!)

You can find an excerpt of this fabulously well-received book here. We’re so grateful that Ying took time out of her busy schedule to talk with us about her passions — food and books.

Finding Wonderland: It was scary to discover that this book is somewhat biographical, and is based on your memories of growing up in Wuhan, China in the 60’s and 70’s. How alike are you and Ling, the novel’s main character? How are you and your character different?

Ling’s childhood experiences are similar to my own. I was about Ling’s age when my family got caught up in the events of the Cultural Revolution. For this reason, developing Ling’s character was the easiest part of writing this book.

Other similarities: My parents were doctors, and my father was a surgeon trained by American missionaries. I was very devoted to my father, but always had a somewhat strained relationship with my mother, so my father was the person to whom I felt closest. He understood me and accepted me for who I was. Like Ling’s father, my father was forced to work as a janitor in the hospital, and then imprisoned in the city jail. He treated all of his patients with compassion, even those who had persecuted him. Many characters and scenes in the book are inspired by people I knew and events I experienced and witnessed.

The differences: I have two elder brothers. The character Niu is based on of one of my brothers and a neighbor boy who lived upstairs. At the height of the Revolution, one of my brothers announced that he drew a class line between himself and my Father. I can still remember how confused and angry I was and how hurt my parents were.

FW: Where’d you get the title of your book?

“Revolution is not a dinner party,” is a quotation from Chairman Mao. When I was young, I didn’t understand its true meaning. Only “Dinner party” stuck with me. I thought that a dinner party would be nice! We hadn’t had one in a long time.

It was only when I was older that I truly understood its meaning that a revolution is harsh and the people living through it endure suffering, cruelty and betrayal. Many lives are lost or ruined.

FW: We’ve read that food was scarce during parts of your childhood, and your father actually had to burn your books during your childhood in China. What made you write a book about food and literature, and how do the two go together in your novel?

Many of my childhood memories are associated with food and books, and both continue to play a very important role in my life. I love to cook, to host dinner parties, to write about food and to read.

Both food and literature play central roles in the book. Food is a featured part of the celebration of good times, as when Ling lingers over homemade ice cream at a neighbor’s home. During the bad times, its absence is a symbol of misery and suffering, as when the Chinese New Year feast is reduced to two pan-fried eggs. Ling’s family is a very intellectual family. Books and foreign magazines are prominent in their apartment, and her father struggles to continue Ling’s education in English even as it becomes dangerous to do so. There’s a direct, physical connection between food and literature in the book. Ling writes poetry on paper with rice water, so that the words can’t be seen by others.

FW: As an adult you’ve returned to China. How is it changed from the country you recall as a child?

During my trip I saw that Mao’s effect on China is still far-reaching and can’t be underestimated. You can easily find shops filled with Mao statues and buttons, and taxi drivers hang Mao’s portrait on their rear view mirrors. Yet life in China is steadily improving. The cities are filled with material goods and the pace of development is dizzying. I feel proud of today’s China and am happy to see it take on an important role in the world. China will always occupy a special place in my heart.

5. You’re a very successful, busy author, we know, so what are you working on now?

A YA – collection of Chinese ghost stories, A Menu for Hungry Ghosts with each story ended with a recipe, published by Holt. A cookbook- Cooking with an Asian Accent – Eastern Recipes and Wisdom in a Western Kitchen by Harvard Common Press, coming Spring 2009, and two picture books by Dutton and Holiday House. All four books will come out next year!

We said she was a busy woman, didn’t we?

DON’T miss the fabulous he Children’s Book Council/American Association of School Librarians joint “Meet the Author/Illustrator” column for the AASL journal Knowledge Quest, which contains an interview with Ying. She talks about her hunger for good books and food during the years of Chairman Mao’s revolutionist regime in China, and how she came to be an author and foodie. Almost all of Ying’s books for children and adults have something to do with food and words, from The Story of Noodles to The Story of Chopsticks to Ying’s three cookbooks – Secrets of Fat-Free Chinese Cooking, Cooking With Green Tea, and Secrets from a Healthy Asian Kitchen, so if you’re a foodie like us or enjoy reading to an aspiring chef, you’ll want to check out this author’s work!

On the Road to Crazy…



Hey, Kids! I do still exist! I’m just finding that having a house guest is a lot of running around and at the end of the day… I kind of fall down.

…and then get up again and do some more line edits on my manuscript! Today we went to the Botanic Gardens (apparently they’re not ‘botanical’ here) and tonight I finally — FINALLY did the last of the line edits I felt I could do and sent that puppy off to my editor. Here’s hoping that the second time’s the charm, although my life rarely goes like that!

I just popped by because I just heard the news: THE QUILLS ARE O-VAH. No, seriously. Via The Powell’s Blog, I read that Reed Publishing is suspending the Quill Awards. Oooh, WOW. That was a short-lived little episode! I wonder if people think the Cybils are going to disappear now, too???

For those writers who have heard me going on about digital rights, Random House — my parent publisher — has some news: After conducting their own tests (using Amazon, Walmart.com etc.), they’ve reached the conclusion that MP3 distribution does not in itself lead to increased piracy. Via Smart B’s/Trashy B’s. My concern for this is that it makes kind of a gray area for the consumer. If something has no file protection, how will you know if you’re violating someone’s copyrighting? Or, maybe this just puts the pressure on the Digital Millennium Copyright Act, instead of the consumer. It will be interesting to see how all of this plays out.

“YA authors never swear. Ladies and Gentlemen, you’ve heard it here first! Don’t miss Sherri L. Smith’s other wry comments at the great Seven Impossible Things Before Breakfast interview. Sherri’s Hot, Sour, Salty Sweet Blogtour concludes February 28, 2008 @ The Brown Bookshelf.

We’ve got ONE LAST guest blogger on tap for this month. Stay tuned for the FABULOUS Ying Chang Compestine and Revolution is Not A Dinner Party! Coming Soon!

Something Quick

In theory, a good hostess would be turning down sheets and plumping pillows for her tired guests. I, however, am on the computer, and via Ali and Anastasia @ Ypulse, I’ve found these interesting nuggets:

There’s a Phillip Pullman comic strip, to be included in a new Random House magazine, which looks SOcool — “Only completely original material will be published in the DFC. No advertising, just 100% storytelling delight. Joy in an envelope,” David Fickling comments. A story magazine for kids? With a weekly strip by Phillip Pullman!? BLISS!

Nancy Yi Fan, together with her family emigrated to the U.S., just before the attacks in New York in 2001. What an awful time of confusion it was. Nancy had a strange dream about birds — one she turned into a story. Hoping to receive writing tips, she sent it to publishing houses. HarperCollins gave her more than writing tips — they gave her a contract. “Nancy’s first book, Swordbird, is a fantasy about warring birds. Nancy Yi Fan was 12 years old when Swordbird was published last year. Within weeks, it reached the top of the New York Times list of best-selling Children’s Chapter Books.” Visit VOA News for the rest of the story. Has anyone of you read Nancy’s book? They’re calling her a prodigy, and talking about her next one!

PW has a heartfelt piece on everybody’s favorite girl-next-door author, Sarah Dessen. Why do we (and teen readers) all love her? ‘Cause her heart is still in high school. Go, Sarah!

Do you swear as a conversational filler? How about the characters in your stories? Do they? Some interesting thoughts on YA’s and profanity. Should parents, as is suggested in this article in the Sacramento Bee teach their kids swearing ‘etiquette?’ What would you consider etiquette? I am honestly asking this question ’cause I think of weird stuff like this when I’m writing. When do your characters swear? Or do they?

All righty. Off to pretend I’m a good hostess.

Poetry Friday: Sleepy, Sleepy, Sleepy…

One terrible weekend when I was nine, I met a strange boy at the beach who walked up to me, said hello, and proceeded to make bad jokes. He was eleven, and today (a few years past eleven), he’s our first house guest since we moved to the UK.

Sometimes old friends are the ones who make you the most anxious. I am just shattered I’m so tired. I haven’t been sleeping — because I’ve been cleaning the house in my dreams. Stupid, no? But that’s the way my mind unhinges at times. And so, a bit of Shel Silverstein for me.


Whatif by Shel Silverstein

Last night, while I lay thinking here,
some Whatifs crawled inside my ear
and pranced and partied all night long
and sang their same old Whatif song:
Whatif I’m dumb in school?
Whatif they’ve closed the swimming pool?
Whatif I get beat up?
Whatif there’s poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don’t grow talle?
Whatif my head starts getting smaller?
Whatif the fish won’t bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don’t grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems well, and then
the nighttime Whatifs strike again!

The rest of the poetry pals are over at Kelly’s. Wishing y’all a blissfully peaceful completely unexceptional weekend of relaxation.

Writers, Sisters & Product Placement

(I can’t apologize for broaching this subject again because it’s on my mind, but this should be the last I say about it for awhile. Bear with me.)

The other day I commented about product placement from the point of view of a sibling. My little sister just turned twelve last week, and I find myself cringing as I watch her so long for some of the things her classmates and friends have. It really can make you sick, wishing and wanting — and it’s unnecessary, from that view, for anyone to encourage the natural longing of a child to have what others have, with actual product names in their literature.

My niece went through a phase like that. I remember her sitting in front of the TV one Christmas season when she was about four and complaining that she wanted EVERYTHING she saw on every commercial. She concluded with, and I kid you not, “I want to ‘Safeguard the ones you love.'” Yes. She was quoting a ANTIBACTERIAL SOAP commercial. My sister laughed… and then turned off the tv for a week or so.

I batted this topic around with my writing group and came up with a surprisingly reply. A dear friend and former marketing professional challenged the idea that product placement is all bad. She remarked,

“Kids are inundated with marketing and product placement left and right. It’s our culture and our political make-up. We are a material, consumeristic [sic] society, thanks to the machine we call American capitalism. If people don’t consume, the economy sours. The big push in both business and politics is to keep people consuming so our economy will stay strong.

Is it right? That’s debatable. Is it good? Would it be better if everyone saved instead of spending all that they make, living paycheck to paycheck so they can drive fancy cars, own the latest gadgets, and wear designer duds? Absolutely, but many economists think our economy would literally tank as a result.

I believe kids are smart and marketing-savvy. I don’t think they feel the need to drink a Coke every time they watch American Idol. At the same time, I think they are suckers for name brands the way I am, and most of my friends are. We are all marketing victims. I’d love to hear from anyone in our group who thinks they aren’t to some degree.”

I’m really glad someone is willing to articulate their viewpoint that this practice just might be defensible. I tried to sit and really think about what my friend said. Don’t I have particular brands of even computers or ink pens that I prefer? Aren’t PC people all into Windows (Um, no.)? Maybe I’m just not opinionated enough with regard to things; I can’t even think of a fabric I prefer (Cotton? Or wool. Or linen! It’s just so hard!).

What I do know is this: I’m unprepared to even discuss the economy as compared to the wellbeing of my sister or any child. They spout that tripe periodically to keep people buying, but even if we all had to give up our Beamer’s and townhouses by the sea and go back to buttons and shells for bartering, the economy will be fine. It’s the little sisters whose strengths and needs and minds need to be paramount. Not to put too fine a point on it, or venture deeply into what is political ideology, less than 2% of the country lives at the level that these economists trumpet as being so crucial to the much-vaunted American Way of Life which we must at all costs protect. I can’t go with that big a picture. I, like you, can only concentrate on the little girl I know.

And I think this little girl is potentially savvy enough to know when she’s being marketed to, but only if she is told. My mother never allowed us to wear someone else’s brand name on our bums, and I never wore one thread of clothing that proclaimed its name – or the name of any band or cartoon or anything. Mom said if they weren’t paying me, I wasn’t wearing it, and if I had kids of my own I think I’d lean the same direction. My mother cut out all of our tags (including taking embroidery scissors and snipping embroidered names from denim) and left in washing instructions covered by our initials (three girls, laundry squabbles halved when clothes are identified. Plus: bonus clothing I.D. for school!). She had an opinion on this in terms of class and money, and she was pretty hardcore about it when I was younger. (My younger sibs might get away with the occasional Muppet on their shirts, but even now, not often.)

This is not to say that I didn’t want the Pottery Barn Kids or Benetton sweaters I saw people wearing. I wanted a t-shirt that said J Crew right across the chest, but I never wore one, and wouldn’t wear one now. I know what it says: I have enough money to patronize these stores. That still isn’t true, and I don’t know what their company policies are, if they use sweatshop labor or whatever, and they’re not paying me to wear their name which is not the point, but it reminds me: I have a name. And an identity. And it isn’t J Crew. I don’t do walking advertisements. (I mean, how can I? I read Jennifer Government and Feed.)

My marketing friend points out,

“So books have been free of this product placement? I actually don’t think this is necessarily true. Many of the books I read are laced with brand names. And even of us in our group have incorporated brands into our work. Innocently, of course. We’re not getting paid to do so. But why not? It will happen anyway if the book is ever made into a movie or a tv show. Why can’t I get a bit of the pop too? Especially if I was planning to name drop anyway for free?”

Now, here is where I can feel I can respond to my friend with a solid point: Describing characters in terms of things they own and use tells me nothing about the character. Nothing. It tells me about the AUTHOR. And all the work we constantly put in to keep authorial interference OUT of our YA novels – realizing that we as the adult ARE NOT IMPORTANT to the story – it is really bizarre to me that someone would willingly insert themselves in that way. Product placement might tell me a bit about the character’s attitude or social class (“Gossip Girl,” with that series’ constant references to Prada and Burberry infers that people who use those products are… gossipy?), but only in the most shallow and negligible way.

Further, as a writing idea, product placement is a BAD one. My editor mentioned to me that she appreciates the lack of slang in a book, because slang dates writing. I remember reading a story or novel that referenced Seven Jeans and not knowing what the heck they were – thus pulling me out of the narrative, which is NOT a positive, in terms of craft. Marketing people know, in their own field that brands and jingles have a shelf life of — maybe — five years, if not fewer. Sure, trends come back, but if you’re trying to write a work with a little endurance, throwing in the name of a label or a fragrance, celebrity or item popular this year is potentially fatal at worst, and shallow at best. If authors are going to pepper their work with self-referential, idiosyncratic details, where is there room for me as a reader who isn’t into that? (And I can see the disbelief now: “Everybody knows” what Seven Jeans are. “Everybody” cool, anyway, is what the magazines would have you believe. That’s a fairly fifth grade idea, and I don’t buy it.)

Maybe what bothers me most is that a.) HarperCollins is aiming this new series of product-larded books at 8-to-12-year-old girls and b.) the head exec of their marketing group will write the books. Why girls? Theoretically males have the buying power in American society, right? Still pulling in those larger salaries, right? Yet it’s important to further entangle girls in the cycle of want, and start it even earlier? Because advertisers KNOW little girls are already susceptible to the shopping thing and grown up girls spend more money? Wow. Talk about taking advantage.

Do you see where this takes us? Into books not written by AUTHORS. Not by people trying to break into print, or who are already there, proven on their ability to write well. Now we have a marketing honcho. Pushing product. Onto girl children.

Actually embroidering mere fiction on top of all of this seems beside the point, doesn’t it?! The purpose of story is NOT to sell crap. NOT to shove morals down my throat. NOT to be pushing an agenda. HarperCollins has got to be kidding themselves if they think that selling people an advertisement makes sense. (Of course, I don’t think they’re counting on it making sense. They’re just counting on the fact that they think tween readers are suckers.)


Okay. Down off the soapbox. Loving the world again.

You May Already Be A Winner!

…but are you already a CON?

I am.

I’m a runner up at Lisa Graff’s Bernetta Wallflower Con Artist Giveaway! My prize — and also the prize of the other runner up, this brilliant guy named Hector who did something diabolically cool with pneumatic tubes — is a copy of Miss Erin.

Eisha says, “At heart, this is a story about friendship, trust, and finding one’s own identity and the limits of one’s own conscience. But told in the framework of a con job, complete with preteen con artists, magicians, and extortionists…”

MotherReader thinks, “The Life and Crimes of Bernetta Wallflower would be great for a book club because there is so much left open for discussion in the character and the plot.” (Listen to your Mother, book club people! Calling all librarians — go forth and read ForeWord and comment about your own librarian experiences. MotherReader thanks you.)

Now I don’t have to listen to any of these people and can read the book for myself. Thanks, Lisa! And I have to give props to my sister, whose six stitches and massive headache when I was about nine and she was eleven… gave me the story I told for the contest. (Sorry, Tree.)


And now for a little PSA.

Awhile back I read something about Reading Is Fundamental first on Jen’s site, then Susan’s, and then Andi’s, and it nagged at me. The president’s budget was calling for the elimination of Reading Is Fundamental’s (RIF) Inexpensive Book Distribution program. I kept thinking, “that can’t be right,” because RIF has been a fixture since I was a kid. But it’s true — 4.6 million kids may have the free book rug pulled out from under them.

You might think this is just a sad story for elementary kids, but I got access to those books until Junior High. The ALA has a book list of suggested books for the program, and includes Margaret Peterson Haddix’s Running Out of Time, E.L. Konigsburg’s The View from Saturday and plenty more that I would consider great books. Sure, kids can go to the library, but if you live in a home that has few or no books — and you own a few, you, by yourself? You feel so rich.

(Imagine the world where feeling wealthy is having books. Who needs product placement then?)

The Reading Is Fundamental people have made it easy to take action by contacting your Congressional representative and voicing your concern. I’d much rather be taxed for books than bombs, as the saying goes.

Thanks for hearing — and doing.