Category: Musings on Extemporanea

{pf: poetry peeps drink deep of the ghazel}

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May 26, 2023

5:08 am

11 Comments on {pf: poetry peeps drink deep of the ghazel}

Musings on Extemporanea, Part and Poetry, Poetry Friday, Seven Sisters, What We Do, Who We Are

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Poetry Peeps! You’re invited to our challenge in the month of June! Here’s the scoop: we’re writing in response to a quotation. Ours is an excerpt from Robin Wall Kimmerer’s Braiding Sweetgrass, p. 359, in the chapter “People of Corn, People of Light:” “If grief can be a doorway to love, then let us all weep for the world we are breaking apart so we can love it back to wholeness again.” How does that strike you? This time, the form and way you use this quotation – or another one which strikes your fancy – is totally up to you, but the Poetry Sisters are continuing with our 2023 theme of TRANSFORMATION. You have a month to craft your creation and share it on June 30th in a post and/or on social media with the tag #PoetryPals.

I feel like a dropped mirror – seven years of indifferent luck and little shards of self reflecting any number of different realities. This revision has just wrung me out – but in a better way than I had any right to expect of a novel outline done in a fit of pique that took me deeper than I expected. Himself sat patiently with me the times I completely wigged out and moaned aloud that I was never going to finish this on time. (I did. I always do. I always have. What is work, if you can’t be really dramatic about it, though?)

Oddly, all of this feels like really good prep for doing a ghazel.

No, seriously.

The #1 hardest thing for me to …embody in this couplet form is a sense of disjointedness. No, you’re not telling a story. No, you’re not pulling together the unified theory of anything. No, you’re not supposed to create an ensemble performance. Agha Shahid Ali, the poet who edited Ravishing DisUnities: Real Ghazals in English, in his foreword compared each ghazal couplet to “a stone from a necklace,” which should continue to “shine in that vivid isolation.” Sara had a great idea when she suggested we think of it as a new “13 Ways of Looking at a Blackbird,”, by Wallace Stevens. That’s the level of splintered we’re going for – and while I’ve been working the past several months on being able to be … loose with words and wordplay, this was still quite a challenge. Dabbling in Neruda last month helped create a feeling of voluptuous abandon with words. This month, I wanted less to luxuriate, and more to make clockwork, ticking along with a limited pas de deux, each couplet touched and spinning perfectly for just a moment…

Well, that was the idea, anyway.

After writing THREE of the bloody things, each one more hated than the last, I took Marilyn Hacker’s “Dark Times” as my mentor text, and tried again… I only lightly kept to our transformation theme, but I tried to order the couplets from darkness into light, or at least from skies of gray to deeper shades of blue.

“Bad Times”

Did thriftiness (or hoarding) got them THROUGH the bad times?
“Use it up, wear it out, make up, or make do” the bad times.

Expansive “destiny,” proud wagons Westward believed
Sepia-tinted lies: this past previewed the bad times.

Did colonialism urge dominion, so might made right?
Post-planet Earth, what’s our next berth, as we accrue the bad times?

Sixteen-nineteen, heartwood filled hell’s incinerator
Nineteen-thirty-three new genocide renewed the bad times.

Prayers on Angel Island’s walls, grief observed in stone.
Regardless of race, the spirit debut in the bad times.

No “time of trouble” singular – disasters, naturally,
Buffet with waves a weary world in view of the bad times.

Sing out for voices silenced, lift memorials, and rise,
For those war-broken who remain black and blue from the bad times.

What generation will survive? A remnant, not a nation
For thick-heads still persist and MISCONSTRUE the bad times.

What metals alloyed, intertwined strengthen weak to strong?
Fired copper, iron, gold sings TRUE in the bad times.

There’s always more poetry. Sara brought this to the table. And here’s Laura’s. Tricia’s poem is here, and Liz’s poem is here. Mary Lee’s lakeside ghazel is here, while Michelle K. joined the challenge here. Heidi’s ghazal is right here. More Poetry Peeps will be checking in throughout the weekend, so don’t forget to come back and read the whole roundup. Meanwhile, Poetry Friday is hosted today by Patricia at Reverie. Thanks, Patricia!

A Buddhist koan about life after enlightenment says that “A broken mirror never reflects again; fallen flowers never go back to the old branches.” Well, I’ll respectfully disagree – of course a broken mirror still works! It merely reflects different pieces of the same sky, which is both a kind of clarity and a kind of distance I think I can live with. And if you’re feeling a little broken, a little blurry, taped-together, and wonky, don’t worry, friends. You’re not alone. ♥

Pax.

{pf: poetry peeps appreciate Pablo (Neruda)}

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April 28, 2023

10:05 am

15 Comments on {pf: poetry peeps appreciate Pablo (Neruda)}

Mental Health, Musings on Extemporanea, NPM, Part and Poetry, Poetry Friday, Seven Sisters, Sleeper Stories, What We Do, Who We Are

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Poetry Peeps! You’re invited to our challenge in the month of May! Here’s the scoop: we’re writing a ghazal. The ghazal (tripping correctly from the tongue as “guzzle” – with apologies to those of you giving it a French flair as I used to) is the oldest poetic form still in use, with roots in Arabic, Urdu, Hindi, and Hebrew traditions. A ghazal is made to be sung, and is a couplet-based form with internal rhyme. (Find out more about it at Poets.org.) As always, the topic is totally up to you, but the Poetry Sisters are continuing with our 2023 theme of TRANSFORMATION. You have a month to craft your creation and share it on May 26th in a post and/or on social media with the tag #PoetryPals.

I feel like I need to set up a camera in the garden, so I can capture the milometers-per-hour growth of my seedlings. We have hit the 80°F mark this week in my part of the world for the first time in 2023, and the acceleration of — everything green is just gobsmacking. We’re happily stashing windbreakers and pulling out our short sleeves. …For the most part, anyway.

Last week at my Sunday gig (choir #2), a friend stepped behind the pulpit and slipped off her cardigan to put on her robe. She saw me watching her and winced. “I don’t usually wear sleeveless dresses,” she explained hurriedly. “My arms just look so bad…so crepey.”

Of course, I fussed at her about it, as we do with friends. She looked gorgeous in her spiffy dress, which I’d complimented the moment I’d seen it and I reiterated. I told her it was a gorgeous day and she had a gorgeous set of arms that needed to feel the sun on them. And then we settled down to warm up and rehearse.

But, I kept thinking about it.

Poets, my friend is eighty years old. She is a size six, maybe a seven. She swims one hundred laps in an Olympic pool three times a week, and walks two miles the other two days. She sings in the choir with me, and she’s louder and has a longer range. She sports a perfect layered cinnamon-brown bob with nary a silver strand twinkling, as well as perfect manicure at all times. More, she’s kind and funny. And she’s still worried that her upper arms look bad.

As I said to the Poetry Sisters when I mentioned this, good Lord, at some point we HAVE to be enough.

I mean, I get it. I don’t display my upper arms. Having been various sizes of fat my whole life, even when I was really lifting weights and playing sports, they were still… squishy in a way that was socially unacceptable. Bigger than other girls. I never wear sleeveless things outside of the house. But, I will not be eighty years old and still worrying about this crud. I. Will. NOT.

And so I wrote a lovely sonnet to my upper arms. The style of Pablo Neruda to me is layered and rich, loquacious and bountiful — just like my arms. He writes a lot of love poems, heady and redolent with beautiful language with which he woos the reader. I choose to attribute that to his Argentine heritage, a beautiful country filled with beautiful people speaking a lilting and glorious (and gloriously complicated, I say from the perspective of sixteen hundred days on Duolingo) language. Using the mentor poem “One Hundred Love Sonnets: XVII (I don’t love you as if you were a rose)” I speak of my arms – and your arms. And all of our arms. May we embrace ourselves, and our flaws, not like something about which poets sing – some romanticized, perfect thing. Rather, may we embrace ourselves as if we’re children who may or may not be sweaty, muddy, covered in pet hair, widdle, puke, snot, or tears and still – cherished, and worthy of love.

I Do Not Love You ‘As If’

I don’t love you as if you were a summer fruit, warm,
Firm, perfumed and toothsome:
I love you as an auntie loves a defiant toddler,
Exasperation woven from skeins of amusement and resignation.

I love you as the corner of the yard the cats favor,
Dense blooming bush beneath which they lie concealed, tails twitching,
Keen to pounce and leap and rend, replacing peace with panic,
Forcing conflict and change, challenge and confrontation.

I love you without knowing how, or when, or for what,
I love you austerely, without expectation or prediction,
I love you like this because I know no way but this, to embrace
The flawed and the fleshy, the crepey, creased, amd changed,
Complete in this moment as the sweet-fleshed perfection of a ripened peach,
Complete in this broad-shouldered, wide-bellied work of cradling a wailing world.

There’s always more poetry. You should see what Liz wrote. And here’s Mary Lee’s. Tricia’s poem is here. Michelle K’s poem is here. Heidi is “Neruda-ing” (yes, that IS a word) here. More Poetry Peeps will be checking in throughout the weekend, so don’t forget to come back and read the whole roundup. Meanwhile, Poetry Friday today is hosted by Ruth at There Is Not Such Thing As A Godforsaken Town. Thanks, Ruth, and Happy Seventeenth Blog Birthday!

Well, back to the garden, poets. I’m sending you out with a hug, from my arms to yours. Happy Weekend, you are loved. ♥

{pf: the poetry peeps picture it}

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February 24, 2023

4:04 am

27 Comments on {pf: the poetry peeps picture it}

Musings on Extemporanea, Poetry Friday, Seven Sisters, Sleeper Stories, What We Do, Who We Are

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Poetry Peeps! You’re invited to our challenge in the month of March! Here’s the scoop: we’re writing an etheree. This ten-line form begins with a single syllable, and each line expands by one syllable until the tenth line has ten. We’re continuing with our 2023 theme of transformation, but how you interpret that topically is up to you. You have a month to craft your creation and share it on March 31st in a post and/or on social media with the tag #PoetryPals.

Greetings, friends, on this absolutely frigid (for California) morning!

Ekphrastic poetry appeals to the storyteller in me. The story I found in this week’s image took me back to high school auto shop. One of the few girls around, I so wanted to be one of the boys crew, but alas, my time in the shop was an exercise in frustration, as the brave new world of the 90’s era equality wasn’t quite ready for takeoff. (My Freshers auto shop course was called POWDER PUFF Mechanics, and you can bet your backside I refused to take it on principle.) Even my friends only really only let me do the sticky/annoying jobs – greasing bearings, sanding primer, using a tire iron to wrestle tires from rims, draining oil. I lifted and lowered cars on the hydraulic lift (and raised balancing daredevils on it occasionally) and got to wear a coverall like my grandfather. I learned how fragile a powder coat of paint was, and how quickly it could be streaky or unevenly applied (which was why I was told I could only sand and apply primer because I might get distracted while painting). I learned about the toxic corrosion of rust and about sexism, which turned out to be remarkably similar things.

Tricia shared the images which jarred my memory this month. For the show Transformed: Objects Reimagined by American Artists, artist Denice Bizot, who “reclaims, deconstructs and transforms” art from salvage yards and junk heaps, created this image called Urban Flora. On display at The Montclair Art Museum exhibit in New Jersey, it features a 1970’s truck hood the artist found in a salvage shop and beautifully helped along in its state of decay with a hand-held plasma torch. The shapes of flowers and arabesques give the illusion of light, shadow, and movement in the rusty green metal.

Bizot’s intervention in the salvage yard lives of this scrap metal won’t stop rust from chewing it up. Realistically, cutting holes in the truck hood will do even less to preserve it than the weather-worn paint the rust is blooming through. Nothing will save the metal from the destructive transformation it’s undergoing, but how we perceive it… that’s what can change us.

Poetry Friday is hosted over at Tab’s place, so be sure to pop over, and thank you, Tabatha!

There’s a host of other images coming into focus today with the Poetry Peeps. You should see Sara’s poem is here. Tricia’s poem is here, and Liz’s is here. Cousin Mary Lee’s post is here, and Michelle’s post is here, and Carol V’s is here. Molly’s gorgeous image is here, and Heidi’s garden bed is here. Margaret’s dual challenge poem is here. Bridget with her twenty-three words poem is here. More Peeps will be checking in throughout the weekend, so stay tuned for the full round-up.

While I never got to do all the things I wanted to in auto shop, I chose to embrace what made me happy: telling my grandfather about what I was doing (and not telling my Dad, who joined my classmates thinking I shouldn’t be doing it), cherishing the small skills I learned (I can still sand a spot of primer as smooth as a baby’s cheek, thank-you), and getting to work in the cavernous cool of the shop filled with loud noises and sharp smells and the sun glinting rainbows in the oil-and-water puddles on the floor. I tried to paint that into my poem; the choice to redefine something that can, at best, reshape us, and at worst, warp us and simply take it as a gift of memory and let it shine in that way. Here’s to the transformation of time. Happy weekend.

{pf: poetry peeps cascade into transformation}

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January 27, 2023

3:33 am

27 Comments on {pf: poetry peeps cascade into transformation}

Happenings, Musings on Extemporanea, Part and Poetry, Poetry Friday, Seven Sisters

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Poetry Peeps! You’re invited to our challenge in the month of February! Here’s the scoop: we’re creating ekphrastic poems! Your choice of form, length, topic, or meter, but each poem should be based on an image you’re willing to share (a Creative Commons image is best if it’s not one you’ve taken yourself or have permission to use). You have a month to craft your creation and share it on February 24th in a post and/or on social media with the tag #PoetryPals.

January, my friends, has seemed both simultaneously six years and five minutes long. Topping my list of Ugh, No tasks this month was shameless self-promotion for my newly released middle grade novel, and Tech Boy’s office party. The glorious reprieve provided by the pandemic is over, so I had to put on my big girl pants – and my mask, because only the reprieve is over – and get on a boat (in the midst of atmospheric rivers on the eve of a massive flood, whose bright idea was this???) and make small talk over indifferent food with too loud of music. Even beyond the wild wind and the waves, beyond stepping into an ankle deep puddle and running from the dock between showers, it all seemed ghastlier because I hadn’t done it in so long. Social muscles atrophy if ignored, just like every other muscle group.

As the Poetry Sisters sat down to work on our poems this month, we shared stories of what was going on in our lives – and some of us tried writing about it. Whether it was because we were unsure of what to say, or had a lot of ranting to do that didn’t want to fit itself to the Cascade form, few of us were ecstatic about our first drafts. (But you should see what Sara came up with, and here’s Laura’s poem, and Liz’s. Here’s Mary Lee’s, and here’s Tricia’s poem. Jone’s is here, and Heidi’s is here. You’ll find Margaret’s poem here, and Linda B’s poem here, and here’s Michelle’s and this one is Molly’s. Carol V’s poem she dropped off on her way out!. Kelly’s poem is on her desk in New Jersey… and she’s on an even bigger boat than I was on, so check back next month! As the weekend goes on, more Peeps will be joining the fun so check back for the full roundup.)

Additionally, adding an annual theme to our challenges is new for us. Some of us chose to highlight our theme of “transformation” through the poem form itself. The Cascade, I was delighted to learn, was invented by political theorist Udit Bhartia, whose research focuses on “normative democratic theory, comparative constitution-making, and social epistemology.” I noted that whether in the tercet or quatrain form of the Cascade, the poet seems to need to begin with a strong statement that can shift through the rest of the lines. I can see how a political theorist would know how best to use a firm thesis statement!

While I found the tercet to have too few lines, the quatrain was an immediate fit. I had the intention to create something unrhymed – in the name of our annual theme of transformation I intended to at least try to stop rhyming everything – but this off-the-cuff rhymed effort worked out better. Rather than shift lines as my change, I focused on the idea of a resolution, or, as some call it, “setting intentions.”

Introvert Intention

A Show up: half the battle is won.
B Say, “Yes.” People-watch. That’s still fun.
C If “No” tries the world to control –
D Change tunes. A new song feeds the soul.

a So what if “I’m Quiet”‘s your fame?
b A quiet match still kindles flame.
c Though you won’t spark with everyone,
A Show up. Half the battle is won.

d Skill as a good listener amends
e A lack of “crowd-loving” in friends
f Who shine brightest when one-on-one.
B Say, “Yes,” people. Watch – that’s still fun.

g One hour: that’s it. You’ve agreed
h To socialize (TRY). It could lead
i To new friends, new tastes, or new goals,
C If “No” tries the world to control…

j So caution to winds, will you try
k a new way of being, whereby
l you give Chance a new, starring role?
D Change tunes. A new song feeds the soul.

I left the “frame” up so you’ll see how straightforward a Cascade can be. For me, stanzas worked well for me put into sentence form, otherwise I sometimes fell into making short, punchy statements that occasionally sounded unnecessarily aggressive. This was a fun form to play with, and I look forward to digging more into it – maybe even without a rhyme.

(You’ll note that I don’t promise to report on my intentions to socialize more… everything is a work in progress in this transformation business.)

Poetry Friday today is hosted by Jan at Bookseed Studio. If you find yourself faltering already at intentions you’ve set, today is a new day – and it only takes turning a different direction to be at a beginning instead of an ending. Happy Year of the Cat, Rabbit, and Happy Weekend.

{poetry peeps box up 2022}

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December 30, 2022

10:48 am

12 Comments on {poetry peeps box up 2022}

General Coolness, Musings on Extemporanea, Part and Poetry, Poetry Friday, Seven Sisters, What We Do, Who We Are

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Normally I’d have next month’s challenge here However, we’re still making the list of poetry forms we’re going to play with in 2023. Stay tuned! And certainly, if you have a suggestion, feel free to drop it in the comments. Happy New Year, Round 1! (Round 2 = Lunar celebration, more on that later.)

Our teaser last month was to let “box” inspire us. Since we just moved house in October, “box” is a lot less inspiring to me than it could be. I wasn’t sure which direction to go… I thought of the ways I can say box… caja, doos, karsten… nope, still not inspired. I thought of the joy of unpacking… the angst of packing, the preference of many two year olds of my acquaintance for the box that holds the gift rather than the gift… amusing, but nothing out of which I could get a poem quickly.
My first go round with the Box form was equally less-than-inspiring to me, but at least I settled on trying the form again. And then I found leftovers from a family game night. My mother sneakily left boxes of treats on the fireplace mantle where I didn’t immediately find them and make sure they went home with her. I immediately knew what to do!

I tried making each poem an individual one this time, even as they all linked to tell a single story. I think that works better for me dealing with the parameters of the Box form. It opened it a bit more to the possibilities…If you’d like to see the other possibilities of being inspired by boxes, do check out Liz’s poem here, Tricia’s wrangle with Lewis Carroll here, Cousin Mary Lee’s poem here, and Laura’s nifty shadow poem here. Molly’s poem is here, Linda M’s Box is here, Carol V’s pre-holiday Box is here, Michelle K’s Box comes stuffed with art too, and Heidi’s Box is here. We welcome Joann and her Box as well. Other peeps are cheering from the sidelines today, and may wander in throughout the weekend, so stay tuned. And thank you to this week’s host, Patricia J. Franz for hosting the roundup.

the debate (or, unboxing match)

i.
A fierce debate
One holiday:
“Ooh! Fudge! Should we
indulge today?”

ii.
Tempting wrangle
A fierce debate:
Want & Greed tie
Should in tangles.

iii.
Only one box…
An urge to sate.
A fierce debate:
(Open? Or wait?)

iv.
Both dark and light,
Bitter and sweet
Real life mandates
This fierce debate.

As I say every year, I loathe the “New You!” insistent January jingles, and the endless ads for gyms and self-improvement with which we’re annually assailed. Don’t forget that you have several new years from which to choose – the Lunar in February, the Zoroastrian or Balinese New Year in March, the Bengali in Mid-April, the Nguni Zulu celebration on the first full moon in July, Rosh Hashana in the autumn and so. many. more. You can start over and value yourself every single month, if you’d like. There’s always time for a new you. And, there’s also always time to eat the box of fudge. Balance the bitter with the sweet. Happy (Neverending Newness) Year.

{waiting wednesdays: book birthday countdown…!}

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December 1, 2022

8:05 am

Leave a comment on {waiting wednesdays: book birthday countdown…!}

Author News, Book News, General Coolness, Happenings, Musings on Extemporanea, What We Do, Who We Are

HAPPY DECEMBER!

It’s hard to believe that in just one month, Henri Weldon will be out in the world! This is a book that I feel so good about… that I sat down and read it cover to cover last weekend in one sitting. (No joke; you can do that with your own books sometimes because it takes a while for them to come to publication, and you can actually kind of forget what they’re about. It’s a little weird to laugh at your own jokes, though… which I did. Anyway.) If you’d like a sneak peak copy of the book, stay tuned Wednesdays this month for a giveaway. I’ll be giving away an ARC each week, and we’ll also be talking about middle grade math, sisters, frenemies and school survival strategies. It’ll be fun!

Genuinely nice things people are saying about Figure It Out, Henri Weldon:

“Skillfully realized, this is an affirming and inspiring tale for readers who are only ever told what they can’t accomplish. Uplifting and amusing, this book will leave readers with valuable lessons.” – Kirkus Reviews

“An involving middle-grade narrative with a very likable protagonist.” – Booklist

“…a complex character who is not singularly defined by her personal challenges. In this hopeful, well-paced volume, Davis (Partly Cloudy) centers accommodation, community, and understanding.” – Publishers’ Weekly

“Davis successfully drives home the importance of finding one’s own path and accepting the journeys of others.” – Bulletin of the Center for Children’s Books

{pf: poetry peeps serve up…something}

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November 25, 2022

6:55 am

20 Comments on {pf: poetry peeps serve up…something}

Musings on Extemporanea, Part and Poetry, Poetry Friday, Seven Sisters, What We Do, Who We Are

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Poetry Peeps! You’re invited to our challenge in the month of December! Here’s the scoop: we’re thinking outside of the BOX. Or, maybe into the BOX? Freely indulge in any kind of poem, but our theme is a box, boxes, or even boxing. Maybe you’ll try a 4×4 poem, creating another kind of box? Whatever your desire, let BOX inspire! You have a month to craft your creation and box it up on December 30th in a post and/or on social media with the tag #PoetryPals.

This is one of those fun poetry assignments that I wish I had more time to do, but — as I write this, it’s Tuesday, kids, and I volunteered to make something complicated for Family Thursday, so I need to get started, AND we’re supposed to take actual with-a-tripod family pictures and I have to dig out the requisite color theme (navy and white this year) AND I said I’d write a mini reader’s theater and bring games I have yet to unearth, I, who moved house five weeks ago, AND I still haven’t done my Actual, Real Work this week, and who was it that who cheerfully got me into all this extra busyness? Oh, right. …Me.

::sigh::

Well, writing to you from the future, I know you managed to get all you wanted to completed – including a poem to add to our roundup. These turned out to be a little harder than many of us expected, but I’m excited to see how Sara’s turned out, and Laura’s, as well as Mary Lee’s poem here. Kelly’s cooking up poetry here. Tricia’s poem is here. Liz’s poem has recipe is here, and Linda M. joins us here. Jone’s poem(s) are here. Margaret’s poem is here, and Carol V’s poem is here. As their food comas wear off and their families and guests ebb and flow, more Peeps will check-in throughout the course of the weekend, so stay tuned for the roundup. If you’d like even more Poetry Friday goodness, join the gathering at Ruth’s beautiful table @ There Is No Such Thing as a Godforsaken Town.

And, past me eventually found my recipe… and I was pleased that it didn’t turn out as saccharine and twee as I feared it would. Here’s to the footlight flutters, the little singers practicing their dreidel songs and the ones who just go on stage and freeze. Here’s to the older ones who wished they had practiced that one tricky measure just a little longer, and to the ones who can’t wait for the curtains to rise. Winter concert season is upon us all! As my days and evenings are now filled with music, I wish the same for you. Wear a mask as I do, and get out to at least hear an outdoor brass ensemble, okay? It’ll do your heart good…

Recipe for a Winter Concert

Prep time 3 months ♦ Concert Time 2 hours ♦ Serves the Soul

AUTHOR’S NOTES:
For best results, prepare.

DIRECTIONS:
Take one set of singers, seasoned.
Hydrate.
Stir lightly into a stew of scales –
Do – Re – Mi- Faaaa – ahem – aaaa
Gently stretch vocal chords until pliable.
Hydrate singers. (Drain.)
In listed order, add airs, ballads, and madrigals.
(For spice, a single shanty is more than sufficient.)
Layer in lieder and carols. Add a pinch of recitative.
Repeat.

Gather six part strings to four parts horns
add two parts timpani. Reduce to a symphonic syrup,
And measured notes into voices, sprinkle in beats
Until the mixture gels. Repeat.

As soon as music caramelizes, then
Combine the sound of twenty-one strings –
Lightly – against a single oboe’s song.
Simmer until sour notes shimmer, sweeten.

Add a prepared chorus, steeped in song
And stir fully.

For Topping:
Fold individual human beings
Into an audience –
Scatter applause until covered.
Whisk up the curtain,
And slice the baton
Through the waiting air –
And serve it forth.

Nutrition Information:
Makes one concert.
Serves the heart,
Feeds the soul.
100% fat free! Contains endorphins.

Best enjoyed with open ears
(and well-fitted masks.)

Happy Days of Deliciousness in whatever form they arrive for you.

{pf: poetry peeps dansa the day away}

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October 28, 2022

4:53 am

11 Comments on {pf: poetry peeps dansa the day away}

Musings on Extemporanea

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

Poetry Peeps! You’re invited to our challenge in the month of November! Here’s the scoop: we’re creating recipe poems! Your choice of form, length, topic, or meter, but each poem will be an assemblage of elements, using recipe text/cooking instructions to create …something. From a recipe for disaster, to your favorite aperitif, you have a month to craft your creation and Serve It Forth on November 25th in a post and/or on social media with the tag #PoetryPals.

This was my first time ever hearing about an Occitan Dansa, or the Balete (Old French), or the Ballata (Italian), as it was known in the Middle Ages. The dansa was the basic structure of poetry which troubadours set to lively music for dancing and singing, and was first introduced to modern audiences in THE SHAPES OF OUR SINGING by Robin Skelton in 2001. I always enjoy hearing a bit more about a new form during our In-Person chat, and reflected on what Tricia’s research deep dive had revealed, mainly how a dansa was meant to be a joyful dance. Unfortunately, the first several poems I was able to pull out using the rhyme and repeated refrain structure were all… pretty sharp. Not really dance-y topics, social lies and a lament on a multiplicity of possessions. (Those are possibly even weird topics for non-dance-y poems, but that’s where I live, in the intersection of Weird and Obviously Going There.) Desdansa, we learned, is the name of the non-joyful poems, but they’re meant to be sad and depressing – the sorts of tales of battlefields and lost kingdoms meant to elicit tears! Not what I wanted to write either. So, I kept scribbling…

During my many attempts at making something fun and dance-y, the rules imprinted themselves on my subconscious. It was freezing Monday morning, and I as I watched my husband bouncing as he looked for his flannel-lined wool cardigan, I teased, “Is shivering your new dance?” The next thing I knew, I was muttering:

Is shivering a dance?
As hairs on my arms stand
Tightening every strand
I look at them askance.
What caused this happenstance?
Is shivering a dance?

Occasionally, this poetry thing is contagious.

Quite a few of us have caught dansa fever – Laura’s post is here. Mary Lee’s is here. Sara’s is here. Liz’s poem is here. Tricia’s is here. Michelle K’s dansa-ing today, as is Carol V. Margaret’s dansa is here. Even more Peeps will sashay on through during the course of the dansa-line, so stay tuned for the roundup. If you want even more poetry goodness, check in at Jone Rush MacCulloch’s blog for the big Poetry Friday roundup.

I did determine that there’s a topic many of us can be happy about naturally – sweetness. A friend mentioned she’d had her first cider doughnut of the season, and I immediately thought, “Yes.” While I’ve never actually had a cider doughnut before (I know, but a.) we don’t do as much cider on the West Coast, in the same ways, and b.) apples good enough to eat are, to me, to be eaten out of hand or with a bit of caramel as an autumn treat, not …cooked unless it’s end of season. Maybe I’ll get there this year. Don’t judge me), I suspect they’re something I’d approve of wholeheartedly.

Middle grade author and librarian Mike Jung always comes to mind when I think of doughnuts, as his social media is mostly a lament when he’s not eating them, dreamy distraction when he is eating them, imagining when next he can eat them, and some library science, cute cat/offspring pictures, aikido, and I’m-revising-this-chapter-WHY-is-writing-so-HARD progress thrown in just for personal balance. Anything about doughnuts must, ergo, be for Mike… so this one’s for you, Mr. J.

I hope you find something to dance about this weekend. Lacking that, I hope you enjoy a doughnut (in whatever way “enjoy” works for you. I see my sugar intolerant folx. Just looking at the pretty frosting can be enough). If you’re creating mid-mess like I am (I. Hate. Moving. House.), keep the idea of a doughnut at the forefront of your mind… at least when you’re done wading through the mess you can give yourself a break and a treat of some sort. Take care, poets!

{welcome, poetry peeps! the roundup is here!}

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August 25, 2022

5:37 am

37 Comments on {welcome, poetry peeps! the roundup is here!}

Musings on Extemporanea, On Writing, Part and Poetry, Poetry Friday, Seven Sisters, What We Do, Who We Are

Poetry Peeps! You’re invited to our challenge in the month of September! Here’s the scoop: We’re drawing a form from within our community and doing a Definito. Created by poet Heidi Mordhorst, the definito is a free verse poem of 8-12 lines (aimed at readers 8-12 years old) that highlights wordplay as it demonstrates the meaning of a less common word, which itself always ends the poem. Are you in? Good! You’ve got a month to craft your creation(s), then share your offering with the rest of us on September 30th in a post and/or on social media with the tag #PoetryPals.

Welcome, Poets, to the liminal season, where we are on the threshold of seasons, standing between the last gasp of summer, and the first breath of autumn. The Poetry Sisters’ challenge this month was a good one for a moment of transition, as it was a new-to-us form called the Bop. Created by poet Afaa Michael Weaver, the Bop is a kind of poetic argument, with the first stanza setting up a complaint, the second expanding on it, and the third either providing resolution or a narrative of a failed resolution. You can read Laura‘s poem, Mary Lee’s, Tricia and Liz’s poems here. Michelle K. joins us here. A few more Bops might pop up throughout the weekend, so stay tuned.

For more Poetry Friday offerings, and to share your own click here. Thanks for stopping by.

With my affection for the villanelle and the sestina, you’d think I’d be at ease working with a refrain, but perhaps it was something about a group-sourced refrain (hat tip to Poetry Sister Sara) that tripped me up. For whatever reason, the refrain in the Bop seems wholly separate from the stanzas… so much so, that I ended up hitting a wall at the end of my first stanza. Suddenly the fourteen-syllable lines seemed clunky, and the beats fell oddly. I started over, trimming my lines, but then the rhyme felt forced. Another draft, now completely unrhymed, but the internal rhythm and more polished language of my lines felt off when faced with that casually worded refrain. Isn’t that just the way it goes when you have a poetic form you’re certain will be simple? Eventually I got it to where I was …just done messing with it. I left the rhyme imperfect, with an off-meter step near the end of each stanza to signal that repeated refrain coming to pause the discussion again. Reminding myself these poems are meant to be exercise and not perfection, I stumbled and limped into my imperfectly perfect topic… housekeeping.

Click to enlarge

(Ashes to Ashes, and) Nuts to Dust

Disorder settles like the dust
Drifts into velvet piles
In quiet corners. Laundry Lurks,
disheveled. All the while
Freedom peers in through glass panes
Begrimed by birds. It waves hello….

Let’s kick that can down the road.

“Filthy” is not the kind of word
That tells the tale. There’s no mildew.
The difference between “clean” and “neat”
is miles apart. The follow-through,
Is that perfection never lasts:
A moment’s lapse, and things explode.
Chaos comes roaring, moving fast,
disrupts, dismays, and discommodes…

Let’s kick that can down the road.

Through window streaks you’ll see sunrise
And sunbeams dancing on the air.
A wrinkle will not scandalize
A meadow when you’re walking there.
That cabbage moth’s not judging you,
So, take today, get out and go.

…And kick that can down the road.

Just now, we all have so much to do – classes to start, books to buy, odd socks and lunch dishes to find, dust bunnies to rout, and water bills to pay. I hope we can find a moment to take stock and figure out which cans can be kicked down the road indefinitely – and which cans are absolutely only for right now, and must be cracked open immediately to let the full fizz of life bubble out. Carpe diem, poets. Don’t let that just be a catch phrase, life is way too short. Grab all the joy that you can – and splash it out. Happy Weekend.

(Commenting snafus: Commenting issues are an artifact of a sometimes aggressive spam filter. If your comment seems to vanish, it likely got caught. No worries, I’ll fish it out shortly!)

{npm22: 29~ bloom!}

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April 29, 2022

6:57 am

14 Comments on {npm22: 29~ bloom!}

Happenings, Musings on Extemporanea, NPM, Part and Poetry, Poetry Friday

Greetings! Welcome to another Poetry Peeps adventure on Poetry Friday!

You’re invited to our challenge in the month of May! After such a big month for National Poetry Month, we’re taking it easy for now. Our simple task is to write a poem with the theme of string, thread, rope, or chain. Any poetic form, rhymed or unrhymed, but we’re including one of those four items. Plotting? Good! You’ve got a month to string your line(s), then share your offering on May 27th in a post and/or on social media with the tag #PoetryPals. Can’t wait to see what you come up with!

This month the Poetry Peeps wrote poems in imitation of Taylor Mali. For Laura, that meant this poem – short(ish) and sweet. Tricia explored her ideas here. Sara’s meta poem ON the poet is here, Cousin Mary Lee enfolded climate greening into her poem, Liz’s project, plus a bonus poem is here, and Andi’s popped in here. More Poetry Peeps may pop in with more words and thoughts as the weekend continues, so stay tuned. I may be very slow doing the roundup (as in finishing it next week), since I’m away from my usual haunts (and time zones) so bear with me.

I started out with the best of intentions to flatter poet Taylor Mali by imitating “Totally Like Whatever, You Know?” Alas, the longer I spent with it, the less I found flattering to say. Published in 2002, soon after the 1998 “Ebonics” conversation the talk show circuit, this poem is reflective of the social critics of that time, which is to say it hasn’t aged well. Mali’s mocking contempt echoes still of American society’s knee-jerk tendencies to mock and belittle the young, especially young girls, for the way that they speak, act, the media they consume, the bands they love, and the clothes they wear. When devaluing fully 51.1% of the population becomes automatic, misogyny persists, and follows girls into adulthood. More importantly, it leaves a mark. And men aren’t the only people who belittle and begrudge the young; it’s an American past time, which is why this poem so needled me.

I remember running into my 8th grade English teacher as a college student. She quizzed me on my activities and my GPA, and then, as I was proudly telling her my news, she interrupted. Reaching forward, she fiddled with my collar, smoothing it. “You know,” she said in a low, confiding voice like she was revealing a secret, “You’d sound so much smarter if you didn’t say ‘um, okay’ quite so often.” Well, that was me told that I wasn’t up to her level! Rather than enjoying my weekend home, I spent the rest of the time listening to myself, wincing at each “um” and “okay” and wondering desperately how people ever learned to change their speech.

I look back on that incident and seethe.*

My NPM project this year was sticky-note proverb poems. They are proverb-based and SHORT, but Taylor Mali doesn’t lend himself to short, so today I’ve creating two poems, first, the freestyle, unrhymed imitation (not my favorite style; feel free to suggest revisions in the comments), using the words of consent and consensus which are so often dismissed, and second, a sticky-note sized distillation. Additionally, today’s poem calls for a new proverb, one I’ve just made up. It is:

“Wisdom celebrates variation; not every difference suggests flaws.”

um, okay

Okay, but have you noticed
how it is somehow A-okay fine
for them to get right in your face
straighten up your collar and say
“right, if you would just -” and
okay, you knew you weren’t up to par –
yeah, you couldn’t pass as perfect
or more than okay, but who is?

Okay, so, have you noticed
the ground between us
is like potholes and mountains,
it’s that uneven, which is like,
fine, whatever
but what makes them think
the place they’re standing is
always the high ground, right?

Okay, but had you noticed
how they steal your words when they
crush your voice, grind words into pulp,
when they smother your spark
had you noticed why? they silence you –
like you’re just a piece of work
right, but if they would just,
back off, you could work out
making the pieces
whole, right?

Okay, so you had noticed
that consensus creates strength, that two heads
are better than one? so, okay you seek approval –
yeah, sometimes you ask permission –
So? you don’t know if you’re allowed
to take up space, to speak
aloud, so you rehearse
your sounds, right?
and you check your strengths
’til you know them
by heart.

Okay, so had you noticed
your flex, your stretch, how strong
you’ve grown? they did not, which is like,
fine, whatever –
you’ve blown past their
okay


bloom
okay
so, it’s your space
send roots into the earth
shout “I’ve arrived! make here the place
you grow

Want more poetry? Poetry Friday is hosted today at Jone’s place.. Hope you have a wonderful weekend.

*I taught school, too. I recognize that for some, the job is changing the world through their students. But, I’d really rather leave the world unchanged than be remembered for the kind of casual cruelty that implies someone sounds/is stupid.