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{npm ’26 • 30 – & Fin}


This morning, Liz said she’s already like a mother who has forgotten the trouble and travail of childbirth, already halfway to missing the daily hour (or in my case, sometimes two or more) of this month’s practice of poetry. And I’m with her – taking a deliberate space of time to do anything on purpose – to no purpose – is near impossible, and my brain and my body already crave the unfocused-focus of deliberately creating poetry with art supplies and open eyes. Despite beginning this on Easter Weekend – not traditionally a “quiet” time if you’re a church chorister – this practice gave me a little quiet – a little arbitrary time wherein I could loftily recuse myself from the world, citing Art. Mind, I write books, but somehow my brain can make that – with its entreaties and appeasement, with its pushes and pulls from readers and revisions and editors and such – much more mundane. That’s just “work,” that is attached to Filthy Lucre, despite the fact that it is, in my heart of hearts, still quite magical to create worlds and escape into them. But poetry – especially since I only have two anthology credits to my name thus – is still somehow …far Different.

Hah. Whatever I have to tell myself, I guess.

It would be a simple matter to extend this Artful Practice a bit – to try to at least get a little sketching and coloring in, but to be honest, it’s hard to justify. It’s time-consuming. It’s resource-consuming. And it pokes the voices in my head that remind me that there’s always something I should be doing – who am I to be skivving off of paying work or not Helping Others or Doing Good with my scant moments on this Earth? The idea that we are not enough on our own to make art or enjoy it is… destructive. And, unfortunately, how I was raised.

The self who I was would be astounded – shouldn’t All be known by now? Wasn’t adulthood meant to Answer All Questions? Who would have though that officially in Middle Age now I would still be so uncertain? But I am uncertain enough to make art, uncertain enough to learn and unlearn, and uncertain enough to still question and change. So as frustrating and difficult as it is to be myself sometimes – and ye squirrelly squids and monsters it is not simple – I guess the uncertainty and discomfort is…necessary. Vital for my personal…formation or whatnot. So, I’ll take it. I’ll keep this self, O Mighty Pen.

That’s what the month of observation has been to me – space for self-examining, deliberately censoring the world without as much as possible. All month long I’ve considered what I can see, peering through windows, looking out of in-groups and into spaces where I am not myself a member. It’s odd how closely aligned middle age is with adolescence; the same observable dance of declaration and denial, of conviction and conjecture. Amidst the swirl of alliance and estrangement, the same echoing queries of “Where do I belong in all of this?” remain. The answers resist simplicity as they always do, while the same conclusion comes – I simply am. I don’t know if that answer shapes who I became as a writer, or only writers can give it, but on the edge of the dance floor, I simply exist – and watch. Looking for how the gears mesh, and where the locomotion takes us.

Blank Page

A heart is
a vacant
city lot,

a pristine
prepped canvas:
potential.

who we are –
what blooms here –
our choosing.


Thanks for being along for the ride. If you’re aiming to catch up with everyone’s National Poetry Month projects for this month like I am, don’t forget that Jama-j has kindly kept a running roundup of everyone’s efforts. Happy Thursday, friends, see you next time – and remember you are so, so loved.

{constant reader reads: eccentricities and enchantment}

Dear TBR

Sarah Beth Durst’s The Spellshop came out in 2024, and like tons of people, I loved it immediately. We’re old Durst stans here, and have been reading and reviewing her books since she first started writing them, but this one was for adults, so we expected …something different? We were excited to find that, writing for adults or teens, her books are always the same – full of eccentricity and enchantment. In this case, the eccentricity is at first the main event – the main character, Kiela, has a talking spider plant (as one does). After the fall of her government, Kiela has has fled her job at The Great Library – taking as many books as she can cram into her boat as the city is engulfed in flames behind her. With nowhere else to turn and zero ideas, difficult, prickly Kiela goes home – and “home” – a weird place full of weird people she never thought she’d have to go back to. But, while the saying goes that you can’t go home again, it turns out that you can – because not only does going away change you, sometimes with your new eyes, you can see that home often changes, too. This book was the low stakes, low angst book that a difficult 2024 needed, and I was surprised when I saw that she’d written a companion book. What, I wondered, could still be left to say about that tiny, perfect microcosm of a book? As it turns out, nothing. And yet –

THE ENCHANTED GREENHOUSE: Caz, the sentient spider plant has an origin story which is only mentioned briefly. Terlu, his maker, was not a magician, but a librarian – and thus was turned into a statue for her crime of unauthorized magic use. The second novel in the duology begins with her trial where the reader discovers her crime stemmed from sheer loneliness, and the reader gets a sense of how horrible her sentence will be for her – she only ever made a talking plant to have someone to talk to… Six years after being entombed, Terlu experiences a sudden awakening in a wholly new place, one filled with snow, but nearly empty of people, save one. Best of all, this empty place is nearly overrun with… greenhouses. Ten thousand of them, or nearly so. Who would have sent her – in statue form, no less – to a deserted island filled with greenhouses? What is she supposed to do there? And, how safe is she? Will the magicians run her down and drag her back to the endless slow silence of being a statue? And, whatever happened to Caz?

This may seem like a book where nothing happens – and in a manner of speaking, this is true. Terlu sleeps and wakes, she eats – a lot, because she’s missed a lot of meals being an enchanted statue, and food is amazing – and she …worries. She tries to help keep up the greenhouses. She tries to be… useful. But there’s only so much you can do if you’re afraid of doing anything wrong for fear of …everything. This journey depicted here is small – Terlu moves from being a frightened, shamed unauthorized magician to being a determined person who makes choices not out of desperation, but with a clear mind. It’s a book about second chances – mainly giving yourself one. And it is cozy and kind and lovely, and a slow read with descriptions of beautiful plants, beautiful food, and the beautiful sense of belonging.

THE FARAWAY INN opens with the same sense of sweetness, though with a considerably tarter and more modern angle. Calisa is sixteen and going into her senior year, and very, very, very unhappy with her erstwhile exboyfriend, who she caught literally with his hands…where they ought not be. In a bid to get herself some distance from the disaster, Calisa heads away from New York to the wilds of Vermont for the summer, and for her Great Aunt Zee’s house. She’s not been there since she was quite small, and barely remembers it. It’s certainly not the floral extravaganza she recalls – it looks rundown and really awful, and to make matters worse, her Auntie Zee tells her she can stay exactly one night, and go home. As it turns out, Calisa wasn’t exactly invited, her mother and her aunt are in the middle of something that’s gone on for years, and Calisa is now the unfortunate recipient of a lot of unresolved feelings.

The thing is, the place clearly needs her help. And, Calisa really needs to not go home back into the orbit of the cheating, lying exboyfriend. In a blatant attempt to make herself useful enough to stay, Calisa begins to clean and organize and bustle – and discover that not everything at the rundown old inn is straightforward as it seemed… The guests are more than a little strange, and there are things no one will explain. As it turns out, nothing about the Faraway Inn is at all as Calisa believed…

Like many fantasy books, the age of the main character doesn’t matter as much as it would in many YA novels. Within the realm of the Hero(ine)’s Quest, the call to adventure simply… comes. Calisa arrives at the end of this book well beyond where most high school seniors would be, with her mind on a future that is already a bow-wrapped Happily Ever After. It’s a lovely, effortless, escapist read in the best of all ways. I appreciate that the author puts in an afterword about the idea of escapism, and what a gift it is – a deep breath before the plunge. If you can get your hands on either of these books, do – the respite is lovely.


Fresh onto the TBR:

  • The Testimony of Mute Things, Lois McMasters Bujold
  • The Saltwater Curse, Avina St. Graves
  • A Blacksmith’s Guide to Dragon Rearing, Julia Huni

        

Until the next book, 📖

Still A Constant Reader

{npm ’26 • 29}


the appearing

nothing more
magical:
appearing,

cutting through
all the noise,
a seeding

whimsically
reminding
You Are Here.

“I took a deep breath and listened to the old brag of my heart. I am, I am, I am.” – Sylvia Plath

I don’t like to show the images I draw from – I really am dreadful at depicting reality – but the frilly little seedlings near the foot of this Italian fever dream of a fountain shepherdess or whatever (the thing has a giant crack in the base, so it’s doubly ridiculous) – are everything good.

Every single year, I find something to observe which gets me shaking my head all over again. Observing the seedlings this morning in two hour increments has been WILD. I am literally watching them grow, millimeters higher every time I look. I may get nothing else done today but looking. How little I care.

{npm ’26 • 28}

If you haven’t yet had the opportunity to read the final lines of the Progressive Poem, the official version wraps up today. Some days I had my doubts with how we’d finish, as this one meandered through a poetic landscape named for poets and inhabited by books – and feathered words – and imbued with the presence of Earth which added (perhaps) real birds. What was so clearly felt was how much we all wanted to put into it. I’m grateful for the deft pens that kept us on the map and out of the weeds. The books – the birds – the trip? – has been brought safely home. It’s been a ride – as always, a testament to community, and the ability of wildly different poetic personalities to nevertheless produce something lovely.

Meanwhile, it’s been a ride around here, too. Today I have another double tricube – a Delian cube? A rhombic dodecahedron? – but we’re nearly finished with the month, so I have to toss the rules at least once or twice… Also, please ignore the words in the drawing for the typed ones, as the typed version is accurate.

chapel

sun yellow
a pint-sized
cathedral

mute, witness
commonplace
sacraments:

recitals,
spelling bees,
services.

one hundred-
and fifty-
two years

neighborhood
cornerstone,
welcoming

one more crowd –
a grand night
for singing.

I occasionally get to sing in the Boy’s recitals if they need a soprano to sing as part of someone’s opera chorus or backup singer – it’s a hoot, and requires a bit of scrambling to learn pieces sometimes. This year, all of the voice students are singing It’s A Grand Night for Singing from Rodger’s and Hammerstein’s 1945 musical, State Fair, and it’s such a delightful rollicking piece of music. The little yellow chapel, bright and acoustically live, perfectly lends itself to the gloriously Technicolor gratuitousness of it all.

{npm ’26 • 27}


turtles under ice

my bubble:
encircling
exclusive

occupies
existence
excluding

anyone
else awake
unnoticed

(This poem was in part inpired by Turtle Under Ice, by del Juleah Rosario, review to follow soonish)

I like that tricubes as a form can occasionally be read in more than one way. If we add a comma after ‘existence,’ a period after ‘excluding,’ and a question mark after ‘unnoticed,’ the poem reads one way. If a period comes after ‘else,’ it reads another way. (I am also deeply annoyed to have used exclusive and excluding in the same poem. These are the fruits of quick drafting – and finally, after NPM is nearly over, I’ve gotten the poem part down to about fifteen minutes…) I also think of the person who allegedly brought a weapon into a dangerous place this weekend – their manifesto, if genuine and unstaged, saddens me. How tragic that anyone suffering this current moment would think they suffer it alone. How fragile we are, locked in separate darkness, in our bubbles. Is anyone else awake?

{npm ’26 • poetry friday progressive poem line}

You are HERE! Welcome to today’s stop on the The Land of Poetry tour!

For a bit of history: The Progressive Poem began with Irene Latham, who hosted it from 2012-2019. Those archives of the poem can be found HERE! Margaret Simon took over in 2020, and those archives are HERE.

The rules state:

  • The poem moves from blog to blog, with each poet/blogger adding a line.
  • Topically, the poem is intended for children.
  • Each poet/blogger must copy the previous line exactly as written, unless permission from that poet has been given.
  • After presenting the poem to date, the poet/blogger may add their own line, offering an introduction if they wish.

There’s no rule that the poem rhymes, but this year, there’s a definite rhyme scheme that we’ve worked hard to continue, and a very Earth forward sentiment with all this burgeoning life metaphorically embodying the poetic elements. It’s been wild, but I really love where we’re heading, and… okay, I’m stalling. So now, without further ado…


Map by Tabatha Yeatts-Lonske, with progressively more creative additions by a multitude of poets.

The Land of Poetry

On my first trip to the Land of Poetry,
I saw anthologies of every color, tall as buildings.
A world of words, wonder on wings, waiting just for me!
Birding for words shimmering, flecked in golden gilding.

Binoculars ready, I toured boulevards and side streets,
exploring vibrant verses, verses so honest and tender.
feathery lyrics, bright flitting avian athletes
soaring ‘cross pages in rhythmic splendor.

In the Land of Poetry, I am the conductor,
seeking oodles of poems that tug at my heart,
a musical medley of sound and structure,
An open mic in Frost Forest! Wonder who’ll take part?

There’s a pause in the program; no one takes the stage
the trees quiver, the audience looks up. Raven lands,
singing Earth’s message of the sage.
“Poetry in motion will be forevermore, from forests to sands.”

“Scatter,” she croaked. “Beyond Wilde Pond, to each and every beach.”
Meek Dove mustered courage and sang, “Instill humanity with compassion and peace.
Let Thackeray’s middle name, from this thicket, hearts reach!”
Her gentle coo-ooo-ooos reverberate, soft as fleece.

Words dart, dimple—Do I dare warble what’s in my soul?
I’ve inhaled inspiration…yes, I’ll risk my refrain.
I fly to the mic, chanting “Tadpole, mole and oriole!
Come all living beings from water, land, air; come high and low terrains!

Come, living your poems, hearts open, ablaze,

…and now, over to you, Sharon! Please feel free to add a closing quotation if you feel the Poet spirit has finished her statement with my line, but otherwise… Enjoy!


The 2026 Progressive Poem Poets Include:

April 1 Tabatha Yeatts at The Opposite of Indifference
April 2 Cathy Stenquist at A Little Bit of This and That
April 3 Patricia Franz at Reverie
April 4 Donna Smith at Mainely Write
April 5 Janice Scully at Salt City Verse
April 6 Denise Krebs at Dare to Care
April 7 Ruth Hersey at There is no such thing as a God-forsaken town
April 8 Rose Cappelli at Imagine the Possibilities
April 9 Margaret Simon at Reflections on the Teche
April 10 Janet Clare Fagel at Reflections on the Teche
April 11 Diane Davis at Starting Again in Poetry
April 12 Linda Baie at Teacher Dance
April 13 Linda Mitchell at Another Word Edgewise
April 14 Jone MacCulloch at Jone Rush MacCulloch
April 15 Joyce Uglow at Storied Ink
April 16 Carol Varsalona at Beyond Literacy Link
April 17 Robyn Hood Black at Life on the Deckle Edge
April 18 Michele Kogan at More Art for All
April 19 Kim Johnson at Common Threads
April 20 Buffy Silverman
April 21 Irene Latham at Live Your Poem
April 22 Karen Edmisten
April 23 Heidi Mordhorst at my juicy little universe
April 24 Mary Lee Hahn at A(nother) Year of Reading
April 25 Tanita Davis at {fiction, instead of lies}
April 26 Sharon Roy at Pedaling Poet​
April 27 Tracey Kiff-Judson at Tangles and Tails
April 28-30 wrap-up by Tabatha Yeatts at The Opposite of Indifference

{pf: npm ’26 • poetry peeps engage the ekphrastic}

Welcome to another Poetry Friday Adventure!


Poetry Peeps! You’re invited to our poetry challenge for the month of MAY.

Here’s the scoop: we’re having a Poetry Potluck. In the spirit of sharing a plate of poetry together, we invite you to grab a form you like, season it to your taste, and share it with us and all of your Poetry Peeps – it’s a good time for all of us to remember what we’ve learned, and to celebrate. Are you in? Good! You’ll have the month to craft your creation and share it May 29th in a blog post and/or on social media with the tag #PoetryPals. We hope you’ll bring a dish!


From Process…

Happy National Poetry Month, Poetry Friends! Ekphrastic poetry is one of my favorite, favorite forms, simply because I am an avid photographer, using my phone far more often for its photo capabilities than its ability to connect me to anyone else. I have been mildly obsessed with Springtime in the garden of this house, as come May we’ll have been here for one year, and we’re still in the “discovery” phase. Did we know we had daffodils? Nope, not until they started showing up. Ditto for the hyacinths. Now I’ve found my new best love – bearded irises. I’m entranced.

…to Poetry

Today the Poetry Seven are also poem-ing in honor of a birthday! My NPM project is daily tricubes along with Very Bad Drawings (TM), but in the spirit of wanting to bring a gift to my friend, I’ll spare our birthday girl my artwork and share a recent garden snap instead. Happy Birthday to Sara Lewis Holmes, who is a bright spark, shining undiminished even in darkness – living aglow not “in spite of” but living into her Because. Farsee-er, questioner, somesuch-er, friend – may you continue to live all the days of your life. Love you, Sara.

iris awake

awaiting
its moment
through chill dark

comes beauty,
arriving
with the sun

breathtaking –
no shrinking
violet.

My Poetry Sisters are much more on top of things this month, engaging the ekphrastic in their own ways. Liz’s poem is here. Laura’s poem is here, Cousin Mary Lee’s is here, and Sara’s poem is here. Tricia’s poem is here, and Karen’s poem is here. Michelle K’s poem is here. Carol V’s poem is a puff of dandelion here, and Jill’s poem is here – welcome Jill! Margaret’s cypress poem is here. More Peeps may show up throughout the weekend, so don’t forget to check back to see their links rounded up here.

Our lovely hostess this Poetry Friday is Irene – and Emily Dickinson – so don’t miss stopping by for more poetry, and thank-you, Irene, for hosting.


In the chaos of life bursting into being, change insisting on its way, and finally a little sun, some things remain the same – unchanged despite our desire or efforts. Some things have also remained the same in spite of us – which is a bit of joy in the tangle. I hope this season reminds you to look for what is unfolding beautifully along with what is unfolding chaotically. Take deep breaths, and walk with measured steps. Life is change – and chaos – but I hope that today especially that you can be a calm in your own storm. Remember that you are well-loved.

{npm ’26 • 23}

Providentially, one of the very best purchases we made, just before the pandemic dropped, was a plug-and-play hot tub. Himself had been ill and had to take a leave of absence from work, and the whole thing – being sick and caretaking – was exhausting. We were living in a very vertical townhouse with all the modern conveniences, and a distinct lack of decent bathtubs (classy showers, though). After five years in Scotland, we are very DEFINITELY bathtub people, going so far, when we lived there, as to take baths in the old Turkish-style bath houses at the council (neighborhood) pool. Endless hot water and tubs six feet long and deep enough to drown in (people did laundry in them back in the 50’s, we were told) were amazing. Even better, the bathhouse was built in 1871 and some of the old tilework is gorgeous.

Bafflingly, I somehow grew up in a family who seemed to see baths as unnecessary. Hedonistic nonsense – my parents and siblings are showers all the way – but give me a good soak and a book and quiet. When we put the hot tub in the garage (yes, in the garage. I can’t control outdoors, I control indoors) it turned out to be one of our Best Things Ever.

Bathhouse

Prehistoric
kindling:
Fires beget

heated foot,
then hot drinks.
Interval

between spark
and hot baths?
Ephemeral.