{pf: poetry peeps are desperately seeking sedokas}

Welcome to Poetry Friday!

Poetry Peeps! You’re invited to our challenge for the month of August! Here’s the scoop: If poetry is a love letter to readers, this month, we’re writing back. Using Nikki Giovanni’s “Talk to Me, Poem, I Think I Got The Blues” as a mentor verse, we’re writing poetry directly in conversation with a poem. Whether you talk back directly to Ms. Giovanni’s work, or choose another poems to pass notes to is up to you, as is length and form. Are you in? You’ll have a month to craft your creation(s), then share your offering on August 29th in a post and/or on social media with the tag #PoetryPals. We hope all of you will join the fun!


That screech you just heard is your girl sliding in to Poetry Fridayland just under the wire. I’m grateful it’s Friday, but I much prefer to have time to write a poem and ponder over it. It’s a Poetry On The Fly type of day, following a week of life-on-the-fly which included missing the Poetry Sisters meet-up, so please to bear with my scattered and mildly inarticulate writing-the-poem-right-now thing. Ah, well – the point is the exercise, no?

From Process…

In “Asphodel, That Greeny Flower” William Carlos Williams, after many meandering lines, finally takes one of his more wonderful poetic turns when he says, “It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.” The lack of “what is found there” is a breadth of unnameable, unknowable things, different for each person, but one specific thing that I know that people are dying from is from lacking understanding of how much the same we are. When we read poetry, we know that your experience and mine, though lived in different nations, under different stars, is the common stuff of humanity. (If politicians knew that and believed, surely they could legislate with mercy and justice, no?)

The Poetry Sisters’ “In Conversation” theme fits particularly well with the idea of shared human experiences communicated through poetry. I decided today’s Poetry Friday exercise would be to look very literally at the idea of it being difficult to get “the news” from poetry by looking at poetry through the lens of the news of the day. I tried to be very specific – the news needed to be from THE DAY – which for me meant the last twenty-four hours. There was quite a bit of local news that tempted me, but I chose a national story, one that is our latest national shame.

By now you’ll have heard of the latest executive order.

As a child, one of the next door neighbors worked with patient programs at a mental hospital. Petra didn’t talk about it much, until the state funding for the programs were cut under the 40th president when I was about nine or ten, and then we ALL heard about it. She was furious – and afraid of what would happen to the many, many people in need of care. That was my first experience of understanding that not every political decision was unanimous. Through her vociferous complaints I learned that there was no assumption of agreement just because everyone was an American.

…To Poetry

Myriad people have myriad responses to the decisions made on behalf of Americans today. I put my responses in the form of sedokas, unrhymed poems made up of two three-line stanzas called katauta, because sedoka are comprised of a pair of katauta and each one may address the same subject from a different perspective. One of the most valuable things we can do is to see the news from multiple directions. This isn’t just an exercise in argument – the devil needs no advocates – but an extension of the idea of the commonality of experience. I used direct quotes from organizations and people quoted in news stories as the titles for these sedokas, and as a sort of date stamp of a particular bit of news from a particular point in time. I think this might actually be a difficult but satisfying National Poetry Month exercise – opening the paper (physical or digital), grabbing a headline or quotation, and writing sedoka that strive to experience the news from varying but complementary perspectives. Here are today’s efforts:

According to research from Charles Schwaub, 59% of
Americans are one paycheck from homelessness

I.

With walls closing in
exit raised hands and voices
this home is not a castle.

Flirt with disaster,
We sixty percent tease it
one wink away from homeless.

The UCSF Benioff Homeless and Housing Initiative reported in the LA Times that “contrary to common perception, only about 37% of homeless people were using illicit drugs regularly, and 25% said they had never used drugs. But drug use is far more prevalent among homeless people than in the general population. Just over 65% reported having regularly used at some point in their lives, and 27% had started after becoming homeless.”

II.
does it quiet them,
silence blame and confusion?
soften the teeth of the trap?

slumped on the sidewalk
we creep past with hesitance
perspective renders us mute.

“The National Homelessness Law Center strongly condemns today’s executive order, which deprives people of their basic rights and makes it harder to solve homelessness. …This order does nothing to lower the cost of housing or help people make ends meet. The safest communities are those with the most housing and resources, not those that make it a crime to be poor or sick. Forced treatment is unethical, ineffective, and illegal.” (WASHINGTON, D.C – July 24th, 2025)

III.
We teach kids consent,
to ask, to wait. Not assume
my way is the only way.

I do not consent
to terminating consent
To chaining our civil rights.


I’m eager to see what my participating Poetry Sisters and everyone else came up with this month. Tricia’s post is here. Mary Lee’s book review plus poem is right here. Michelle’s sedoka is here. Diane’s sun-positive sedoka is here. More Poetry Peeps might swing by with their sedoka and I’ll round ’em up here by the end of the weekend. Meanwhile, Marci is our Poetry Friday hostess today, and is probably far more organized than anyone around here, even with just getting back from a fabulous-looking writing retreat. Thanks, Marci!

There’s a lot more news to consider, but there’s also a time to close the paper, and go outside. Don’t forget to appreciate the things that you are fighting to preserve. Touch grass. Hydrate. Reach out to friends. And remember, you are loved.

{pf: paddling towards lagniappe}

Welcome to Poetry Friday!

Poetry Peeps! Just a reminder that our challenge for the month of July is… the Sedoka. You’ll have a month to craft your creation(s), then share your offering on July 25th in a post and/or on social media with the tag #PoetryPals. We hope all of you will join the fun!


Far back in the hoary blogging history of 2007, good friend and professor of Russian linguistics and literature at Grinnell College, Dr. Kelly Herold started Poetry Friday because she felt like there needed to be more poetry – studied, written, critiqued, appreciated – in schools, for children, for teens, and for adults in a way that it wasn’t at that time. Way back then, Kel did the heavy lifting of urging bloggers and teachers to get on board with this whole thing. Through the years, others have taken it in their turn to keep the party going – from librarians and teachers in public schools to bloggers who keep us scheduled and hosting, like Cousin Mary Lee, to Poetry Sisters and Inklings who challenge and include myriad Poetry Peeps. More recently, multiple anthology projects – thank-you, Sylvia Vardell and Janet Wong – poetry forms – thanks for all the fibs, Greg Pincus and many others – regular Poetry Swaps – thank you Laura Shovan and Tabatha Yeatts-Lonske – a National Poetry Month Progressive Poem – thank you, Irene Latham (Edit: and thank you, Heidi Mordhorst, for reminding me of that one) – even recipes (!) and Clunker Exchanges – thank you, Linda Mitchell! – have flowered from this fruitful seed. And despite being an irregular regular of Poetry Friday, I just continue to benefit.

My latest benefit is a Krebs Whirly. A Krebs Whirly is a wind toy handmade by one Denise Krebs, and the enclosed photograph which accompanied the poem she sent showed it hanging first in her backyard in the SoCal desert. It made me feel connected upstream in this long forty-ninth State to another poet as this morning I hung it at my backyard in NorCal. Denise’s acrostic on the word ‘community’ was written in response to my 4th of July raccontino. I am especially touched by the lines

Nod to a new point in America, for
In truth, cruelty will not be the point —
Treasuring a thriving community is.

This thriving community is a treasure – a lagniappe, to use the Cajun French word from my mother’s side of the family. It takes effort to grow a community like this – and gratitude. Join me in saying thanks, won’t you?

There’s A Lot Going On Under the Surface

Since no one sees how
furiously the swan, on lake of glass
with wildly thrashing webby feet can
river journeys pass
in seeming staid serenity — While, I
no swan, alas —
must “sweat and labor” as they say
like humans of my class…
With wry regard, and polite thanks
I cede to swans a win. I’ll never have the brass
Or sass to fake like that, my friends!

The quiet work that goes unseen, unsung in many ways
Is mortar that enables brick to last, and worth our praise.

It’s Tabatha who is hosting the Poetry Friday roundup today at The Opposite of Indifference. Remember – though the machinery that underpins the things we love might not be glamorous, it’s worth appreciating. Thanks for everything, friends.

{poetry…wednesday? & the raccontinos won’t quit}

Happy Wednesday.

I’m still… reverberating from Keith Boynton’s beautiful poem, Patria, which we are now accepting as a last-minute addition to Mary Lee’s July 4 Poetry Roundup. I wrote this poem after reading his and sitting with it in the garden for a bit.

…I’m not sure it’s finished, but here. Happy Poetry Wednesday.

{pf: a summer swap surprise and the community is the point}

Welcome to Poetry Friday!

Poetry Peeps! Just a reminder that our challenge for the month of July is… the Sedoka. You’ll have a month to craft your creation(s), then share your offering on July 25th in a post and/or on social media with the tag #PoetryPals. We hope all of you will join the fun!


These last several weeks have been a bad combination of crazy busy and deeply fatigued as we’ve packed, moved, unpacked, and proceeded to do the summer hustle of enjoying visitors in between catching up on appointments. I knew with as much as I have going on that I wouldn’t have time to really make a good effort with the Summer Swap this season, so I bowed out of participating. Imagine my astonishment to receive – on the same day, no less – two poems from Poetry Friday stalwarts who nourished me with images and words of beauty and certainty. Linda Mitchell and Rose Cappelli gave me a spark of life this week, and I am deeply grateful. Muchísimas gracias, poets.

You can click on the image to enlarge it and see Linda’s handwritten invitation for me to ‘Begin Here,’ which was wrapped around a beautiful poem based on a Joy Harjo title (that woman has the best titles for her poetry collections!), and gaze greedily at the lacy water from the glorious fountains at Longwood Gardens, a place I clearly need to go and spend a whole week someday. (I think the postman read Rose’s poem as well, as he took an extra moment with her card before slipping it into our box. Poetry on postcards is a win for the world.)

From Process…

I especially needed the kick in the bum Linda’s ‘junque’ journal provided (I cannot use her word, ‘junk,’ with any seriousness, even knowing this journals is made of bits and bobs from weeded library books, unused student notebook paper and prompt pages from the On Being summer project), because poetry in a time of busyness is hard, but poetry in a time of shrinking – and flinching – is nearly impossible.

When I was a child, I used to jump when the teacher raised her voice at other children. I cringed when my siblings were disciplined – or, let’s be real, punished. I don’t do well with… unkindness, and right now, there is just. so. much. I’ve been flinching like a dog recoiling from fireworks every time I read the news or hear a Morning Edition on NPR for weeks now. What did Adam Serwer tell us in 2018? The cruelty is the point… and it grinds down my soul like a cheese grater. When I read the first prompt from Krista Tippet, asking what brought me despair and what brought me hope, I could answer at least half of the question reflexively.

I was privileged to do a poetry exercise with the exceptional poet-teacher Michelle Schaub the other day, focusing on figurative language and metaphors. Using Quilts by Nikki Giovanni as a mentor poem, we discussed the effect of the metaphor in comparison, but also in contrast. Once I decided to use an extended metaphor in this week’s poem, I knew I needed to figure out ways to shed light on opposite themes. If hope is a thing with feathers, then what thing is it not? If what is filling me with despair is cruelty, what is giving me hope? I was stuck on that hope bit for an annoyingly long time.

…to Poetry

Rereading the beginning of the Atlantic piece gave me an inkling. It’s in the rather grisly beginning, where Serwer recounts what he calls the “catalog of cruelty” found at The Museum of African-American History and Culture through photographs, not so much of the deaths of African Americans, but the unhinged, grinning glee of their murderers. He writes, “Their names have mostly been lost to time. But these grinning men were someone’s brother, son, husband, father. They were human beings, people who took immense pleasure in the utter cruelty of torturing others to death—and were so proud of doing so that they posed for photographs with their handiwork, jostling to ensure they caught the eye of the lens, so that the world would know they’d been there. Their cruelty made them feel good, it made them feel proud, it made them feel happy. And it made them feel closer to one another.” Et voila. What gives me hope, and what has always given me hope as an adult with still such an incomplete understanding of the word, is community. That gathering around and embracing of a shared ideology. That source of collaboration, assistance, understanding, camaraderie. That thing which, for much of my younger years was simply an abstract, but which, as I have stepped away from the rigid isolation I grew up in, I’m beginning to find the shape of… Community is what both the cruel and the compassionate are seeking.

The community didn’t make it very far into today’s poem except in the envoi. Cousin Mary Lee’s fourth of July poetry prompt seemed to me to be for protest and resistance, not necessarily collaboration and coming together. I’ll circle back to this another day, but for now, this is a day for history to remind us of a two-fold truth: this IS who some of us are, and who some of us want to be – and the rest of us who don’t want this? Will reach out to their neighbors, circle up the wagons, and resist.

4TH OF JULY 2025

Looking back, THE
history books will show
how, six months in, CRUELTY
has not plateaued.
My country as it IS
I do not know.
We once fought hate, we THE
shield of small and slow.
But now, axe sharpened to a POINT
The fascist thinks to deal out a death blow.

Though cruelty is some people’s way of life
Together we are strong, even through strife.


Whether or not you protest or party today, know that the tiny thread of connection in all people is our need for community. What are the ways that you can gather in strength and strengthen others? What are the ways that you in particular can use a passion or a skill particular to you to pour oil, bind wounds, or strengthen the courage of your community? I know I’ll be thinking of the answer to those questions myself this Fourth. If you’d like to continue to think in nuanced ways about this complicated and confusing country we call home, and read more poetry of protest and praise on its birthday, head over to A(nother) Year of Reading, and thanks, Mary Lee for hosting.

Be well, friends, and do good.