{songs of experience}

Ninety-nine-point-nine-nine-nine times out of one hundred, people are okay: definitely quirky, truly strange, undoubtedly weird, and yes, perhaps freakish, awkward, sometimes repellent — but not abusive, not cruel, not insane, not homicidal. Each time I leave the house, I want to remember that. Each time I interact with strangers, I want them to remember that. Each time my eyes meet those of a stranger’s, I want to remember kindness. To that end, I am going to do thirty-one things, ninja-sneaky, to keep faith with peace. Thirty-one things to remind myself that we are people of the light. If we walk in the light, not everyone is out to get us. If we light our lights, we make the night brighter for everyone.

At the New Year I wrote those words, determined that there was something better to look toward than the news, and that I was going to find it. It is too easy to merely be cynical, too easy to live in the dregs of bitterness, and forget that the world has light.

However, sometimes, it just seems dark.


I lost a lot of friends, as a teen. It seemed like a lot, anyway. One suicide; four drunk driving accidents, where they were either victim or driver; two senseless “chance” accidents, and one from disease. Between junior high and college, it seemed like I was doing a lot of singing at funerals with our high school chorus, writing a lot of condolence cards. The worst death was April 19, 1993 in McLennan County, Texas, just outside the town of Waco.

Vietnam vets talk about the war having cured them of patriotism, and while I cannot understand, I can empathize. This loss, the end of so many things, scoured me of innocence, childhood, and anything resembling faith in those in “authority.” I am not able to talk about the events of that day with any kind of neutrality. It will always remain government-sanctioned murder; else what other cause for poisonous CS gas, a substance banned for use in warfare under Geneva accords signed by the United States in 1973? What other cause for a dawn raid with helicopters and armored vehicles?

I will tell you five simple truths, and attempt not to be maudlin: one, a 24-year-old sister went out to seek meaning in the world. Two, she found a dangerous, charismatic man, with whom, her parents were embarrassed and angry to learn, she had a child. Three, her sister, 19 – my friend -, extending her personal olive branch, flew out to see her. The sisters enjoyed their time together with the year-old child. One tried to coax the other home. One tried to coax the other to stay.

Five, they each ran out of time.

Every day I look ahead. Every day, I want to talk of light, and hope, and the indomitable human spirit… but, especially after a week like this, sometimes all you’ve got is the dark.

And you sit with it. And you breathe.

elegy, twenty years on

box steps, they hedged us, in four/four
she led, I stumbled ‘cross the floor
more awkward dancers since unseen
one tall, one short and plump, one lean.

The ballad – Beatles – sung in French
Was only Muzak. Now a wrench
Goes through me at that tenor croon.
Ma belle, she danced us to the tune

Of innocence, of girlish ploys,
Of drama, gossip, clothes, and boys
And with her loss, my childhood ends.
She suffered. I cannot pretend.

There is a truth that nothing mends:
My government has killed my friend –
Though years have passed the thought refrains,
– and I will not trust them again.


An elegy, the poets say
Is meant, in words, to show the way
A person grieves, the stages met —
It seems I’m not quite finished yet.

T.S. Davis, ©2013

{suds}

St. Silas Church 7

Since I left my cranky-pants folded so carefully up here, I may as well put them on again today.

NB: The cranky I’m directing isn’t directed at YOU. So, if you’re one of the people who blogged or forwarded to me the latest Dove campaign, please don’t feel that this is personal, okay? Think of this instead as a good Hank rant. It’s not against you. It’s against the corporations.


There are days that I feel particularly out of step with the world, like when I’m asked to participate in a marketing survey and asked what advertising “speaks” to me, and I’m struck dumb by the complete emptiness of my head at that point, and I think, “Um…?” Or, when, in the same survey, I’m asked to name the model of a car after being told the maker, and asked for an adjectival description… Um. Fiat. I didn’t know they had models… I thought there were just… Fiats. CLEARLY, I am the wrong person for so many things.

Part of this uselessness comes from avoiding advertising like the plague – If I hadn’t already agreed to take the survey to help someone out, I would have withdrawn (I may have skewed their results entirely) – I don’t have a TV, I don’t often read sales papers, I have AdBlock on my computer, and the home page is plain old Google – no newsfeed, no fun little apps. I prefer my phones dumb. I prefer to limit the inrush of the information stream, to narrow its tributaries to a single drop from the spigot of my choosing, lest I be overwhelmed. I know myself, and know how much of a relationship with chaos I can afford.

That’s why, when I receive a forward from a flurry of people, telling me that they’ve wept, I expect that they expect me to do the same. I’m immediately intrigued – in an appalled sort of way. Dove’s campaigns are allegedly pro-woman — though their relationship with Photoshop for their “Campaign for Real Beauty” was undeniably disappointing – and so, I’m getting my “girly” on, and joining the gang.

Except, once again, I’m out of step. I don’t feel like crying. I feel …herded.

shutout game

ready, aim and fire —
all your feel-good footage. Me:
a swing, and a miss

car shopping

make, model
style. shade. Preference:
wheels. motor.

I don’t at all deny that the smart graphic design and marketing team behind the Dove campaign knows people, and how they tick. They’ve emphasized the messages of real beauty being that toward which we’re all supposed to strive. I’m kind of “meh” about beauty – I have big teeth, a weirdly shaped head, frizzy hair, broad shoulders, a wide, short torso, and too much bust – not to mention weight – for my very little height. I’m kind of over beautiful, in the regular realm of things – it’s like that Judy Shendlein quote: “Beauty fades, dumb is forever.” Whether or not you agree (and I don’t – I believe ugly is relative, and people grow into their looks their whole lives) I’m not ever going to be beautiful in a non-Photoshopped Dove world, where “real” beauty is relative. Not beauty, but strong, that, I can just about manage.

Why doesn’t anyone ever celebrate strength and capability, Dove? Put some thought into that, please.

{“i watched the news today in silence”}


Indexed, by Jessica Hagy

I didn’t, actually. Watch the news, I mean. Despite the song lyrics, I never do, because the news is full of people saying things that most human beings don’t need to know. I read the news, sometimes, in the paper, although Small-Town Paper’s scream-y headline today is, “PATRIOT’S DAY DEFILED!!” No, really. Defiled. And, all six East Coast transplants who even knew it was Patriots’ Day (It actually commemorates the Battles of Lexington and Concord, and I truly had no idea) are thus duly respected – and the rest of us get the scream-y headline with no context, as usual.

And I cannot TELL YOU how much I dislike the word “patriot” anymore, since it decodes as “jingoist” much of the time.

Days like these I am full of joy and praise for not belonging to social networking groups. If I hear one more solemnly intoned, “I run for Boston, I run for life,” I might have to whack someone. I know these things are, somewhere within, honestly meant, but Drama Vampires walk the day among us, and it’s time for the Clan of the Pointed Stick to start doing stretches and grabbing the vials of the Holy Water, or whatever it takes to shut those puppies down.

Understand – I know people have pain. I know people have deep feelings about this or any other tragedy. But, honestly, I just want to tape a huge reminder to the world’s fridge: “This is not about you. And, we need coconut milk.” Like the wonderful Auden poem F. sent, somewhere, today’s tragedy aligns insignificantly with a regular day’s duties. While tragedy diminishes a society, I dislike this sort of clingy, “we are the world” tribe that develops overnight, as everyone battens on to a community they might otherwise overlook or ignore. I mean, again with Patriots’ Day. So very few people on the West Coast even twigged to that at all. And yet. And yet…

I am not articulating this well, so I’ll let it go, and try to write some haiku.

toxic

talking heads babble
spout errata, platitudes.
unplug. desist. THINK.

Around-the-Clock Coverage

accumulating
facts explain nothing at all
turn off the tv

{useful & rising: a weekend edition}

Torosay Castle T 24

I’ve been thinking about Marge Piercy’s poem “To Be of Use”, and the final lines, The pitcher cries for water to carry/ and a person for work that is real. This poem could be sort of the rallying cry for my family — of social workers and occupational therapists and foster parents and nurses. People who are in the “helping professions” have a tendency to volunteer and an innate need for social justice and all of the make-it-right quixotic, tilting-at-windmills types of behavior… and then, there’s me. The writer. My family looks upon me indulgently. They look lovingly. They look, in some cases, faintly condescendingly and often confusedly. I mean, I’m a writer. I don’t “deal” with people. I don’t “know” “how it is.” I mean, a WRITER, for goodness sakes.

And, what kind of job is that?!

Like the women Hawthorne criticized as scribblers, I have internalized that scornful question to the extent that I am super, super-busy doing “helpful” things, things to prove to myself, and to others, that I am useful, I am helpful, I am worthy. That I understand labor and trying, and striving. I am become as a pitcher brimming, and I am carrying water importantly to the …sea.

I am a person wasting my time when I should be writing, trying to make sure that I’m someone of whom my family can approve.

I don’t wonder why artists tend to go insane.

with apologies to Marge

The work that I love best
Comes after moments of silence
Of sitting, stock still, tracing the track
Of dust motes in a sunbeam.

And then, a flurry of lines —
Scrawled hard, leaving dents; typed fast, a staccato cadence
Outpacing pulse, but not quite matching pace of mind.
The coup de foudre of the Muse
A heady love affair, which burns white hot, and then, gutters.
And silence resumes:
The careful miner digs, seeks, and taps another vein.

The work of the writer is common as mud,
As common as grocery lists and permission slips
Hackneyed, it produces stilted verses and purple prose;
Inspiration does not visit every clean white page.
But a thing worth doing is done well
And every sweating attempt
Brings with the next draft, a closer step
To words immortal. And every halting word
Is worth the try.

I ran across some Rossetti this weekend, and realized once again why she is one of my favorite 19th century female poets. She’s best known for her Goblin Market poem, a completely fantastical story in which she takes the element of fantasy and blends it with real life so seamlessly that it makes an allegorical kind of sense. She even does that with her strictly religious poems – taking elements of the ordinary and holding them up to the light – and transforms them into something else.

A BETTER RESURRECTION

HAVE no wit, no words, no tears;
My heart within me like a stone
Is numb’d too much for hopes or fears;
Look right, look left, I dwell alone;
I lift mine eyes, but dimm’d with grief
No everlasting hills I see;
My life is in the falling leaf:
O Jesus, quicken me.

My life is like a faded leaf,
My harvest dwindled to a husk:
Truly my life is void and brief
And tedious in the barren dusk;
My life is like a frozen thing,
No bud nor greenness can I see:
Yet rise it shall–the sap of Spring;
O Jesus, rise in me.

My life is like a broken bowl,
A broken bowl that cannot hold
One drop of water for my soul
Or cordial in the searching cold;
Cast in the fire the perish’d thing;
Melt and remould it, till it be
A royal cup for Him, my King:
O Jesus, drink of me.

“A Better Resurrection” is from Goblin Market and other Poems, by Christina Rossetti. Cambridge: Macmillan, 1862.

This poem has been arranged in a four part choral piece – it’s popularly done for high school choral competitions. My favorite stanza is the second one, and the lines, “My life is like a frozen thing/ Nor bud nor greenness can I see: Yet rise it shall — the sap of Spring…” It reminds me of the Maya Angelou poem, “Still I Rise,” and, as long as we’re doing poetic free association anyway, it reminds me of the phrase, “She did it anyway.”

the green blade

life – eager, compressed –
surges – blooms – unfurls. Rises
like the certain tide.

heart music

triumphant muscle
the barbaric yawp, “I Am”
counts cadence each breath

{linens}

Cranston Street 273

My aunt, because she’s unable to work as a nurse, what with the titanium rods in her back, has embarked upon another career of sorts – teaching Home Ec to junior high students. No, nobody calls it that anymore; it’s Consumer And Family Sciences now (I still like to call it Home Ick, because I never took it in high school and can be obnoxious about all the poor souls stuck doing it while I escaped [hello, auto body class!]), but it’s the same thing – all of those basic cooking, housekeeping, DIY Life stuff that many school districts stopped teaching, because, you know, money. And, “Didn’t your Mama tell you how to sort clothes?”

From where I stood teaching junior high, looking at the ironing scorched, pink-dyed-whites, rumpled masses before me, the answer was, “Nope.” (And let’s not count the crowds who used Axe in lieu of soap, or pancake foundation and raccoon liner, or wore the same outfit three times in a row…) Some parents don’t have time to teach that stuff, much less inclination. After all, Martha exists to tell you how often to change your sheets.

Obviously, we could all use a little help with the laundry.

on the catwalk

sniffing the shirt he
determines his tomorrow.
yep. he’s too sexy.

what Mama said

fold in thirds,
use tight hospital corners,
floss nightly.

brights, darks, and colors

Hogwarth’s could have made
A fortune tweaking
That Sorting Hat thing.

Launder, rinse, repeat. Happy weekend.

{come to save the day}

This week, The Enchanted Inkpot put out the covers of a lot of 2013 YA science fiction and fantasy. Because I serve on the Cybils SFF crew, and have served on the Cybils since its first year, I tend to keep an eye on these lists, but I have to say that it’s getting harder to be a part of the illustrious company of science fiction and fantasy lovers. I still adore it, but in some ways, it’s not going anywhere. Which is ironic, since science fiction, at least, is supposed to represent the “what if” of the future.

One topic the YA community has been talking about for so long is characters of color in YA fiction. The covers of the latest batch of 2013 beauties, out of eighty two covers depicted in one post, and ninety-four in the next, show maybe THREE cover which unequivocally displays a character of color.

I know: some characters are mixed, or not even human, if you read the stories. Some covers are illustrations. Maybe I could better say that of a hundred and seventy-six covers total, one hundred twenty covers, where a face (not a hand or leg – I am trying to be generous) was visible enough to determine ethnicity, only three of those covers clearly depicted characters of color. I love the cover kitty on Cynthia L. Smith’s FERAL NIGHTS. There are fewer Decapitated Female Torsos out there this year; a few more with unique cut paper art, sketches, and other stuff. Taken as a whole, these are creative and beautiful covers. Please understand – I am not saying they’re not well done on all levels. Just …one.

Fat Is Not A Fairytale is another one of my very favorite Jane Yolen poems. It is because of this poem that I bring up my next point, that another element not visible on these covers is any female body above a size, maybe… six.(Admittedly, I’m bad at eyeballing sizes; I would have said four, but I’m trying to err on the side of generosity.) There is a resounding ZERO covers which depict characters in the multiplicity of sizes which represent reality. None. And I didn’t expect any.

(Okay, so book designers have to follow the specs of the novel, yes? And so, the onus is on the writers. YES. Writers, I am looking with squinty-eyed accusation at you.) And, as for always using the thinnest model thing, welllll, it’s science fiction, the “what if,” not the “what is.” Maybe I should shrug, and just accept that “these things take time” and, as we’ve been told, take to heart that book covers have to stay within “industry standards,” which apparently means, in the small print, Caucasian Models With Size Four and Below Bodies. I’m stirring the pile with a big stick, here, but it’s a little disheartening that the more things change, the more they stay the same. There has been ALLLL this white-washing brouhaha, and … what? Nothing much. Not a lot of change. Almost none.

You know how YA books are supposed to keep faith with their readership, and let them know that, somewhere, there’s their tribe, and they just have to hold on, and make it through high school and someday find them?

Are we keeping that promise?

Writers?

roleplay

childhood games
revealed truth: Mermaid
trumps Sea Witch

(Thought I’d try a haiku short form. You have to definitely think harder, and sometimes I think the least said works the best.)

super

caped with tights: heroes
had a certain look. white. thin.
nothing like you, dear.

(Or maybe that would work as…)

super

Caped, with tights.
Heroes have a look
Buffed. Hot. White.

stuff nobody asked

If the job came with
Trousers, would you prefer it?
I wonder, woman.

To all the authors who have tried, and continue to diversify their characters – thanks. Promises kept are best.

{neuroses on parade}

I got an email the other day from someone who wanted to know why I hadn’t linked to them on LinkedIn. This is the kind of thing that happens to me; the person is an engineer – awesome job, btw – but has no book affiliation. I am a reader and writer and so the people with whom I connect, are, for the most part, readers and writers, whether they’re the head of their Friends of the Library group, or they’re small press editors or copywriters for insurance companies. Readers. Writers. LinkedIn is for business purposes, I always thought. But, I was wrong.

“Why didn’t you friend me on LinkedIn?” he wanted to know.

“I’m your actual friend,” I argued. “How can you be mad about what happens on a computer?”

social media

to those who now “friend:”
where were you lot when I was
sidelined in high school?

fan mail

“I just think you’re cool.”
A writer can never have
Enough words like that

my many-colored ways

roses are red and
wallflowers are rainbow bright
but no one sees them

{and, postulating on progeny…}

People don’t always recognize racism. My friend “Molly” and I, in high school, always joked about her relatives – I had to joke, because I was so horrified at the, “your people” comments that laughing seemed to be the best way through it – we always joked that her aunt was a benevolent racist. As in, “Gosh, look how nice I am, to put up with your shortcomings as a spokesmodel for your race!” Here I come to find out that there’s a sociological descriptive for it – benign. Scientific American explains it for benign sexism. And I am backwards applying it to my high school self for benign racism.

Okay, honestly, there’s no such thing. Racism is corrosive internally or externally, there is no benign. And, when I hear things like, “You’ll have such cute babies,” I can understand how people think they’re saying something nice. Still, though… Dear, People, let me be clear: YOU ARE NOT saying something nice.

Number One, my metaphorical babies are MY business. Please see to your own, and stop talking about my reproductive organs/issues/choices as if they are yours. What if I’m not having babies?? Number Two, the assumption that my babies will be spectacularly beautiful JUST because they’re biracial is …wow, so troubling. Is it the civilizing Caucasian influence alleviating the savage animalism of African Americanism? Is it the perky jive and Soul Train divaism alleviating the oppressive white-breadedness of being Caucasian? Are you possibly building a race, and trying out the idea of hybrid vigor?

Oh, don’t answer. Just… think before you speak.

Not So Adorable

If I had wanted
My baby’s looks to suit you,
I would have had YOURS

call me ishmael

“I like a little
chocolate,” he said, and I
thought of homicide

she meant no insult

“Perfectly toasted.
Means not burnt, and not too raw.”
Man lives not by bread.

the test

as long as brown girls
still pick out the whitest doll
we still have issues

Around Glasgow 269