{april haiku: lost nerve recovery}

“The world breaks everyone and afterward many are strong in the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.” ~ Ernest Hemingway, (1899 – 1961) A Farewell to Arms, 1929.

A coat of color
hides a lack of many of things.
makeup or war paint?

Easter 09

you had nothing left
found yourself empty, but now
gutted, you can float

Hayford Mills 340 HDR

the irony is
some things only find their purpose
in being emptied

Skyway Drive 213 HDR

These poems are for everyone who had such a bad experience with a thing that they quit it, even though it was once their dream. This is just to say that you could go back to it, and kick its recalcitrant butt, if you so chose. Just sayin’. You’re stronger than you think.

{april haiku: dog day afternoons}

Caspar 13

This is the wee mad puppy. I am meant to be charmed by this thing, but I am less charmed by puddles on carpet, chewed shoes, and stealthy back-of-couch dog dirt. Five months is how long a puppy must have been on earth to enroll in a training school. It feels like Sebastian has been four months old now forEVer.

*with sincerest apologies to Edna St. Vincent Millay*

so it is, and so it will be, and puppies are puppies

I am not resigned
to the gnawing away of
perfectly good shoes

Caspar 14

sit. no, really. now.

never truer words:
you can teach an old dog new,
new dogs don’t know jack

Brandy House 06

good luck, puppy school

“fetch” is hard-coded
in canine heads. he brings back —
o, look! it’s a squirrel

Stirling 106

{april haiku: propitiatory (rationalizations)}

Every Spring, I plan to be Zen, to be cool about the fact that I am the larger invader in the natural world, that spiders getting into my office is all part of the Circle of Life

Every year, I fail. Some years, spectacularly.

Cambusbarron 028

it was a reflex

unfortunate, whose
arachnid wanderings led
to your demise: oops

well, if you hadn’t appeared next to my hand

apologies, but
next to my flippin’ keyboard?
look, that’s way too close

what, you were going to JUMP on me? Nu-uh

next time, please just run
playing invisible is
futile. I SAW you

{april haiku: ignition}

People frequently say to me that they couldn’t write for a living (for a given value of “a living;” this little boat wouldn’t float sans Tech Boy) – that they lack the discipline and focus and “how do you get yourself to sit down every day and try?” What’s funny is that sometimes… I don’t know. I don’t. There’s an ambiguity to the process, an opacity to the ritual. It’s a lot like cooking or drawing — sometimes you tweak a little here, smudge a little there, that’s enough to make a standout presentation, other times you scrape away the pigment from the canvas and slap on new gesso and flush the contents of the pot down the toilet. I don’t know how I do this. And, when I have those weeks of doubt when I finish a project and am scrambling about for the next (not that I don’t have tons of ideas, but at times, none of them seem worthy of time or birth into a world crowded with short attention spans and a plethora of worthier thoughts), and when I am rolling around with an abscessed brain, plummeting through the earth, scrabbling with blunted nails for a hold on anything so I can pull myself up again — then I realize that in more ways than you’d think, it comes down to the simplest thing: choosing.

One of my favorite Mary Oliver poems, What I Have Learned So Far concludes with the line, “be ignited, or be gone.” Choose to light up the night, or go out. Choose to lock eyes with your fear and stare it down, or blink – but nothing hovers in between.

Caspar 12

fingers on keyboard
butt-in-chair. heart poised, alight —
we have ignition

{april haiku: warning}

Swan Vestas 1

When we lived in Scotland, we took a lot of photographs of the pictogram signs – the warning signs were especially amusing. We don’t have a lot of them near where we live, but they tend to be in tourist-y areas which attract crowds of non-native speakers, so the pictures are necessary. The exaggerated imagery – necessarily exaggerated to help people understand – still amuses.

Caspar 18

beware. the danger
of leaving your house cannot
be overstated

{april haiku: meltdown}

“Writing demands the cracking of idealized image, and that can be as disquieting as it is enlivening. It requires a deep intimacy with oneself, a revelation of one’s mind to others, that may be deeply uncomfortable. The cure for my writers’ block is to sit with this discomfort and work my way into it, whether in a direct or roundabout way, until the truth emerges.” – Shilpa Kamat

It is a truth universally acknowledged that if one is going to have an existential crisis, one is generally going to have that crisis late, on a Sunday night, so that Monday morning, too, will be just as ragged, uncertain and disastrous. This seems to have been true in school, when things were due on Monday at first period, and continues to be true now that sleep is necessary and a new pile of Things To Do crouches possessively over the pristine new week. Right when I need to chill out and go to sleep, I can’t. It never fails.

Note to self: do not think about your writing before you go to bed. Just don’t.

Caspar 02

a featureless sea
endless, clammy, dark and cold —
there waits 3 a.m.

{april haiku: alley cats}

San Francisco 44

slip out the back and
discover a whole new world:
Squalor. Rust. Freedom.

What I love about big cities – when I’m a.) not trying to drive in them, b.) not trying to get anywhere on time, and c.) when they don’t completely overwhelm me – is that there’s something a bit weird around every corner. At Liz’s hotel, there was a Brobdingnagian sized chair, antlered furniture, fainting couches, and very dim light. Why? Still not sure, but it made for bizarre pictures – and of course, the ubiquitous selfie.

San Francisco 61

everyone believes
the next shot will be the best
Where’s Mr. DeMille…?

{april haiku: on the street, where you live}

Hilariously, we never did go to the posh tea in the lovely hotel. No, we did up the tourist thing and rode a cable car instead. And on a clear and mild day, it was a perfectly reasonable alternative to sitting around playing pretty-n-posh, pretending we were on Lifestyles of the Rich.

San Francisco 48

I had often walked
down this street before… you see,
driving takes too long


people stop and stare
they don’t bother me – poor things
traffic inches on

Oh, SF, I ♥ U

{april haiku: aaron’s blessing}

L. just passed to me this absolutely fabulous little snippet of composer and brilliant director John Rutter waxing philosophical about the lifeblood of choral music within a well society. What with the bickering and shooting deaths, we are not a well society, and frankly, we need to sing more, among other things. Singing, according to Rutter, is not a frill, so to those of you cutting the arts and choir teachers in your districts, listen up. It’s not a frill, it’s a necessity, and a school or church or community without a choir, is like a body without a soul. Strong words, those, and a great little talk — but, if you’ll excuse the pun, Mr. Rutter is preaching to the choir on the JW Pepper blog… which after all, is a fabulous company that sells…choral music.

Despite this irony, an inescapable little bit of wonderful is the Rutter song playing in the background of the video, one many of us did at school. It’s called The Lord Bless You And Keep You and it’s based on the birkat kohanim – a priestly benediction that was to be given to the Jewish people long ago. It’s a lovely thing to sing to a nowadays person as well.

Caspar 04

bless you. godspeed. peace.
hope, like wafts of blossom-scent
breathes through thoughts of you.