{but, what did you do?}

Ninth grade, in a small and conservative Christian school. One of a count-’em-on-one-hand number of black students, I had been a poor fit with my mostly white, affluent peer group since the end of 7th grade. I was ostracized, cut from the herd for reasons I didn’t understand (but looking back, it had everything to do with my bra size). Freshman year found me lingering on the fringes, since few of the girls would speak to me; craving friendship, but fearing — well, everything, including my suddenly overwhelming body being the focus of attention from curious little boys to grown men, and being accused of “stealing” the boys by my former friends. Add to that my deeply authoritarian, don’t-spare-the-rod-old-school disciplinarian parent employed at my school who skulked around corners, watching to find me out of compliance and in rebellion, just once… I was in an increasingly constrictive straitjacket that squeezed tighter and tighter and tighter.

It is no surprise that I was at times a little difficult. A lot of times I was sullen. Sometimes I was flippant, or snarky, or dismissive. Sometimes I muttered under my breath and rolled my eyes. Sometimes, I wept silently, all through class. This is freshman year for a lot of people. This is… school.

Even then, my salvation was a pen on paper. I wrote. I drew. I scribbled furiously over sentences, pressed down and cut the words black until the pen bit and the paper tore and still I wrote. I was angry, angry, angry all. the. time. And the day our earnest young Bible teacher found it within his heart to lecture us once again about respecting him, when he showed so little respect for us, I. Had. Had. It.

Poor Mr. D… He’s a dentist now, having discovered after dealing with our class that he was much better off outside of the classroom. (Would that any number of others had made this brave and self-actualized choice.) In his early twenties, in his first teaching gig, Mr. D had apparently no idea about classroom management. He was …whining at us, glowering at individuals, calling them out, and wasting our entire class’ time for the infractions of a few. We’ve all sat through scenes like this. I hadn’t given him any grief – I hadn’t been the problem child he’d been going on about – but I was being forced to sit through his increasingly impassioned self-pity for how we just didn’t give him the honor he deserved. And then, his eye fell on me, hunched over, head down, pen scribbling madly as I wrote or drew myself out of the room —

I landed back in my head to hear my name. Some garbled demands in rising tones, “– when I’m talking. Put down your pen, sit up, and pay attention.”

My whole body jerked, like I’d been electrocuted. My pen skidded as everything went tight. I hated the attention of the whole room on me, hated that with a few words that I honestly didn’t really hear, he’d narrowed the focus of his little diatribe onto me. I remember feeling an electric prickle down my face, like all the follicles were squeezing closed. And from the chained and chastened inner me escaped one infuriated little word…

“NO.”

Again, poor Mr. D — he didn’t expect that. He didn’t expect any pushback from ME at all, which is possibly why he’d turned on me. I was — honestly, guys — A Good Girl. For all my side-eye, I was made of good grades and no backtalk, all assignments in on time all the time — I didn’t have any choice. There wasn’t room in my life, run like the tightest of ships, thanks to my father, for anything else. And yet, that word …so surprising, so out-of-control terrifying — that word I couldn’t take it back.

“No.” It dropped onto the floor of the suddenly silent room like a lead weight.

“Then you’re out of here. Right now. Get out.”

Head down, I continued to scribble — the words not making sense anymore – harder. My shoulders climbed toward my ears as I felt the metaphoric ice I was on grow thinner. What the heck was I doing!?

“I said GET OUT,” he repeated, standing, trying to loom from across the room. “You’re out of here.”

And the little voice – irrepressible and terrifying – spoke from a body with eyes downcast, “I didn’t do anything. I’m not going anywhere. You. Will. Have. To. Drag. Me.

Lord have mercy, yes. Those words came out of my mouth.

And …nothing happened.

Oh, I’m sure I got a talking-to about respect, yadda, yadda, yadda, but nothing happened. Nothing that included me being dragged and thrown. Nothing that included violence in anything other than the feelings I had, of negation. Nothing. I did not obey, and the world did not end.

That whole story could have ended so badly, fast-forward twenty-plus years to this week in North Carolina. Nobody, no brown girl is going to dare a person of authority from the dominant culture to lay a hand on her, not if she values her life. I was privileged to be in a safe – though annoying – space known as school, even if it was painful and constricting, it was safe, for a given value of safety. All unknowing, I was rolling in my privilege.

Today I am hearing a lot of “what did she do?” from reporters and people in passing on Twitter, and I’ve gotta say, folks, “What did you do” is the wrong question. It never puts the right weight of responsibility on the right people, and it doesn’t even cut it when a child is just grizzling after having a tongue stuck out at them on the playground. When someone is hurt, the first response is not to make the person injured – even with something as overwrought as a stuck-out tongue – at fault. This I know, not because I have children, but because I am a human being who has had this happen before and it does not feel good, nor does it make me suddenly mindful of my behavior, and yearn to do better. No. Trying to place the blame on the black female student whom the North Carolina police officer assaulted the other day, saying she should be “held accountable” when her torqued neck, broken arm, and bruised body today has been punished far more than holding onto a phone in class could have ever warranted — these are statements that suggest that the child deserves her criminal mistreatment. And she, like any abused child or assaulted person, does not.

And neither would I have deserved to be dragged and dropped by Mr. D. — even though I dared him to.

{cover & swag}

Have I shown you this cover yet?

Davi_9780553512816_jkt_all_r1.indd
[CLICK TO LET IT EAT YOUR SCREEN]

Is it not stunning? So ORANGE it is. SO orange. I immediately want one of those Outshine Tangerine Carrot ice lollys, as the Scots call them. I want to roll around in that sizzling hue. I love, love, love the vibrant colors. *happy sigh*

PC_bags-01

This final cover is the result of a lengthy negotiation between my understanding of the book’s characters, and the designers’ understanding of the job before them. I’ve been asked not to share design “dud” rejected for the official cover – and really, it wasn’t a dud, per se, it just wasn’t right for this book – but the original concept introduced to me was a broad lawn on which two girls lay – separated by a lot of space. Unfortunately, they were separated from the reader as well – we looked down on them from far, far away, and to me, they looked tired, or hung over, or …something passive. This was brought back to me cropped in various ways, lightened, darkened — but it was variations on a theme, and for me, it didn’t work no matter how we angled our gaze. For one thing, there was a glut of books a few years ago that looked like lawn-care manuals with all of that grass. For another, a quick check through internet images will net romantic YA novels like STEALING PARKER by Miranda Kennally and the paperback of THE FAULT IN OUR STARS by that one guy — both with people lying on lawns. And there are more. MANY more. And while there’s nothing inherently wrong a lawn, one of the characters in the novel is not a product of suburbia, and would probably never be found just lying down on nature — not public nature, anyway. You don’t know where that’s been. We take so much for granted, culturally, and we can be quite tone-deaf sometimes about projecting our perceptions. So, it was a “no” from me, over and over.

It is hard enough differentiating a book from the herd; it’s easier when your book doesn’t look like another book that just came out. Hopefully I didn’t frustrate too many people as I quietly lobbied for a whole new design. And asked my agent to help me lobby for a new design – and we got one! And it just pops with that brilliant color.

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The designs you see accompanying this book are MY design duds. Now, I don’t always do as much public PR stuff as I *cough* should with regard to books (still vainly hoping that merely writing them is enough) but as soon as I knew I’d have a book out in February (a discovery brought home to me by the ARCs arriving two months ago – previously I understood there was an Autumn release date, not early-early Spring) I started checking into costs and considerations on creating swag for giveaways.

Aside: There is a wildly misunderstood notions by those outside the industry and some authors who are independently published or published through a small press, that only THEY have to worry with doing their own PR. Haha, no, I am published by one of the BIGGEST of the “Big Six” (which is now Big 5, since two morphed into one RandomPenguin) and this is still something I need to do, and it is my money that goes into it. (While we’re on the topic, did you read that the Author’s Guild reported most writers earn below the poverty line? Unless your name is Joanne and you wrote about wizards whilst living in Scotland, you’re usually not rich. Thanks to Tech Boy, I worry a bit less about this, but…) It’s a choice we all make, how much of our advance we plow back into PR stuff, how helpful and fun it is for readers, etc. Wise writers have advised it’s a better use of time/funds than social media.

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A rummage through Google brought a few helpful ideas to the fore, beginning with Sherri D. Ficklin’s tips on price and practicality, on through the magical Joyce Wan, and into the wilds of Etsy, a dangerous place to go with your wallet. I found quite a bit of fodder for swag, but the most helpful thing has been the niecelet currently living here rent-free being a newly minted graphic designer with an MFA in Advertising and Art Direction from Academy of Art University. I advise EVERYONE to find one of these if they can, trés helpful. (Oh, don’t look like that. I’m not using her, I’m a client. And, I’m going to pay her. Eventually.) We did a lot of brainstorming through the summer on what we could come up with, and… I said “No” to her a number of times, and felt increasingly embarrassed about it. However, as she reminded me repeatedly, at the end of the day, nobody is going to love my book project more than me, so I sat down and did some actual designing myself. Niecelet made it look like it wasn’t done by chimpanzees using broken crayons on a laptop screen, and the upshot is that bags and magnets containing my design should be arriving next month.

I feel professional! And excited! And a little horrified by how expensive it is to get things printed on bags! Never mind, though – it’s a great way to connect with librarians and bookstore owners, and some lucky person in a few months will get a finished copy of the book with a bag or a magnet or — heck, maybe both. Stay tuned, ALL SHALL BE REVEALED…

{letting it go}

Kelvingrove Museum D 586

Ooh, A Harpy! Possibly a Screeching Harpy of Tolerance…?

Jacqueline Woodson is a class act.

This truth reverberates in my head more and more frequently, as I recall the hideous insult Ms. Woodson was offered at the National Book Awards, and how she just… didn’t… acknowledge it. Until she had thought. Until she was ready. Until she had taken a breath, taken some time, taken herself away to compose her words before she spoke them.

We should all be so classy.

It is easy to be angry — I’m learning this, in a crash course, on Twitter this week. It is easy to be annoyed, and to dwell in this place of futile fury, all day, every day. But it is less simple to be …classy. Thoughtful. Reasoned. It is less easy to take a step back out of abrasive snarkiness, when ignorance rises up to confront you for the 4958,509,505,280,948,56th time. It is less easy to retract smashed toes when they’re stepped on, to refuse reaction when utter bull is spattered about and slung. And so few of us do.

This isn’t a criticism of anyone — how everyone handles their stuff is on them. But… maybe it is because I am… older and worn out with knowing, I sense how little my boiling fury actually matters. Maybe it’s because I was muted and screaming inside for much of my childhood and young adulthood that I doubt the power of my shrilly raised voice. Maybe it’s because I’ve seen how little the game is changed by throwing the bat. I prefer to think that it’s just that I have seen what class looks like. I have seen “cultured.” I have observed character. And – even when I am infuriated — especially when I am infuriated — I want some of that reserve, that culture, that class.

The world is changing — never quickly, never skipping any of the boring parts that we wish we could — but change is immeasurably shifting the cultural landscape. New ideas matter to more people; broader dreams are being dreamed while we’re awake. People are identifying their privilege and turning to offer understanding and support to people whose voices are underrepresented. It’s still America, thus not a happy, arms-linked chorus of “It’s A Small World,” by any means, but my circle is filled with bright, determined people, and we all are the fulcrum on which the future pivots. At times, there is grit in the mechanism, and we have to push harder, believe more strongly, speak more clearly, to make the change happen – but I am happy to put my energies toward the trying. No more flailing. No more shrieking. No more paralysis of despair. Today, I am letting go of anger, though tomorrow I may take it up again. But, while my hands are free, I am putting them to use, reaching for wiser, better things.

{poetry friday: war photographer}

In his darkroom he is finally alone
with spools of suffering set out in ordered rows.
The only light is red and softly glows,
as though this were a church and he
a priest preparing to intone a Mass.
Belfast. Beirut. Phnom Penh. All flesh is grass.

He has a job to do. Solutions slop in trays
beneath his hands which did not tremble then
though seem to now. Rural England. Home again
to ordinary pain which simple weather can dispel,
to fields which don’t explode beneath the feet
of running children in a nightmare heat.

Something is happening. A stranger’s features
faintly start to twist before his eyes,
a half-formed ghost. He remembers the cries
of this man’s wife, how he sought approval
without words to do what someone must
and how the blood stained into foreign dust.

A hundred agonies in black-and-white
from which his editor will pick out five or six
for Sunday’s supplement. The reader’s eyeballs prick
with tears between bath and pre-lunch beers.
From aeroplane he stares impassively at where
he earns a living and they do not care.

~ War Photographer, by Carol Ann Duffy

Dame Carol Ann Duffy, DBE, FRSL is a Scottish poet and playwright. She is Professor of Contemporary Poetry at Manchester Metropolitan University, and was appointed Britain’s Poet Laureate in May 2009.

This is a provocatively beautiful poem, and, should you be in need of poems on other topics (possibly a little lighter), Poetry Seven sister Laura Purdie Salas is hosting the whole blogosphere for Poetry Friday today.

{gibney’s see no color is a good, hard book}

Sooo, I’m reading SEE NO COLOR, by Shannon Gibney, and I’ve already had to stop a couple of times and just… think.

This is a deeply personal book for me, because it’s about transracial adoptions – in this case, how a nonwhite person might feel in a white family. In my family, I worry a lot about my sister, who is Cambodian, in a black family. Not the same, no, and we certainly didn’t deal with her ethnic background the same way, either. She had supervised visits which as much family as we could find, frequently, when she was small, until she rebelled and said, “No.” We took her to Tet when she was small. We got her books from Lee & Low, story dolls, cut out pictures from magazines. Here is the country of your origin. This is where your birth mother lived until she was two or three. This is the fabric worn there, these are the foods, these are the faces… We took her culture, and served it up on a platter, garnished. And she was interested, as a wee tad, then, as she grew into tweendom, utterly indifferent. To our culture, too. Eventually, to family culture — family at all.

So, the familial juggernaut to acquaint our youngest with part of her cultural heritage ran into her teenhood and ran out of steam. Still, I find myself wondering what she, at nineteen now, feels about being a lone Asian face in a sea of dark brown. When she was small, she still chose a white avatar in any game we played – and then, those were usually the only options, black or white, and she was neither. How alienated have we made her?

And this book pokes me, and prods me, makes me uncomfortable all over again — as it should. What could we have done differently? What should we still do? I’m not even halfway through this, but I want to talk to my sister, and am having trouble waiting ’til her class is over. Read this book I text her. This is the mark of a successful novel; I want to press it into her hands.

{poetry seven: etheree}

Mountain View 5

The Guardian, Karen Cauvin Eustis, 2013.

A new month – wow, where did September go!? – a new poetry challenge.

These poems are named after a woman – Etheree Armstrong Taylor. According to Teh Internets (TM), Ms. Etheree was a poet from Arkansas who invented this simple form first called “The Etheree” and which is much like the cinquain, and just as American. Interestingly, in French, éthéré is a word that refers to the “aether,” from which we derive the word “ethereal.” Aether is also an archaic term for the equally archaic term, firmament… or, good old air. The etheree is simply counting syllables, one per line, ’til one reaches ten syllables in the last line. The theme of the poem is meant to be singular, and …well, maybe to be light and airy? A double etheree is 1-10, then 10-1. A reverse etheree simply begins at the end with ten syllables and goes on down to complete the poem with a single. A twin etheree is a spin-off form I’ve seen, where it’s two lines of one syllable, two lines of two, and so on ’til ten, but that version IS rhymed.

Despite the simplicity and unrhymed straightforwardness of the form we chose — or maybe BECAUSE of it — some of us decided to throw in a wrench. We thought we’d need something to make it harder, you see — so we gave ourselves a theme, at some point … relationships.

OY.

I flunked on theme. But, eventually I got out a poem or three, thank goodness. Should you do this with your peeps, try agreeing to all end or begin with the same word, or try agreeing to include a specific, unique word in each poem – it’s just much easier. The form lends itself to unwrapping many concepts in tiny increments.


A word – concept, really – that came to light in the 90’s is postemotionalism. Post, being “after,” put together with the word emotion almost would sound like we’re “over” emotions, but in fact, we’re over emotion-ed. Sociologist Stjepan Meštrović, in his book POSTEMOTIONAL SOCIETY, talks about how media input – from our friends on social media, from news reports, and pushes our collective emotional state up, pulls us down, moves and jerks us around so much that we numb ourselves. Meštrović theorized this after watching weeks of indifference by Americans, watching refuges from the Bosnian genocide on their television screens. There was so much emotion demanded – so many responses elicited by the all-caps-exclamation-point media, that “bad things” seen in what Meštrović calls the “daily diet of phoniness” all blended into a constant hum of negativity which drew no further response. Emotional manipulation on commercials, in newspaper headlines, in “breaking news” shilling on CNN was common and growing louder, tugging the world’s attention this way and that. (For more on this, Lisa Wade, a professor at Occidental College, explains it better than I can.)

I have always had a massive capacity for feeling, grieving, really, at all that goes on in the world. But, when I get that “something in my eye” feeling over cat comics and gum commercials, too, how real is it? In the final summation, have I truly felt… anything?

empathy fatigue

true
story:
a heart wrung-
out to nothing,
twisted like a rag,
sucked dry by greedy frauds
fed “a daily diet of
phoniness.” Disingenuous
world in which emotions are tapped like
so many oil wells, drained dry to sell soup…
Fact: this capacity for compassion,
is a resource finite. heartfelt “feels”
that tug our strings and spark our rage?
Artificial sweetness and
ersatz-sourced sour. Such
hearts, daily broken,
fueled on falsehood
how can they
remain
true

the poetry seven

The rest of the Poetry Seven have called in with their etherees. Andromeda is talking about technology – ebook, or hardback?. Liz is writing a love story for the ages, if the ages are middle grade. (New Novel!?) Sara’s got mint on the brain, in the planter, growing in cracks in the sidewalk… Tricia’s relationship is puppy love, unless you ask the cat… Laura’s bickering celestial siblings are on the road to a time out. Kelly’s gone all Austen on that cold fish, Mr. Darcy.

EDITED TO ADD: And we can’t forget our Poetry Cousin JCL@Headlong Into Poetry has been etheree-ing the whole month long.

Need more? Poetry Friday is over at Heidi’s Juicy Little Universe.