{granny panties}

Underwear Orange 2

It’s the best kind of summer morning – where the green smell that follows a good, soaking rain hasn’t yet dissipated, where there are all manner of things peeping, and chittering and tweeting in the yard. The sun is shining, although the keyboard is oddly sticky under my fingers; a remnant of a strange humidity which has wrapped our town in strangely balmy climes. It’s a morning to sit out on the back stairs, indolently reading the paper, with only a short terry bathrobe thrown over my granny panties and camisole, just warm enough, and just dressed enough.


Thrifty and practical, my grandmother provided matching camisoles and panties to me, from the time I was big enough to see over the edge of the table. Every birthday and Christmas, with unfailing regularity, a plain, brown-wrapped package would come in the post, containing the sprigged camisoles with the teeeeensy satin ribbon where my someday cleavage would live, with plain pastel cotton briefs. The Sears catalog provided these serviceable small-clothes, and, later, Walmart, when the sprawling megamart came to the tiny town of Patterson. I imagine her in her hard pink rollers, snapped into a sleeveless seersucker housedress, hunched over a cup of black coffee with the thick Sears catalogue before her, tracing with an arthritis-bent finger the tiny order numbers, and reading them carefully into the phone.

These were the clothes I lived in. Each night after my bath, I would choose a fresh set of underpants and pair it with a stretchy, cotton camisole, some scattered with tiny pink roses, others with blue, and be as dressed as I needed to be to run around the house and play. I remember my siblings in matching camis and briefs so clearly – they were the clothes I wore while drawing boobs on my Raggedy Ann, or watching my sister feed her Baby Alive while I tried to comb the hair on my Baby Fred (Yes. Fred. Poor Fred was a girl, but plastic hair does not take well to the pilot light on gas heaters, and my sisters renamed her Hard Head Fred, since her hair was a solid mass of burnt plastic. It’s a wonder I didn’t kill myself with the fumes. Do we sense a Doll Destruction theme? Another blog post, that). As I grew older, the granny gifts stayed the same – only their size increased. Surely I was the only fifth grader not wearing days-of-the-week underpants, or lace-trimmed, Strawberry Shortcake hip-huggers. Nope. I was still in my granny panties, hardly seeing anyone’s underwear other than mine and not knowing there was much else out there.

vintage panty ad

Up until junior high, anyway. By then, I had outpaced my grandmother’s ability to buy me camisoles, as she could no longer, at a glance, judge my size, and I had outpaced my desire to wear prim pastels which covered me from belly button to thigh. And yet, she still sent them. And, slips. Half slips, actually. The sort with scratchy lace on the bottom, which could be cut away, for the perfect length. I left them uncut, and mostly, unworn. I wanted underpants with stripes and contrasting piping. I wanted screen prints and ironic Wonder Woman symbols. Later, I wanted satin and silk and bikini cuts and bows and stars and stripes, bells, and whistles, and words on my unmentionables. And still, my grandmother kept sending those plain Jane, unexciting, unimaginative, flat cotton granny panties.

Even my mother had a collection, but her plain-wear expanded to include slips and nightgowns. Undyed, serviceable things which arrived each time she’d been sick, or feeling a little blue after a hospital visit. My grandmother wrapped her daughter’s frailties in strong cotton, enlivened with scraps of satin – a testament of a life filled with needful things, with little room for extras – simplicity with *ouches of beauty all the same.

Well past the time I should have lost my faint disdain for her gifts, my grandmother lost the ability to send them. She had never been wealthy, and after my bon-papa died, and her health declined, everything went toward keeping her tiny boat afloat. By then, her sharp memory for the birthdates of all twenty-seven plus grandchildren, not to mention greats, had faded a bit. My every birthday was no longer heralded by her scratchy, nearly monotone singing voice wishing me a happy birthday, and “May the Good Lawd Bless you,” her own invention for the second verse. By then, my life was full of other things, and other people, and the loss of those little brown-paper packages didn’t register as much. Until the first time I had to buy my own underwear. My own camisoles. My own nightgowns and bathrobes. And then, I realized there was one less person in the world who cared if I was properly covered, and who, if, God forbid, I was in an accident, would share a concern that I had underwear with tight elastic, no holes, and perfect seams.

pantiead_copy

I miss that.

So, in memory of my grandmother, I let Victoria keep her secrets, and buy my granny panties. Plain white cotton, some boy-legged, and much bigger than the current fashion. They’re no longer plain white – I tie dye them, I have to admit. From time to time, I even live a little, and buy black ones. I still don’t wear a slip – ever – and rarely a camisole, but I now have in my possession a tank with a scrap of lace at the neckline and the hem, and I feel just a little girlier to wear it. For me, that’s as good as it gets. I will never be the type of woman my grandmother was – fully starched, impeccably dressed, with her underpinnings all …pinned down – but at least I can embrace her simplicity, her lack of artifice, her straightforward, hard-knuckled, basic common sense, which, it turns out, is not all that common. Following her example, I can be myself from the skin out, and comfortable in the bargain. And really, that’s all that anyone can ask.

{sing out loud: the girls of summer}

Irene Drive 9

“In summer, the song sings itself.” ~ William Carlos Williams

A secret cupped like a gorgeous blossom in small, grubby hands: the first day of summer. Anything can still happen, and there is wonder and beauty around every corner, and every day is at least a week long. At least, that’s what summer seemed like, all the days of childhood. Now, it’s more people frowning about if what they’re wearing will be a wrinkled, sweaty mess by five o’clock, and if they can get away another day without shaving. Never mind. I’m here to reconnect with wonder, and do a little happy dance that I’ve been named a Summer Girl by the fabulous Girls of Summer Book Club.

The Girls of Summer are the girls of awesome. Co-founder Gigi Amateau (CLAIMING GEORGIA TATE; COME AUGUST, COME FREEDOM) is a children’s author in her own right, and as such, this is doubly wonderful that she gives back to her community in this way. Each year, she and her friend and fellow author, Meg Medina (TIA ISA WANTS A CAR; YAQUI DELGADO WANTS TO KICK YOUR ASS) pull together a list of just eighteen books – definitely difficult! – as their Summer Girls reading list. The list covers picture book to young adult fiction that are fab for summer reading and celebrate and develop that awesomeness that makes a summer girl strong. Each year, Gigi and Meg hold a live launch in Library Park (a name that just begs you to get on the lawn with a book!) – behind the Richmond Public Library (or inside, in case of rain) where readers meet Virginia authors in person, take part in book giveaways, helped along by bbgb books, and indulge in cool, sweet treats. As PR icing on the cake, Richmond Family Magazine and the Richmond Times-Dispatch covers the events and the books in their literary section. These Summer Women are, together with their community of book people, making Richmond, Virginia an awesomely more literary place.

And this, their third summer together, they picked one of my books!

I’m in such excellent company as Ian Falconer, Sharon G. Flake, Kekla Magoon, Guadalupe Garcia McCall, Atinuke, Anita Silvey, and more. Every Friday, there’s an author Q&A with one of the eighteen selected authors. I had a great time being involved – this was such a treat for me. I wish I could have been at the reading the other night – and had some of that ice cream.

Virgina Summer Girls

Click to enlarge; photo courtesy G. Amateau

Thanks, Girls of Summer. Thank you, Gigi and Meg. Thank you, Richmond. I’m honored.

Today is still a glowing secret, cupped in your two hands – the longest day of light. What is it, that you plan to do with this one, wild precious life?

Celebrate it.

{it all comes down to this}

LEE AND LOW who, for years, have been publishing multicultural children’s books, even before it because a “thing” in the late nineties and the early-oughts, recently brought a simple – but complex – question into the blogosphere. WHAT is UP with the lack of diversity in children’s books?

Childrens Books Infographic 18 24 V3

Way back in the Clinton era, First Book came with that question. They began to answer it by appealing for more books for younger readers – starting the little kids out right. Malorie Blackman, the black British children’s laureate said unequivocally that she’s going to be banging the drum for diversity, because for too long, Britain’s literature has ignored that Britain is no longer one color. So, this is relevant. It’s out there.

Yes, that question’s been asked before, but Lee & Low asked because they’ve now been in the business for eighteen years. Eighteen! And, as you can see, though they’ve worked hard and published more, and added Tu Books in as a SFF arm of their publishing house, they’re still but a little bump in the road, in comparison to what else is put out yearly by The Big Six (or, five, with Random/Penguin(s)). Overwhelmingly, fantasy stories, science fiction tales, spy adventures, mysteries, romances, historicals, easy reader, middle-grade, chapter books, and YA are plain, plain, plain, plain, white. Not Asian. Not Latin American. Not Hispanic. Not Native American. Not African American. Just the most culture-expunged, dominant culture, homogenous output.

This matters. Not because I am a person of color. Not because I don’t feel “comfortable” reading books that don’t feature people of color. But because the longer we tell young adults and children that they are invisible from their own imagination, the more we’re allowing them to disappear from the world’s stories. The more we’re encouraging them to be audience instead of actor, observer instead of participant. The more we’re saying, “Yeah, just sit back and plug in, and let the reality TV track of the world scroll past your eyes. There’s no room on the stage for you – just watch how others live.”

And, a big, fat, NO to that.

The piece itself (and please, please, PLEASE read it) has a lot of information from people I consider to be knowledgeable and savvy folk – librarians, professors, authors; people of color, taste, and education. And corporately and separately, they have a lot of reasons, but hardly a definitive answer. They do touch on a couple of points that ring true to me, though – one, we keep telling people of color that their books don’t sell – and don’t stock them? Well. You can’t sell what isn’t stocked. Two, there’s this idea that books by people of color are, like, homework and vitamins – things you’re supposed to have to have a well-rounded meal. Nobody wants the food they’re “supposed” to have. Everyone just wants good food. Until we can get over the “people of color as cod liver oil” idea that seems to have permeated American society, and the idea of “tolerance” – man, I hate that word, because all it means is “putting up with crap we don’t like,” instead of actually being loving and inclusive – this is where we’ll be.

And the point that hit me most of all: nowadays, just selling a book is harder. People are all about the new – you’re only as good as your next book, new authors are better than old, next big thing is better than what you loved last year, and readalikes to THE HUNGER GAMES or HARRY POTTER or whatever are all the rage. Writers of color, however new, are expected to produce …what? Not the next HUNGER GAMES, that’s for sure. The expectation seems still so weirdly strictured: poverty, slavery, history.

It’s actually hard, perhaps harder after winning a nod from the ALA, to write a book that feels “worthy.” That’s the word I’ve heard repeated: “worthy.” Roger Sutton kind of hit the nail on the head for me, when responding to this – that there’s an awful lot of earnest, good-for-you type of literature accepted from writers of color, and “we need more rubbish.” I’d say “rubbish” is his little joke, but the intent is serious. I LOVE MARE’S WAR. I will always love it, and the story that should have been commonly known about those women just trying to take part in what was supposed to be all of the country’s struggle. I’ll always love the process, the wonder, the discovery of those pages – for myself. But, I don’t love how long it took me to publish a book afterward, how my editor repeatedly told me that she wanted something more like MW, that I got the feeling that if I would only produce another work of historical fiction that doors would be opened to me. I actually felt like I was being stubborn for hoping to write science fiction, for dabbling in contemporary YA fiction – like I had to have a greater hook than other writers just to get in the game.

This isn’t me getting out my tiny violin and wailing sad songs – no, way. Getting published was a dream come true. Being published three times is the stuff of giddiness. But, in between those three publications were four or five novels which were shopped around and to which people said, “Well, they’re fine, but…” and could give me no concrete descriptions of that “but” meant.

My editor tells me that the time of the Contemporary has swung round again at last. Novels about real people with real lives and normal families with no fangs or fey blood in their family trees are on the rise. I will keep writing. I will also, however, hope for a couple of things:

*** One, that we remember that publishing is a business. They’re in it to make money. They are not in publishing for social reform. We cannot look to publishing companies to lead the revolution. People’s attitude about race and ethnicity in this country are as fractured as ever, and are reflected in the production of multicultural books. We don’t truly believe we’re all alike and sisters under the skin. We really do think – and it shows – that there are stories of “us” and then there are “others.” We need to stop othering, as a world, before we expect to see that from publishing. We need to get to know people from other cultures and skin colors, and truly accept that there is a commonality in the human experience. We all were embarrassed and horrified dorks during adolescence. We all had a rough “first love.” We all have had heartbreak. We’ve all had besties and worst enemies. We really are all alike.

*** Secondly, I hope we keep passing along good stories – stuff we’ve read that isn’t perfect, but is worth buzzing about. I’m not just talking about something as simple as choosing a book by a writer from another culture for your next book club or summer reading list selection, though that is a fab step. I’m also talking about talking up books to your local bookseller, and making some noise when they don’t have a book. “I’m surprised you’re not carrying _____. We have a really diverse community, and could use books like this.” We have to all be advocates for multicultural children’s literature.

*** Finally, I still hope someday to be a published SF author, and a mystery writer, and a heart-thumping romance novelist. I think we, as writers, simply have to keep trying.

A lot of thinking to do, yes, about this, and other things. But, more than that, a lot of writing to do. And, I’d best get back to it.

{change, potential, and the man with the flag}

Irene Drive 13

I can’t tell you how much I love furled flowers. The near-openness of a sunflower simply says “potential” in mile-high green letters, doesn’t it?

Here’s a bit of random factoid-ing to drop on you: In 1865 there were a series of laws passed called Locomotive Acts. One is better known as The Red Flag Act of 1865. See, there was this troublesome invention that had come along from America, and it was ruining everything for the stagecoach and steam engine folk. Oh, it was the automobile, and how the big industries back then hated it. But, only Luddites were against progress, so, in order to seem in favor of the thing, lobbyists passed this Act, which enabled automobiles to move safely… very, very safely.

See, for safety’s sake, the Red Flag Act mused, each automobile should come with a crew of three: a driver, an engine stoker, or mechanic, and a man walking in front of the car waving a red flag. Via Wikipedia: “Walking at least 60 yards (55 m) ahead of each vehicle. The man with a red flag or lantern enforced a walking pace, and warned horse riders and horse drawn traffic of the approach of a self propelled machine.” Oh, yes. WALKING. In FRONT. WAVING.

Because, that will keep cars on the road, yes that will. The sheer nuisance value was supposed to make that pesky automobile disappear.

Of course, history, and the advent of Mini Coopers, bears the rest of the tale – obviously, cars are here to stay, and change, no matter how badly handled or seriously opposed, comes to us all.

That’s been my “something to think about” for awhile. Change comes. I remember when Sara Zarr started blogging about her diabetes in 2009 and I thought, “Wow, that’s something so personal!” Blogging tends to show only the slimmest margins of who we are in our entirety, but Sara comes close to a kind of honesty in both her blogging and writing to which I can only aspire. I have been thinking about the kind of moves it would take to bring me to such an honest place, and then that topic of Change came up again. Oh, change. How we resist you. How we tangle you up with flag-waving heel-dragging. And still you bear down on us, terrifying us with your power to obliterate all the known.

I hate to change a thing, but, I have. I have made some changes, the smallest of which, like Sara’s, has resulted in accepting what I cannot change, in return for some renewed health, and some pounds falling by the wayside, lost, and hopefully this time not to be found again. It’s resulted in some decisions about dealing with my family, and my family-of-choice, and how and who I am choosing to be, from here on. It means I’m letting more people in. Conversely, it means, too that I need to take steps to leave some people out, to understand that they will not ever be able to take what I am and return what I need.

I’ve let off the stoker. I’ve benched the man with the flag, and have tied it to my bumper. My wheels have touched down to a new road, and right now, I’m the only one in the driver’s seat.